PUNTUACIÓN EN IMDb
5,2/10
13 mil
TU PUNTUACIÓN
Tres mejores amigas se embarcan en un viaje por carretera para asistir a un espectáculo de heavy metal, donde se unen a tres aspirantes a músicos y se dirigen a la casa de campo de una de la... Leer todoTres mejores amigas se embarcan en un viaje por carretera para asistir a un espectáculo de heavy metal, donde se unen a tres aspirantes a músicos y se dirigen a la casa de campo de una de las chicas para una fiesta posterior.Tres mejores amigas se embarcan en un viaje por carretera para asistir a un espectáculo de heavy metal, donde se unen a tres aspirantes a músicos y se dirigen a la casa de campo de una de las chicas para una fiesta posterior.
- Premios
- 2 premios y 1 nominación en total
Jean-Mathieu Bérubé
- Fireworks Metalhead
- (sin acreditar)
Nathan Michael Fletcher
- Metalhead
- (sin acreditar)
Carlo Harrietha
- Headbutting Metalhead
- (sin acreditar)
Steve Pacaud
- Cool Guy
- (sin acreditar)
Derek James Trapp
- Metalhead
- (sin acreditar)
Reseñas destacadas
Was all right, entertaining. Had a twist, Alexandra's acting was good, rest was ok. Johnny is Johnny, never disappoints.
But Blondie's eyebrows were darker than the movie and they were thicker than the plot.
Just saying.
We Summon the Darkness is a partially fun, nonsensical throwback to 80s slasher flicks, albeit with a mild satanic twist. There's really no depth in the writing (by Alan Trezza) here and it's almost like director Marc Meyers fully acknowledges this. They intentionally play to its B-movie strengths (a.k.a cheap thrills) - a death-metal concert backdrop, a bunch of boys and girls who are up for the textbook definition of a good time, and a little (but quite predictable) twist in the tale. However, the film doesn't fully embrace its Grindhouse potential.
The film gives more screen-time to Daddario, Hasson, and Forsyth. Daddario scores in the latter parts while Hasson keeps the sass levels unchecked. The dudes (Austin Swift, Logan Miller, and Keean Johnson) are serviceable at best, while Knoxville (as Pastor Butler) feels miscast. The gore isn't really off-putting; it just adds to the kills. The off-the-hook comedy barely works too; there's an overall feel of a dumbed-down Texas Chainsaw Massacre. The weapons (one of the most important elements in slashers), used to elevate the shock value, are surprisingly the least memorable.
The film gives more screen-time to Daddario, Hasson, and Forsyth. Daddario scores in the latter parts while Hasson keeps the sass levels unchecked. The dudes (Austin Swift, Logan Miller, and Keean Johnson) are serviceable at best, while Knoxville (as Pastor Butler) feels miscast. The gore isn't really off-putting; it just adds to the kills. The off-the-hook comedy barely works too; there's an overall feel of a dumbed-down Texas Chainsaw Massacre. The weapons (one of the most important elements in slashers), used to elevate the shock value, are surprisingly the least memorable.
Teen slasher with not enough slashing. Three teen girls meet three teen boys at a metal concert, and they take the party to a remote farm-house. Meanwhile, there are news stories about satanic murders being blamed on cults.
Pretty straight forward plot. The twists that occur are very easy to see coming. Nothing was reinvented with this movie. Nothing clever occurs throughout, though there is some intermittent suspense. You know what is going to happen at every beat, but there are still one or two thrills as you get there.
The production values are not bad, and at least it is shot well. But the dialogue is very poor, and much of the character interactions are not credible. The ending was also profoundly stupid.
Overall, disappointing. I probably won't choose to see this again, but if it's on TV, I might not change the channel.
Went into this one expecting a lot, I left disappointed.
It's the kinda film that reels you along, making you feel that something big is coming - and what comes is obvious and played out. It feels like a Scream rip-off, or any generic slasher really with a sprinkling of satanism, none of it really gels together. As a metalhead, the soundtrack is top-notch but good music can't save a bad movie.
It's the kinda film that reels you along, making you feel that something big is coming - and what comes is obvious and played out. It feels like a Scream rip-off, or any generic slasher really with a sprinkling of satanism, none of it really gels together. As a metalhead, the soundtrack is top-notch but good music can't save a bad movie.
It's the late 80s. Three young, attractive girls head to a rock concert and meet a few seemingly harmless metalheads. After playing a drinking game of "never have I ever ...", the evening doesn't quite go to plan ...
It has elements of Red State and 68 Kill but probably not quite as good as either movie. It is, however, well written and acted and the characters are likeable and interesting, so I found myself enjoying it throughout. It doesn't get too dark; the mood remains tense but hardly nerve-shredding and the gory scenes are in-keeping with the general vibe, ie. it's not gross-out horror.
The ending is perhaps a bit less well-coordinated than the rest of the movie but reasonably decent all the same.
It's a good light-horror popcorn flick with tension and laughs in the right places and will probably prove popular.
It has elements of Red State and 68 Kill but probably not quite as good as either movie. It is, however, well written and acted and the characters are likeable and interesting, so I found myself enjoying it throughout. It doesn't get too dark; the mood remains tense but hardly nerve-shredding and the gory scenes are in-keeping with the general vibe, ie. it's not gross-out horror.
The ending is perhaps a bit less well-coordinated than the rest of the movie but reasonably decent all the same.
It's a good light-horror popcorn flick with tension and laughs in the right places and will probably prove popular.
¿Sabías que...?
- CuriosidadesThe parking lot scene was inspired by the documentary short Heavy Metal Parking Lot (1986) about heavy metal fans outside a Judas Priest concert.
- PifiasSome of the one hundred dollar bills seen in a tackle box at approximately 54 minutes are the 2006 design, 18 years in the future of the events depicted in this film.
- ConexionesReferences El exorcista (1973)
- Banda sonoraBlack Funeral
Performed by Mercyful Fate
Written by Kim Petersen & Hank Shermann
Published by Universal Music Publishing MGB Ltd.
On Behalf of Universal Music Publishing MGB Holding
Licensed Courtesy of Metal Blade Records
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- How long is We Summon the Darkness?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- We Summon the Darkness
- Localizaciones del rodaje
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- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 60.794 US$
- Recaudación en todo el mundo
- 190.760 US$
- Duración1 hora 31 minutos
- Color
- Relación de aspecto
- 2.39:1
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