Chained for Life
- 2018
- 1h 31min
PUNTUACIÓN EN IMDb
6,5/10
1,1 mil
TU PUNTUACIÓN
Una bella actriz lucha por conectarse con su co-estrella desfigurada en una obra debut en inglés de un autor europeo.Una bella actriz lucha por conectarse con su co-estrella desfigurada en una obra debut en inglés de un autor europeo.Una bella actriz lucha por conectarse con su co-estrella desfigurada en una obra debut en inglés de un autor europeo.
- Premios
- 5 premios y 7 nominaciones en total
Reseñas destacadas
Don't know much about film production. However, this one was quite hard to differentiate between reality, documentary and real acting. Was about to skip it. Insanely brilliant!
A unique film that acts to comment and critique the audiences biases. Technically speaking the film is excellent, with unique shots that fulfill a larger purpose. They didn't film a scene a specific way because it looked good, but because it fit the narrative, or was trying to make the audience as uncomfortable as the actors.
The story is simple and i was there was more meat on the bone, at points it felt like it drifted off focus, and the conclusion felt rushed and underdeveloped. Ultimately the film acts to break down and critique how "abnormal" people are viewed by society and treated in the film industry. It does an excellent job directing this message to the audience, if you pay attention you will understand what the director is saying about our behaviour towards the "abnormal".
Unfortunately i think the movie was held back by some unconvincing performances by Jess Weixler and Stephen Plunkett. Their dialogue felt unnatural and as if they were reading directly off a script. Every other actor did a fine job, especially Adam Pearson, who delivered a stunningly charged performance during a car scene in particular (no spoiler).
I would recommend this film to anyone interested , it could challenge your world view.
The story is simple and i was there was more meat on the bone, at points it felt like it drifted off focus, and the conclusion felt rushed and underdeveloped. Ultimately the film acts to break down and critique how "abnormal" people are viewed by society and treated in the film industry. It does an excellent job directing this message to the audience, if you pay attention you will understand what the director is saying about our behaviour towards the "abnormal".
Unfortunately i think the movie was held back by some unconvincing performances by Jess Weixler and Stephen Plunkett. Their dialogue felt unnatural and as if they were reading directly off a script. Every other actor did a fine job, especially Adam Pearson, who delivered a stunningly charged performance during a car scene in particular (no spoiler).
I would recommend this film to anyone interested , it could challenge your world view.
This must have been an immensely enjoyable film to make, once they'd worked out what piece of cinema or film they were actually trying to conjure - a little bit all over the place, to say the least, but as original a proposition as you've likely encountered for some time - with the main premise established on cultural prejudice and discrimination to difference. It uses those who lack the symmetry of societal expectations of beauty, by several standard deviations in this case, to reaffirm that differences are only skin deep but those physical attributes are shackled to the individuals psychology, as well as societal norms, whose end result is to imprison them without bars for most, if not all of their lives - akin to living in an open prison or asylum for a crime or crimes you didn't commit.
Besides the tremendous performance from Jess Weixler this film is absolutely atrocious. It was all over the place and made no sense whatsoever. I was completely lost and had no idea what was going on the entire film. I still don't know what the hell I just watched. Would not recommend.
'Actors and actresses are usually more beautiful than ordinary people....it is a supreme asset...because we love to look at them.' Pauline Kael's quote comes after Bonnie and Clyde (1967) because she is unhappy that the sexy violence is justifying it. Now it takes us further with this film we are obliged to look more at everyone. Chained for Life (1952) was an exploitation film about the real conjoined twins of Daisy and Violet Hilton. Aaron Schimberg takes his new one with the same title but instead of the 'Siamese Twins' he takes us to Adam Pearson who really has the genetic condition and we saw him in Under the Skin (2013) although he was also on many TV programmes. It is a rather splendid and difficult film within a film and relates to the previous film that we have to really look at others. We can consider listening to people is just as important as looking. We can commend Jess Weixler's performance as outstanding.
¿Sabías que...?
- CuriosidadesCharlie Korsmo's first acting part in twenty years since Can't Hardly Wait (1998). He received his undergraduate degree in physics from MIT in 2000, and his JD (law degree) from Yale in 2006; as of 2024 he is a professor at the Case Western Reserve University School of Law. His only other acting role subsequent to this was in 2024's A Different Man, also directed by Aaron Schimberg and starring Adam Pearson.
- ConexionesReferences La parada de los monstruos (1932)
- Banda sonoraThe Rest Is Advertising (Harp Prologue)
Written by Nora Linde & Aaron Schimberg
Performed by Nora Linde
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 17.431 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 7415 US$
- 15 sept 2019
- Recaudación en todo el mundo
- 17.431 US$
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