PUNTUACIÓN EN IMDb
5,9/10
1,6 mil
TU PUNTUACIÓN
1789: La Bastilla ha sido tomada y un soplo de libertad invade las calles de París.1789: La Bastilla ha sido tomada y un soplo de libertad invade las calles de París.1789: La Bastilla ha sido tomada y un soplo de libertad invade las calles de París.
- Dirección
- Guión
- Reparto principal
- Premios
- 6 nominaciones en total
Reseñas destacadas
An inspired perspective about French Revolution. Beautiful cinematography. Admirable performances. And the sparkles of the change in realistic manner exposed. It is easy to critic it but it is not Danton , not the expected fresco , only a courageous exercise of reflection of small histories and their clash against National Ansembly. It is the film of memorable scenes. And that does it more than interesting, maybe useful for feel old events - fundamental bricks of the our present reality.
First, the title is wrong: the king is absent of the movie and carricatured when shown. The link between the king and the people is not shown or analysed.
Second, even if the episodes or the short stories are well depicted and in a way interesting, it doesn't make a film. Where is a story? Where is something to care about? It's not even a documentary. It's not much...
Third, the « left wing » (populist?) vision of a people betrayed by the « elites » is boring.
Second, even if the episodes or the short stories are well depicted and in a way interesting, it doesn't make a film. Where is a story? Where is something to care about? It's not even a documentary. It's not much...
Third, the « left wing » (populist?) vision of a people betrayed by the « elites » is boring.
Two hours for showing four years of the french bloody Revolution, Pierre Schoeller had to make some difficult choices : he decided to show the little people from the streets (having a stone in the belly) meeting and fighting the rich political figures (having how many roasts in the belly?). And most important, he shows women strongly speaking in assemblies. The casting is astounding, all the actors play with high energy and are possessed (Denis Lavant as Marat of course, and also Adèle Haenel unforgettable, and Laurent Lafitte as Louis XVI is imposing). The cinematography and editing are virtuoso (destruction of tower letting people from the streets having sun light, massacre of the Champ de Mars, execution of Louis XVI, ...). The original soundtrack is also attractive. I read in papers "Un Peuple et son Roi" is a failure, it's wrong, it's awful good, all the ending is gripping. Bravo, I wish success.
A rather good but a little flat historical and semi documentary drama about the French Revolution and the trial of king Louis the XVI. Then his death by guillotine. You have no really leads here, but a bunch of characters, some inspired by the actual ones. Good cacting, directing and also editing. This film is a little too short for such a topic. Mabe it would have been wiser to put more power, more energy in the characterization, more strength in the story telling. But that's my own opinion.
Good guillotine scene, maybe the best ever on a screen.
I'm French and I just reread the chronology of the Revolution, so the names and events are pretty fresh in my mind... at least they were until I saw this movie. The main problem is that it doesn't seem able to find its genre and goal. Not focused enough to be family drama, not precise enough to be a documentary, not nervous enough to be an historical action movie, not neutral enough to be a political movie... In short, it never decides what it wants to tell and ends up not telling much. It's a succession of scenes, each quite OK but not making much sense together. The family we follow is a symbol of course, but come on, the same people being present at every single major event and political assembly of the era? Plus several things are shown in a strange way, like Robespierre being a calm and peaceful person? Marat (very well played!) as an actual friend of the people? Danton (not nearly ugly and fat enough) as a sort of enemy?
Technically speaking the music sometimes feels off and is too present, and many filming tricks, down to the very font of the title panels, but also the framing and lights, are cheesy and seem to be from the 90's.
Showing the Revolution from an ordinary family point of view would have been a very good movie. Seeing it from the kings' office was nice too. Making a documentary about the Convention, yep, it could work. All at once? Sorry but nope. It ends up too messy and confusing to be enjoyable, despite very good actors and pretty decent sets and costumes.
¿Sabías que...?
- CuriosidadesThis film is a historical fresco about the French Revolution, retracing the first years of this period (1789-1793), focusing in particular on the role and perception by his contemporaries of King Louis XVI in the tumults that shake France and which bring the end of the society of Ancien Régime. The film shows historical figures of this moment, such as Robespierre, Marat, Desmoulins or Danton, in a very young National Assembly, which is then constitutive.
- PifiasTodas las entradas contienen spoilers
- Banda sonoraAh ! ça ira
Words by de Ladré & Music by Bécourt
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- How long is One Nation, One King?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Un poble i el seu rei
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 16.890.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 6576 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 595 US$
- 3 mar 2019
- Recaudación en todo el mundo
- 2.481.681 US$
- Duración2 horas 1 minuto
- Relación de aspecto
- 1.85 : 1
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By what name was Un pueblo y su rey (2018) officially released in India in English?
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