PUNTUACIÓN EN IMDb
6,8/10
4,2 mil
TU PUNTUACIÓN
Engañada por un notorio libertino, una viuda trama su venganza.Engañada por un notorio libertino, una viuda trama su venganza.Engañada por un notorio libertino, una viuda trama su venganza.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 14 nominaciones en total
Edouard Baer
- Le marquis des Arcis
- (as Édouard Baer)
Reseñas destacadas
The film is beautifully crafted. I enjoyed every single color palette and the perspective chosen in every scene. Although the plot is a little predictable, it very much suits the reality of the characters and where they lived in. I loved the concept of a subtle revenge and karma. That everything you did will always get back at you one way or another.
Also, I don't know if it's a language barrier or what. But I think it's genius how in the end we never really get to know the characters' first names. It gave a feeling of watching this from a distance which I must say differentiate the film from the others with similar plots.
Also, I don't know if it's a language barrier or what. But I think it's genius how in the end we never really get to know the characters' first names. It gave a feeling of watching this from a distance which I must say differentiate the film from the others with similar plots.
Highest rating because I am happy the French can still pull off films that are fully in character with the culture of the 18th century. This film is right up there with "Ridicule" and, even Dangerous Liaisons.
I came into this not knowing what to expect but some kind of love story. Though it started off slow and continued to spectacularly fail the Bechdel test, it grew strongly into a curiously entertaining romp, aided by an almost pantomime score. The best part was that it could be viewed as a light comedy, but should the viewer deign to scratch the surface, they would notice the bitter pill under the sugar coating. The movie alludes to a number of human themes, mostly around forgiveness and redemption, and for the discerning viewer there is a lot more to enjoy than at first might meet the eye
Arthur Schopenhauer on Women's Love & Hate:
~In revenge and in love, the woman is more barbaric than the man.
~When a woman loves, a man should be afraid: because she sacrifices everything at this time, and she considers everything else worthless.
This movie was exactly like what Schopenhauer said: When a woman loves, a man should be afraid, and he shall scare to death if she hates you. You may fool her once but her revenge will be served cold.
This movie was exactly like what Schopenhauer said: When a woman loves, a man should be afraid, and he shall scare to death if she hates you. You may fool her once but her revenge will be served cold.
Lady J was such a great surprise for me to see. I was not expecting to like this movie and I had not heard of it before streaming it on Netflix, but I loved it. This movie was filled with beautiful, over-the-top, ornate sets and costume design, with intricacies that made almost every scene fit to be painted. It also had a great soundtrack that fit the genre but was not boring. My favorite feature of Lady J was how the likability of the characters changed throughout the movie. The screenwriting and directing, of course, accomplished that, but I also saw difference in the slight mannerisms of the actors that changed with their likability changes. Since I cannot understand the spoken language, the non-verbals were very important for my understanding of the characters. Each main character was both good and bad and most acts are framed as both good and bad. My perception of who was the hero/villain, who was as the protagonist/antagonist, flawlessly ebbed between the characters and themes. Most of the characters are likable at some point, and all have some good personality traits, but throughout the movie almost all of them do morally wrong, or downright creepy or cruel, things. There seems to be something in Lady J for everyone- it's beautiful to view, fun to hear the French language and musical score, filled with compelling and realistic characters (albeit rushed in terms of character development), and overflowing with meaningful themes about societal themes and interpersonal relationships. Lady J seemed to embrace and push past the cliches of its genre to touch on human nature, the complexities of relationships, and the inherent tensions and corruptions resulting from inequality (sex, age, financial, influence, religion) and self-centeredness (delusion, self-aggrandizement, callousness, vigilante justice, lack of introspection, pride). I'm not sure how those who made this movie managed to do so, but this movie left me with renewed belief in humanity. The value of connection to other people and society and of connection to a transcendent sense of morality, justice, and emotion across humankind reveals itself throughout the movie through the failures of the characters to connect and the messy process that results from the lack of true connection to each other and humankind.
The ending is a good one, depending on which character you ask!
The ending is a good one, depending on which character you ask!
¿Sabías que...?
- CuriosidadesFree adaptation of an episode of Denis Diderot's "Jacques le Fataliste et son Maître", written in 1773, published in Paris in 1796 by Buisson.
- ConexionesVersion of Las damas del bosque de Bolonia (1945)
- Banda sonoraPizzicato
Composer: Johann Georg Reutter
Artists: Margit Übellacker (Salterio) - La Gioia Armonica - Jürgen Banholzer (direction)
Title of album: Portus Felicitatis
Catalogue No.: RAM 1302
Radio Bremen 2012
2013 Outhere
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- How long is Lady J?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- The Art of Seduction
- Localizaciones del rodaje
- Château de Sourches, Saint-Symphorien, Sarthe, Francia(Madame de la Pommeraye's chateau)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 5.000.000 € (estimación)
- Recaudación en todo el mundo
- 4.139.139 US$
- Duración
- 1h 49min(109 min)
- Color
- Relación de aspecto
- 2.35 : 1
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