Un hombre fiel

The film is a french rom-com that sometimes hints at being some kind if neo-noir, but none of the build up is ever well payed. It has some interesting choices, but it's cinematography is dull. The characters have a lot of hateful characteristics but you end up kind of understanding their point of view, maybe even liking them a little bit. There are a lot of questions made by the film thatyou could argue at never getting an answer. It's not bad, it's not great, it's okay, you can whatch it if you really like french movies

... Louis Garrel has to be one of luckiest men in the world... constantly working with some of the most gorgeous women in films (here with his wife Laetitia Casta), and being paid handsomely for doing so

... this an interesting little movie raising a few questions that never get answered... to ask them now would give away too much of the storyline, and you need not knowing where this is all going to make watching anyway worthwhile

... overall the production was okay... the ending being the greatest disappointment, and final unanswered question... French films notably do this alot... as in most other Western countries, the divorce rate in France has risen in the last decade, where now more than half of all marriages end in divorce... seeing this film it's understandable why.

I like romantic French movies, they revolve around the dynamics of relationships not in a 'rom-com shallow' way, at least most of the time. This movie is no exception - the plot is believable, I can imagine it happening exactly the same way in real life.

Acting is also good, pace is perfect - the movie is 75 minutes altogeher -, nothing is too dramatic or cheesy. Well done!

Second movie as a director for Louis Garrell, and (as in Two Friends) he pays tribute to the cinema that made him the director (and actor) he is today. The only problem is (for me) the conclusion of his movies, always quickly solving the good intuition of the start. His love for love triangles and ironic ways to talk about love disasters is a signature, and I wish he will be able to end a movie the way he knows how to start them.

Wow, this was bad. it was marketed as a"feminist take on the rom-com' but coming from Louis Garrel who displayed his deep misogyny with his signing onto a petition calling for the release of director Roman Polanski after his arrest in relation to his 1977 charge for drugging and raping a 13-year-old girl -- I doubt the he has the sensibilities for any "feminist take."

If course feminism in French film is more than an oximoron anyway. The feminism in this is having Johhny Depp's teenage daughter playing a liberated character chasing a near 40 year old man. ok. Yeah.

I felt this could have been one of harvey wienstiens films!