La adolescente Mei, de 13 años, se convierte en un panda rojo gigante cada vez que se pone muy nerviosa.La adolescente Mei, de 13 años, se convierte en un panda rojo gigante cada vez que se pone muy nerviosa.La adolescente Mei, de 13 años, se convierte en un panda rojo gigante cada vez que se pone muy nerviosa.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 9 premios y 92 nominaciones en total
Rosalie Chiang
- Meilin
- (voz)
- …
Hyein Park
- Abby
- (voz)
Wai Ching Ho
- Grandma
- (voz)
- …
Mia Tagano
- Lily
- (voz)
Sherry Cola
- Helen
- (voz)
James Hong
- Mr. Gao
- (voz)
Resumen
Reviewers say 'Turning Red' has mixed reviews, with some praising its animation and others criticizing it for being unappealing. The plot is deemed predictable and formulaic, lacking originality. Puberty themes are either seen as too explicit or inadequately handled for family audiences. Pacing issues and filler scenes are noted, along with underdeveloped supporting characters. Despite these criticisms, some appreciate the film's attempt to address complex themes and its vibrant animation style.
Reseñas destacadas
In the latest Pixar movie, Rosalie Chiang voice a 12-year-old girl in Toronto in 2002. She is the daughter of a tiger mother, has nervous breakdowns when she comes in second in spelling bees, and is securely under the thumb of her mother -- voiced by Sandra Oh -- although she adores a boy band, of which her mother severely disapproves. But being at that age, she finds a change in her body: under great emotional stress, she turns into a giant red panda. This turns out to be true of all the women in her family.
In what may be described as 'fantasy autobiography' -- the director was born in China, moved to Canada at 2, and was twelve for most of 2002 -- we see the expected Pixar combination of technical excellence -- the red panda looks like a plush doll, with every one of its million or two hairs carefully drawn -- and story telling. It hews a little too closely between its literal and figurative meaning -- we're dealing with menarche in some form -- with jokes about her mother bringing tampons and similar products to school, embarrassing the protagonist. But I laughed out loud and leaked some tears, and what more can you demand of any movie?
In what may be described as 'fantasy autobiography' -- the director was born in China, moved to Canada at 2, and was twelve for most of 2002 -- we see the expected Pixar combination of technical excellence -- the red panda looks like a plush doll, with every one of its million or two hairs carefully drawn -- and story telling. It hews a little too closely between its literal and figurative meaning -- we're dealing with menarche in some form -- with jokes about her mother bringing tampons and similar products to school, embarrassing the protagonist. But I laughed out loud and leaked some tears, and what more can you demand of any movie?
There's a reason this movie is a PG and not a U! Everyone having a little turn because a 13 year old girl is given some maxi pads and has crushes on boys - it's not woke, it's reality.
And if you have a problem with characters wearing turbans/hijabs, then I really think you need to look deep inside yourself!
This movie doesn't feel like a Disney/Pixar because it's cringey and has anime elements - but it's still fun, and my 10 and 8 year old boys had no problem at all with seeing sanitary protection because guess what, they see it in our bathroom every day!
And if you have a problem with characters wearing turbans/hijabs, then I really think you need to look deep inside yourself!
This movie doesn't feel like a Disney/Pixar because it's cringey and has anime elements - but it's still fun, and my 10 and 8 year old boys had no problem at all with seeing sanitary protection because guess what, they see it in our bathroom every day!
Interesting. I thought my 14 year old & her 13 yr old friend would have loved this movie. We waited for it to come out and they had a movie night. 3/4 of the way through they were bored and switched to the Nintendo switch. They said they didn't really "get" what the point of the story was and they lost interest. Head scratcher. I need to watch it myself but if the target audience don't enjoy it - is it really for them?
I can recognize myself in a lot of Mei's experiences and learned something new about them as well. There are not a lot of movies that normalize other significant parts about puberty like periods and understanding your parents, but this one does and they do it perfectly. Even for those watching who cannot relate to Mei's experience, it's a great watch to see where she and other girls may be coming from.
The idea, the metaphor is not bad, coming of age or rather turning red (and honor your parents but stay yourself). Pixar production and graphics as good as ever. What is missing in the latest productions, in my opinion, is the genius of Pixar. They seem closer and closer to a typical Disney production, beautiful and musical but not brilliant.
This decline, I fear, may be due to an excess of production wanted by the Disney company, and I understand it but, there is a big difference between a tailor's shop and an industrial distribution of clothing.
Although I am an adult (and perhaps for this reason), I loved Pixar because in the past its target has never been solely that of children, they have included adults. Outstanding Pixar movies like "Wall-e", "Up", "Inside / Out", "Coco", "Finding Nemo" and Dory, also "Soul", even more than the still wonderful "The Incredibles", "Toy Story", "Ratatouille" , "Cars" etc. They bring with them messages, often moving, that do not concern only our children but also adults. Indeed, some messages are not immediately understandable by a very child / adolescent audience but they leave the fun to them anyway. In fact liked these movies as much as my son did.
This latest movie as well as "Brave", to a lesser extent also "Luca", show a slight flattening to Disney standards which I'm not saying are bad but they lack that typical modern tell and sneaky, Pixar genius.
This decline, I fear, may be due to an excess of production wanted by the Disney company, and I understand it but, there is a big difference between a tailor's shop and an industrial distribution of clothing.
Although I am an adult (and perhaps for this reason), I loved Pixar because in the past its target has never been solely that of children, they have included adults. Outstanding Pixar movies like "Wall-e", "Up", "Inside / Out", "Coco", "Finding Nemo" and Dory, also "Soul", even more than the still wonderful "The Incredibles", "Toy Story", "Ratatouille" , "Cars" etc. They bring with them messages, often moving, that do not concern only our children but also adults. Indeed, some messages are not immediately understandable by a very child / adolescent audience but they leave the fun to them anyway. In fact liked these movies as much as my son did.
This latest movie as well as "Brave", to a lesser extent also "Luca", show a slight flattening to Disney standards which I'm not saying are bad but they lack that typical modern tell and sneaky, Pixar genius.
¿Sabías que...?
- CuriosidadesThe number 4 is considered unlucky in Chinese culture; it sounds similar to the word for "death" in both Mandarin and Cantonese.
- PifiasLester B. Pearson Middle School has a sign for Canadian Indigenous People's History Month. It's actually called National Indigenous History Month, and it was first observed in 2009.
- Créditos adicionalesAt the end of the credits, a brief scene is shown revealing Jin, Mei's father, being a closeted 4*Town fan.
- Versiones alternativasWhen the audio track is set to English (UK) on Disney+, Lauren's voice is re-dubbed by Anne-Marie.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Turning Red for the Brawl (2021)
- Banda sonora1 True Love
Music and Lyrics by Billie Eilish and Finneas O'Connell
Performed by 4*Town (Jordan Fisher, Josh Levi, Topher Ngo, Finneas O'Connell and Grayson Villanueva)
Japanese version performed by Da-iCE
Produced by Finneas O'Connell
Recorded by David Boucher
Mixed by Rob Kinelski
Vocal arrangements by Finneas O'Connell and David Giuli
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Turning Red
- Localizaciones del rodaje
- Toronto, Ontario, Canadá(on location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 175.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.399.001 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 578.047 US$
- 11 feb 2024
- Recaudación en todo el mundo
- 21.813.358 US$
- Duración1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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