Rebecka Martinsson

Watched this series on the Acorn streaming service. Even with the subtitles I was surprised at how good a show it is. Some of the scenes are hard to take. This show was much better that anything on air here in the US. Highly recommend.

Just as good and right as season 1 was just as bad and faulty season 2 gets. Everything built up around the characters in season 1 just went lost when replacing actor for main character Rebecka Martinsson. She becomes insecure and all the things you loved with the quirkiness and the magic around all relationships are gone. Since the stories and production is fantastic I really hope for a season 3 but only with Engvoll back as Rebecka

The teasers before the title credits got me interested each time and how each story played out kept my interest. The characters were given real depth and quirks - Some of them are shown to be quite imperfect and therefore very human. I really like the format of 4 x 90 minute contained stories. Afterwards, I found myself looking up several of the cast member's back catalogue and that's always a good thing. Quality stuff.

British police procedural(s) get pretty predictable after awhile. So I try Rebecka Martinsson and I really liked it a lot. Being minimalist in concept, scenery, dialogue, and acting is refreshing after the endless chattiness of the Brit shows. I agree with other reviewers that the actress who plays character Maria Mella (Eva Melander) is the acting class must watch BUT I thought Ida Engvoll was excellent. All the details concerning her back story are a bit irrelevant since the episodes don't really hinge on those (much). Sweden (in this series) looks cold, brooding, a bit mysterious (diving for Nazi plane?) and beautiful and that also describes Rebecka Martinsson. Engvoll correctly underplays her character a bit instead of overplaying it, like so many of the British coppers do. Hope there is a season 2.

With continuous blooming of Scandi Noir, particularly from Denmark and Sweden, this decade has seen dozens of crime dramas focusing on events in smaller places, not in major cities, enabling to fill the scenes with the beauty of nature and emphasising the mood. The smaller the place, the more the focus on family and community ties, often paving the way for more or less concealed crimes, with the roots decades ago.

Another example of all this is the series Rebecka Martinsson where the leading character with the same name, a lawyer, has to deal with her personal issues and solve crimes which motives seem odd at first, if any - mildly speaking... People are mostly indrawn, living with their routines and modestly (in Swedish terms), but the wild nature in the middle of nowhere of/in Kiruna area is majestic and beautiful - at least to be enjoyed in front of TV, in a heated room :)

The series in question is more into the "old" approach, with 1 major case per 2 episodes, and it is only due to the main character that one might see the season in succession - for full comprehension of her motives and notions. Ida Engvoll is good, distinct (I have noticed and remembered her before, in other films), but she does often solo, her co-characters are often perfunctory, and the cases are not too interesting, plus the wrongdoers can be guessed too easily, too early (as they are performed by more known actors-actresses unlikely to appear in a brief role only). There are some twists and catchy moments, but still, I have seen many catchier stuff recently, e.g. Innan vi dör. Springfloden, where you are eager to watch all episodes "at once and promptly"...