Una inmigrante china de mediana edad se ve envuelta en una loca aventura, donde ella sola puede salvar el mundo explorando otros universos que se conectan con sus vidas pasadas.Una inmigrante china de mediana edad se ve envuelta en una loca aventura, donde ella sola puede salvar el mundo explorando otros universos que se conectan con sus vidas pasadas.Una inmigrante china de mediana edad se ve envuelta en una loca aventura, donde ella sola puede salvar el mundo explorando otros universos que se conectan con sus vidas pasadas.
- Dirección
- Guión
- Reparto principal
- Ganó 7 premios Óscar
- 397 premios y 379 nominaciones en total
Narayana Cabral
- Security Guard
- (as a different name)
Resumen
Reviewers say 'Everything Everywhere All at Once' is a divisive film, lauded for its imaginative storytelling and strong performances, especially from Michelle Yeoh and Jamie Lee Curtis. Many appreciate its deep themes and exploration of family and identity. However, some find it overly complex, confusing, and reliant on absurd humor. Pacing, length, and narrative coherence are frequent criticisms, though its bold creativity is widely acknowledged.
Reseñas destacadas
This film almost unanimously received praise from both critics and audience alike. People even exaggeratedly rank it as one of the greatest films ever or the best they've ever seen. Going into this movie, my expectations were really high And I really wanted to be part of the majority who loves this movie. But unfortunately the opposite happened and I didnt like it. While I appreciate that this movie was made on a relatively small budget and managed to get some things right as it had so much potential with its strong female lead, philosophical component and some good action to move it along. But it fell really short. It is long and meandering. Visually confusing, thematically unoriginal. The first half was repetitive, boring and also quite silly. Half of the time I don't know what are they fighting for or what the heck is going on. And what was supposed to be the multiverse just felt like the characters were wearing silly different costumes. It is not until the last act that things of relevance happened. The performance from the cast was great though.
Unfortunately, it is not as fun as I was waiting. I can't understand all th hype honestly. It looked like my childhood games, where someone would say a piece of a story, then another one completes it. Not funny, just random. The drama didn't catch me either. I may have smiled one time along the whole movie. My girlfriend slept. The film has its moments and its great a indie film is grabbing attention, but please see with low expectations. If this is the best film ever, I just want to quit cinema. Or probably people are seeing only marvel movies. Actually, Wandavision is way better. Nice film, just not the best ever like everybody is saying.
Having seen countless raving reviews about this movie both on IMDb, and even more so on Twitter, I thought "damn, I have to go see this ASAP". I went in expecting something incredible, movie of the year standard, but wow was I disappointed.
Literally 75% of the movie is fight scenes, like okay it was cool at the start but 2 hours in and still?? 'Everything Everywhere' is perfect for people with a short attention span because there's always something ridiculous going on. I understood what they were trying to do with the plot but honestly nothing stuck, it just felt shallow.
Don't get me wrong it's not a bad film, but it's nowhere near these 10/10 reviews that's being advertised.
Literally 75% of the movie is fight scenes, like okay it was cool at the start but 2 hours in and still?? 'Everything Everywhere' is perfect for people with a short attention span because there's always something ridiculous going on. I understood what they were trying to do with the plot but honestly nothing stuck, it just felt shallow.
Don't get me wrong it's not a bad film, but it's nowhere near these 10/10 reviews that's being advertised.
Firstly I should say I thought the actors did put in some very good performances and I can see why they were nominated although as to whether they deserved to beat some of their competitors is another matter.
I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.
Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.
In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.
Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.
In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
I have trouble turning off my brain. Anxieties, worries, mundane to-dos, even positive things, sometimes feel like they're swirling around in a chaotic funnel cloud and I would like nothing more than to sit in physical and mental silence.
"Everything Everywhere All At Once" felt like the inside of my head. In a world of non-stop, 24/7 news, most of it bad, how is a person like me, who has trouble filtering out things that affect me directly from all of the other things that are just out there happening in general and over which I have no control, supposed to cope?
One answer is to decide that nothing matters anyway and give up caring. But that means deciding that my wife doesn't matter. And that my kids don't matter. And that art, and nature, and things that bring joy to my life, don't matter.
Another way is to decide that some things, ok maybe most things, don't matter, but that there are things that do, and those are the things that make it all worth it. I get to decide what those things are.
The first approach is nihilistic. The second approach is empowering. This film explores both approaches, and I was a sobbing mess at the end.
I will say there were times that I was a bit exhausted by this movie. It throws a lot on the screen and at the viewer, and occasionally it can't keep up with its ambitions. But this was mostly a home run.
Michell Yeoh does terrific work in this, but the MVP is Ke Huy Quan (Short Round from the "Indiana Jones" movies).
Grade: A.
"Everything Everywhere All At Once" felt like the inside of my head. In a world of non-stop, 24/7 news, most of it bad, how is a person like me, who has trouble filtering out things that affect me directly from all of the other things that are just out there happening in general and over which I have no control, supposed to cope?
One answer is to decide that nothing matters anyway and give up caring. But that means deciding that my wife doesn't matter. And that my kids don't matter. And that art, and nature, and things that bring joy to my life, don't matter.
Another way is to decide that some things, ok maybe most things, don't matter, but that there are things that do, and those are the things that make it all worth it. I get to decide what those things are.
The first approach is nihilistic. The second approach is empowering. This film explores both approaches, and I was a sobbing mess at the end.
I will say there were times that I was a bit exhausted by this movie. It throws a lot on the screen and at the viewer, and occasionally it can't keep up with its ambitions. But this was mostly a home run.
Michell Yeoh does terrific work in this, but the MVP is Ke Huy Quan (Short Round from the "Indiana Jones" movies).
Grade: A.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
¿Sabías que...?
- CuriosidadesAll the VFX for this film were done by 9 people, including the two directors, with the majority of the shots being done by a core group of 5 people. None of the VFX team went to school for VFX. They were all friends who taught themselves with tutorials they found online for free.
- PifiasAt around 5:50 various items of equipment and crew including the boom mic operator can be seen in the reflections of the launderette dryer glass doors.
- Citas
Waymond Wang: [subtitles] So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you.
- Créditos adicionalesWhispering voices speak throughout the end credits, seemingly coming from random universes, in random directions.
- Versiones alternativasJenny Slate's character was originally referred to as 'Big Nose' in the theatrical release. Due to associations with Jewish stereotypes, the character's name was changed to 'Debbie the Dog Mom' in the credits for the digital and DVD/Blu-Ray releases.
- ConexionesFeatured in Jimmy Kimmel Live!: Chris Pine/Ke Huy Quan/Wallows (2022)
- Banda sonoraLife Can Be So Delicious
Written by Daniel Kwan, Ryan Lott and Daniel Scheinert
Performed by Sunita Mani and Aaron Lazar
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- How long is Everything Everywhere All at Once?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Tot a la vegada a tot arreu
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 14.300.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 77.191.785 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 501.305 US$
- 27 mar 2022
- Recaudación en todo el mundo
- 142.804.136 US$
- Duración2 horas 19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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