PUNTUACIÓN EN IMDb
6,0/10
6,4 mil
TU PUNTUACIÓN
Basado en las memorias políticas de Yanis Varoufakis, sobre cómo la crisis afectó a la economía griega, que fue llevada al borde de la bancarrota, y cómo el nuevo gobierno se rebeló contra l... Leer todoBasado en las memorias políticas de Yanis Varoufakis, sobre cómo la crisis afectó a la economía griega, que fue llevada al borde de la bancarrota, y cómo el nuevo gobierno se rebeló contra las duras medidas impuestas por la UE.Basado en las memorias políticas de Yanis Varoufakis, sobre cómo la crisis afectó a la economía griega, que fue llevada al borde de la bancarrota, y cómo el nuevo gobierno se rebeló contra las duras medidas impuestas por la UE.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 4 nominaciones en total
Dimitris Tarloou
- Efklis
- (as Dimitris Tarlow)
Giannis Dalianis
- Dimitris
- (as Yannis Ntalianis)
Resumen
Reviewers say 'Adults in the Room' is a politically charged film about the Greek financial crisis, praised for its depiction of events and Christos Loulis' performance as Varoufakis. Criticisms include a one-sided narrative, lack of character development, and amateurish direction and acting. Some find it engaging and informative, while others deem it boring and poorly executed. The ending is divisive, seen as surreal and out of place by some. The film sparks debate over its accuracy and artistic merit.
Reseñas destacadas
A clear view from within the eurogroup during the Greek drama. Gavras is bold and shows high tensions, clear colors of the circus we live in, luck of democracy, solid reasons for criticism of an amateur leftist government including Yianis and a great Lulis acting this role. The finale though is weak imo. A solid 6! - but we must revisit the film a few years later. Gavras takes the risk and makes the movie from his and Varoufakis point of view and gives a true atmosphere of the time. If you watch the film watch it trying to stay out fro
m political parties and personal views. Discuss it later.
As far as the real events, i watched what I was expecting even me not having read Varoufakis's book. So almost nothing special here, no surprise. So, despite the "outsider's" role of Varoufakis, expected some more "insider's" information.
I liked the performance of almost all characters. They are totally in line with the actual person's image to the public, in a dramatic and brutal realistic way together. I would say it is Gavras style with a bit of Nikos Perakis'...
I liked the photography. Lighting and colors are top notch in bright and dark scenes. Especially the darks in Varoufakis' house or the semi-lighted scene when Varoufakis speeks to british bankers. Composition and perspective are also excellent. However, there was some lens distortion in the wide internal shots that could have been avoided. DOPs have managed this decades ago shooting film, so no excuse have them shooting digital nowadays, except it was a choice not a compromise, however i can see no reason for this in those particular shots.
As far as the screenplay and editing. Did not like it very much as a whole. Nice cuts, fluid scenes, but many important events are a bit squeezed at the end. Like the editor suddenly realised that he aproached the movie's time limit and had to exclude takes, or the producers suddenly run out of money. Maybe that is how Varoufakis book ends? Do not know, but it is a movie not a book and I believe great Costas Gabras could have done better here. Final documentary titles also seem to try and fill this gap, with no success in my opinion.
I liked the performance of almost all characters. They are totally in line with the actual person's image to the public, in a dramatic and brutal realistic way together. I would say it is Gavras style with a bit of Nikos Perakis'...
I liked the photography. Lighting and colors are top notch in bright and dark scenes. Especially the darks in Varoufakis' house or the semi-lighted scene when Varoufakis speeks to british bankers. Composition and perspective are also excellent. However, there was some lens distortion in the wide internal shots that could have been avoided. DOPs have managed this decades ago shooting film, so no excuse have them shooting digital nowadays, except it was a choice not a compromise, however i can see no reason for this in those particular shots.
As far as the screenplay and editing. Did not like it very much as a whole. Nice cuts, fluid scenes, but many important events are a bit squeezed at the end. Like the editor suddenly realised that he aproached the movie's time limit and had to exclude takes, or the producers suddenly run out of money. Maybe that is how Varoufakis book ends? Do not know, but it is a movie not a book and I believe great Costas Gabras could have done better here. Final documentary titles also seem to try and fill this gap, with no success in my opinion.
Honestly I couldn't believe starting from the first scenes of the film that this was a Costas Gavras film. It screamed "quick and dirty" approach through out the entire movie. Bad direction, bad lighting and photography - almost amateur. It's really a pity that such an acclaimed creator made this work... Nice surprise from the Loulis in the role of Yannis Varoufakis, at least he was ok to watch.
10konpanag
It isn't one of the best of Gavras but still most reviews are from the individuals that disaprove of anyone trying to go against the european ang greek establisment and thus have a deep distaste for Varoufakis.
Don't mind them and their low ratings. The garbage truck of history and the social unrest caused by their conservative fears that let the establisment continue their destructive "solution" in Greece and elsewere wil take care of them.
See this movie with a grain of salt allways and make up your own minds.
Costa Gavras, in my opinion, as an artist, sensed that something's not wright about EU policy and he felt it was necessary to publicise it, so people can be aware of the situation and start concerning. Obviously Varoufakis' annoying characteristics are clear, however the existence of key facts can be observed and understood easily from a rational human being. More specifically, the hypocrisy of EU, Prime ministers' naivety along with his willingness to help, the phenomenon of uneducated Greek ministers which unfortunately is a crucial factor of Greece's politicians, and of course Varoufakis' critical thinking along with a strong common sense. Also, the detection of the truth from Christine Lagarde closely to her understanding of backing's needity, Wolfgang's egoistic, childish policy, showing of a person who demands to be in charge because of his Country's economic superiority, resistant to help, and lastly EU's clear abeyance to Germany.
Dissatisfactory critics are not understandable for me, since every detail referred on this movie, has been previously reported, every fact is online and anyone with a natural way of thinking can observe the truthfulness of the evidences.
¿Sabías que...?
- CuriosidadesThis movie is not just based on the book of the same title by former Greek Finance Minister Yanis Varoufakis. Varoufakis recorded almost every Eurogroup (Eurozone finance minister) meeting that he attended and he made these recordings available to Costa-Gavras, along with assorted notes and personal documents from his time as a minister, in order to be used as a basis for the movie.
- Créditos adicionalesIn the closing credits, most of the depicted personalities are cited only with their first name : "Yanis", "Alexis", "Wolfgang", "Christine", "Emmanuel".... One notable difference is Jean-Claude Junkers who is cited as "Junkers".
- ConexionesFeatures Hrysi Avgi: Prosopiki ypothesi (2016)
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- How long is Adults in the Room?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 6.580.000 € (estimación)
- Recaudación en todo el mundo
- 1.021.200 US$
- Duración
- 2h 4min(124 min)
- Color
- Relación de aspecto
- 2.39:1
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