¿Quieres ser mi vecino?

My first thought after viewing this film was: How impressive is it that a documentary which presents itself as a story about a life of a man, gets us to think more about ourselves internally than it does make us think of the life of Mr. Rogers. All I could think about was what am I doing to improve the world or improve myself? How can you love your neighbor as honestly or as devotingly as Fred Rogers? Who was it that helped me get where I am today? How do I become the best person I can be? It's these questions that make appreciate "Won't you be my neighbor?" even more every second I think about it. I would consider myself a casual viewer of the original show, only ever seeing the episodes late in its run. But it always struck me as powerful because of the earnestness and genuinity of Fred Rogers and the messages he was trying to get across. Is our world in a better place now than it was before the show? Probably not. But his message of loving yourself and loving your neighbor is something that transcends generations and ideals. I would be hard pressed to find a film that was as emotionally impactful as this in 2018. It's exactly the type of film we need at right now, when our world is at a low. Rogers truly represented the best a man could be and it's time we got back to viewing life the way he did. Love is at the root of everything, love or the lack of it. Wow, if there was ever a quote that could represent an entire population, generation, or world. That may be it.

10/10

This is a documentary about the legendary Fred Rogers who created the iconic children's show. I never saw the show other than a few clips although I'm certainly familiar with the ideas of the show. I probably know it more from its many spoofs. What I didn't know about Fred is his religious convictions or that he's a Republican. Neither is that surprising although it sheds some light on his personal views. Like some suggest, this is his sermon to the children of America. His unabashed conviction of the goodness of humanity is undeniable and infectious. He is who he is. One can really see his world view and his natural self in this. The best moments come from the kids with loving open eyes when they meet their best friend from their TVs. It is a touching tribute and it doesn't shy away from the darker material. That's not to say that Mister Rogers had a dark side. It's that there are actual people who hated Mister Rogers. It's an interesting insight into the man when he tells Clemmons that he has to fire him if his homosexuality comes out of the closet. The man has convictions but he's not a revolutionary trying to overthrow the establishment. It's obvious that the children comes first and at the end of the day, he is for the children.

I was lucky enough to see this modern marvel of a film at the Sundance film festival. Well edited and seamlessly structured, this film pays a true homage to the art of making a documentary, and to a man that society didn't know they needed until he came along on their television screens.

Full disclosure: I am a cynical, negative atheist. This was one of the best films I have ever seen. I was profoundly moved by the vision of such a kind, gentle, subtle and genuine human. Fred Rogers was a Christian Republican. Today's "Christian" "Republicans" should be forced to watch and discuss this film. Doing so would change the world.

Greetings again from the darkness. Is it too good to be true? We often ask that question in life, but when it comes to Fred Rogers of "Mr. Rogers' Neighborhood", director Morgan Neville's documentary proves the answer is no ... he was good and true. Fred Rogers hosted the children's TV show on PBS for more than 30 years, starting in 1968. The terrific (and surprisingly emotional) film provides the background of the show, and more importantly, profiles a wonderful man.

Director Neville (BEST OF ENEMIES: BUCKLEY VS VIDAL, 2015) has produced numerous biopics on musicians ranging from Keith Richards to Muddy Waters to Johnny Cash to Brian Wilson. His subject this time out was known for his singing the show's familiar opening number, and his lyrical legacy was his substantial impact on many generations of children. Mr. Rogers was an ordained minister and, in the early days of television, recognized that violent cartoons were not appropriate programming for the formative childhood years. Even in the early years, he was an outlier with sincerity and wholesomeness in entertainment. He never shied away from tough topics - not even death - whether it was the assassination of Robert Kennedy or a dead fish in the aquarium on set. He spoke directly to children in a voice and language they understood.

There are interviews with fellow cast members, long timer crew members, and relatives, including his wife Joanne. We hear Francois Clemmons (Officer Clemmons on the show) discuss how Mr. Rogers addressed Clemmons' homosexuality and race, adding poignancy to the shared televised foot bath. Archival footage takes us back to the early years, and we see Lady Aberlin and Daniel Tiger in both black and white and color segments. We learn that the puppet Daniel most resembled the personality of the host himself ... a quiet, patient, compassionate being who cared about others.

We see footage of Fred Rogers testifying in front of a Senate sub-committee to prevent funding for PBS from being eliminated, and we see numerous cardigan sweaters and tennis shoes. Mostly we see the approach of a man who built a legacy on kindness and human decency ... a lifetime pursuit of uniting that led to struggles with depression. His obsession with 143 - both his weight and his code for "I love you" provides some insight into his personality, and mostly we hear others speak of his lasting impact.

Rather than comedy and pranks, Mr. Rogers was intent on making kids feel safe and secure in a scary world. Sure he educated - often subtly - but it was his innate ability to comfort that kept kids coming back. There are naysayers who say he is responsible for generations of entitled kids who grew into entitled adults, but the film addresses this by showing Roger's commencement address where he clearly explains the "special" label. His final show was in 2000 and he died in 2003. His legacy is simple yet powerful. We can each do better. We can each be better. We can each be better neighbors.