So duk 2: Tin dei duei kuet

(2019) The White Storm 2: Drug Lords CRIME DRAMA/ ACTION THRILLER

Co-written and directed by Herman Yau that has the second film that is unrelated to the first "White Storm" movie except by only title. Even Louis Koo character is different who's name and perhaps persona is different that he played on the first movie. In other words, the second film can still be watched without the first one even being watched at all.

The synopsis opens with Yu Shun Tin (Andy Lau) girlfriend leaving him as a result of his gangster lifestyle. And is ordered by his boss, called Chief/ Yu Nam (Kent Cheng) to pick up a guy name Dizang and he turns out to be the same actor played by Louis Koo, who played as an undercover narc, So Kin-chow in the first "The White Storm". Louis Koo is a total different character in this one. This time he plays a gangster, Dizang aka Fung Chun Kwok who owns a few nightclubs and sells drugs, mainly coke. It appears, some of his guys have been dealing on the Chief's turf. And the Chief wants Dizang to put a stop to it, forcing Yu Shun Tin to punish him severely by removing some of his fingers, putting a strain on their long time relationship. The movie then jumps 15 years later, and Yu Shun Tin goes on his own, and is involved in a new relationship. This time it is with a speaker, Michelle Chow (Karena Kar-Yan Lam) and has become a successful investor, and is also involved in the narcotics bureau, while Dizang continues to do what he does which is to continue to produce drugs and dealing. Yu Shun Tin then receives a letter that the previous girlfriend who had left him at the opening, now tells him she has cancer is going to die that the last pregnancy she had, that the person she had a child was actually her son named Danny. And has apparently took the wrong path and is is an addict. Leading to the both of them to cross paths again, for it is just a matter of when.

As a action fan of 1990's movies I give this a pass and a slight improvement over the first movie that is full of way too many dramatic scenes that motivated me to use the mute button. There is at least 2 or 3 action sequences that I thought is worth watching- one after the 30 minute mark during the drug bust raid by the police. Actual car crashes and stunt men can clearly be seen, rolling off of cars and so forth, and the final car chase toward the end that led to an obvious CGI subway crash that would have costed a lot of money had it been an actual subway car that was used.

If you enjoy Hong Kong action flicks, then you're likely to enjoy The White Storm 2: Drug Lords. It's recommended viewing for fans of the genre.

I saw this for the first time today after freshly remembering the first one. The plot gets tedious n the film is not at all engrossing like its predecessor. There is no likeable or memorable character. The shoot outs n the car chase sequence is badly edited. The film starts like Deathwish 4 but goes downhill. While the first one has good suspense n tension, this one gets boring. The ending is also a meh.

White Storm 2: Drug Lords, has nothing to do with the original. The sequel is interestingly a mixed bag, that probably has something for everyone, though only on a peripheral level. Tin (Andy Lau), begins the film as a member of the Triad, who is ordered by his uncle, the gang's boss, Yu Nam (Ken Chang), to punish his long-time friend of twenty years, Dizang (Louis Koo), who has been pedalling drugs, despite the gang's strictest rules to never touch the stuff. Thus, Tin chooses familial loyalty over his friend, gravely wounding him for his betrayal, and having him exiled from the gang.

Tin and Dizang's brotherhood is merely spoken about, and is never appropriately shown, making this moment not cut as deeply as it could have, though the acting of both leads marvellously propels the drama of this feature forward. Beginning in 2004, the film rushes chronologically through events until reaching the present day, glossing over Tin's achievements in leaving the Triad and becoming a successful businessman and philanthropist. This is seriously underdeveloped, his business being given little depth, while his financial situation is merely used as a plot device. His marriage to business partner, and lawyer, Man Fung (Karena Lam) is also provided no backstory. Their on-screen chemistry is limited to only a few scenes, while her professional duties are rarely glimpsed, the main drama being her battle to conceive, this dizzyingly beautiful actress not provided the screen time she deserves.

Not long into the movie, Tin receives a letter from former lover, Mei (Chrissie Chau), who, diagnosed with terminal cancer, reaches out to him about their son she had in secret, who has turned to drugs. This propels Tin back into the grisly underworld he escaped, which leads him back to Dizang. Koo does a terrifyingly good job at making his character appear psychopathically savage, though for the most part, he is unfortunately forced to portray a pseudo playboy, rather than the intelligent, ruthless mastermind that he is.

Thus begins Tin's battle to bring down the city's biggest drug lords, the film, annoyingly, rarely showing just how involved in this battle he is. Inevitably, his decisions put him at odds, with by-the-book police officer Lam (Michael Miu), who you would occasionally be forgiven for forgetting was even in the movie. With the death of his wife by the hands of drug addicts, and his daughter pleading for him to bring down those responsible, it is amazing that he believes justice will prevail, in a film that continuously shows how unjust society and human-nature can be. The main members of his unit however, Jack (Carlos Wan) and Apple (Michelle Wai), along with their supposed romance, are provided even less detail - if that is at all possible.

The film quickly jumps from one character to another, never giving anyone (exception, the two main leads) enough opportunity to shine, and nowhere else could this be truer than in the film's action set pieces. Here, the editing is as fast as an automatic weapon. True, this intensifies the excitement, with cars performing elaborate stunts and people shooting left and right, though the sporadic nature of the cuts makes establishing who's fighting who; who's pursuing who, and who is dead or dying, difficult to comprehend. It is also disappointing that the leads are seldom seen during these frantic moments, though they are given a fabulous moment together in a uniquely amazing car chase.

The film's drama is slowly built up until boiling point, through a series of melodramatic set pieces, threatening conversations and provocative staring competitions. The film is loud and boisterous, and left me thoroughly entertained, despite the serious lack of development of characters, relationships and agendas. This is a movie with a simple, but effective narrative, that desperately wants to get to its exciting ending, no matter the cost, and if the wild car chases and shoot-outs, and professional chops (and handsome faces) of Lau and Koo can't cut it for you, not much probably will.

The raison d'être for this movie is that it showcases Hong Kong's classic film style of drug gang, extensive car chase/wreck, shoot-out, action scenes at an extreme level. So many fight scenes it, at times, was difficult to tell who's bad, who's good, and who's either both or neither. Great at what it was meant to be.