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Utterly haunting movie of life on the western front in WW1. Peter Jackson has thrown some serious computer firepower to bring these soldiers back to life.You will have never seen anything quite like this before.Breathtaking in many parts!

A century later, Peter Jackson produced an informative and fascinating documentary about the First World War, seen by the English, in the trenches of the Bay of Somme, with dusted and colored archive images.

Almost everyone expected a brief and victorious war, which, as it was said at the time, would be "over at Christmas". The continuation was very different and became a trench war. Hygiene was deplorable until it became laughable but the atmosphere within the troops was fraternal despite the constantly oppressive atmosphere.

And we also learn that the English infantrymen regularly had a mission to capture a Fritz. Knowing that from a military strategy point of view, this is a complete nonsense, a war prisoner being systematically an useless and cumbersome dead weight, it is perhaps a pity that this documentary does not give to the audience an explicit explanation. And the only rational explanation is probably this one: to force the English infantrymen to attack the Germans, the prisoner of war being the proof of the effectiveness of their attack ...

100 years on from the Great War we cannot pretend to know what life was like serving in the trenches. This incredible film brings us as close to experiencing it as we are ever going to get.

It is harrowing, it is poignant, it is funny. Above all else this film is heartbreaking. No punch is pulled, no attempt is made to hide the brutality of war or the hardship of the common soldier.

Quite simply this amazing documentary should be made compulsory viewing in all schools and for every soapbox, warmongering politician that would send our youth into hell.

I needed some time for this to sink in before commenting on it. This was equal parts funny, exciting, moving, harrowing, horrifying, upsetting.

Firstly, it's not a glossy documentary. There are some harrowing scenes in this that will, and should, upset you.

The first 25 minutes are of original black and white, speeded up footage with the original voices of troops telling their story over the top of it.

Then something amazing happens. The screen widens, the footage smoothes out, the colours shines through and in an instant your and seeing everything in so much more detail.

That said this was the first time I've seen footage from The Great War that didn't feel disconnected. It feels real. Seeing the colour on their cheeks and eyes, the dirt, the mud, the blood brings the old footage to life. Occasionally the colourisation takes on a slightly animated feel but never enough to draw you out of the engrossing scenes laid out before you.

Then the frame rate adjustment is amazing. Having computers generate the missing frames to adjust the variable 15-18fps to the regular 24fps is a visual butter knife that smoothes out the jerky footage.

Having the soldiers talk sounds like a mistake but it's done in such a subtle and sensitive way it never feels false. They've been lip synced perfectly and apparently even with the right accent for the infantry units depicted.

This was powerful viewing. Computers and technology being used for something so important, to allow 100+ year old footage to look so modern and yet not feel sanitised is amazing.

This should become compulsory viewing for every one, all schools too.

With footage thats this accessible there's no reason history should be forgotten.

As this historically important anniversary draws to a close, I just want to say that my viewing of this film was that of utter amazement. As a photo colouriser/restorer, I was absolutely astonished at the work PJ's team put into this. The transition from the original film material, then to the stabilised and corrected FPS and then the full colour and sound was one of the most spectacular things I have ever seen on the screen. The colour is natural and really helps emphasise the grittiness of war and brings out hidden details that may have been missed in the B&W source. Usually I prefer film not to be tampered with, but as Jackson says, this is how the men saw it - in living colour. The addition of the voiceovers from the surviving soldiers themselves is a great choice and doesn't distract and flows along nicely with the visuals. Throughout I expressed various emotions of sadness and shock, but surprisingly a few laughs, particularly one shot showing a soldier banging a tune on another soldiers helmet as they march. I do wish I had seen this on the big screen and I imagine what I have said is enhanced 100x more with that type of viewing. A fitting tribute to the men that did and didn't come home and I hope it is recognised and picks up many awards.