Monsters and Men

The film starts out well enough, the acting is good and the story nuanced. The starting material and development are powerful, if predictable (nothing wrong with that). Perhaps to counter this, the option was to consecutively follow three different perspectives on the same events, three characters who hardly intersect, each with a clear "role" in terms of message. Although permanently unresolved issues are a key component of the film, in the end for me it felt disjointed due to this, three partial stories not necessarily making up a single great on. But I look forward for more from this director.

Sadly this happens.

Hopefully one day it will cease to.

If Monsters and Men were a more incendiary testimony to police brutality, as its title suggests, the audience would be fired up to demonstrate in favor of minorities who have been wronged in "stop-and-frisk" injustices. Fortunately, it's not more volatile; it is rather a thoughtful, albeit measured, rumination on racism and inequality.

Debut director, Reinaldo Marcus Green, takes a careful look at an event that sounds like the death of Eric Garner in 2014 Staten Island. In Brooklyn's Bed-Stuy neighborhood, Nuyorican Manny (Anthony Ramos) witnesses an innocent youth murdered by a policeman in an all-too frequent stop of young black men. Manny spends the first part of the film tortured about the right thing to do with his evidence.

In a second of three segments, black patrol officer Dennis (John David Washington) is conflicted between his loyalty to the force and his understanding of how the system does not favor black men. Although he's dropped from the rest of the film, he represents the moral quandary about the injustices and the fact that some characters will not follow the usual clichés of these message-type dramas.

The film doesn't so much as preach, either through voiceover or ponderous character, as it shows the daily indignities of young NYC black men in the white-dominated system that makes justice elusive for him and his peers.

In the final segment of the tryptic, Zyric (Kelvin Harrison, Jr.) is a gifted young athlete forced by his conscience to join the protest against brutality and at the same time jeopardize his future to play pro baseball. Like Monsters and Men, Zyric asks you to join him deciding to do the right thing. Not everyone does.

There are far too many films that go unnoticed each year and fall by the wayside, being remembered as a little gem of the year that it was released. While Monsters and Men probably won't make any of my must-see lists, it's a shame that this particular movie probably won't find a large audience. It's stories like these that explore the issues we face on a day-to-day basis that never get seen. People ask for movies that they can sympathize with or relate to, but they hardly ever turn out to see them. It's sad to say, but most independent movies don't receive the box office return that they deserve. If you notice Monsters and Men playing in your city and are ready to sit down and witness something raw and true, then here's why I definitely recommend checking this one out.

After resisting arrest, a young man is unarmed but gunned down by the officer anyway. Monsters and Men follows characters during the aftermath of this police shooting and how it affects the lives of others, regardless of whether or not they had been related. The core story revolves around the teenager who filmed the shooting and how it affects him on an emotional level, a police officer who is ridiculed for the way that he chooses to look at the event, and a young baseball prospect, who happens to have a policeman as a father. The way these stories sort of intertwine will either work for you or it won't, but I found this particular story to be incredibly engaging.

Many viewers may be thrown off by the slow pace and long scenes of self-reflection, but I personally found these moments to non-verbally give depth to each of these characters. For instance, the opening sequence of the movie showcases an off-duty cop being pulled over, simply because the colour of his skin didn't sit well with the police officer who pulled him over. This sequence sets the overall message of the movie in motion and his police officer easily became my favourite portion of the film, delivering one of the best speeches I've heard all year. It's quite eye-opening and really makes you think twice about the way news and media manipulate stories on a daily basis.

Where this film started to lose me, however, was in its final few moments. Once the first two acts conclude and every message the film wanted to give has been given, you can clearly see where the film will probably end its run, and it does nothing to deviate from that. The story is the strongest when it's following these characters, but it becomes a very simplistic film by the end. I found myself wondering why the filmmakers chose to end on such an easy note, but it also doesn't hurt the movie in any way either. I was frustrated, solely due to the fact that the performances were terrific and the story progressed so nicely, but it chose to play it safe (possibly to not offend or manipulate any of its viewers).

In the end, Monsters and Men is an upcoming feature film that I don't believe is receiving anywhere near the marketing that it deserves, which is a real shame, due to the fact that it's quite a good film all around. From the quiet moments that build character, to the score that almost becomes its own character, to the continuous messages placed throughout the film, I was engaged from start to finish. There are surely some moments that play it too safe, but this is a very well-crafted story that deserves to be seen by many. I recommend checking it out if it's playing in your area, or even on demand eventually.

A young man films the shooting of an unarmed black man by police officers in New York. This sparks a broader reaction in the community.

This is a very topical and important subject. However, the film lacks real power and emotional impact. The ending is unfulfilling.