La historia de Dick Cheney, burócrata de Washington que amasó un immenso poder como vicepresidente de George W Bush, moldeando el país y el mundo de formas que aún sentimos hoy.La historia de Dick Cheney, burócrata de Washington que amasó un immenso poder como vicepresidente de George W Bush, moldeando el país y el mundo de formas que aún sentimos hoy.La historia de Dick Cheney, burócrata de Washington que amasó un immenso poder como vicepresidente de George W Bush, moldeando el país y el mundo de formas que aún sentimos hoy.
- Ganó 1 premio Óscar
- 35 premios y 139 nominaciones en total
Camille James Harman
- Mary Matalin
- (as Camille Harman)
Reseñas destacadas
This film is held together by some truly outstanding performances (Bale and Adams, in particular). It will no doubt be compared to writer/director Adam McKay's film adaptation of The Big Short. But while that story covered just a couple years, Vice spans nearly 4 decades, significantly more difficult to fit into a 2 hour film.
McKay's use of a narrating character is sometimes helpful in providing context and continuity, though I think it worked better in The Big Short.
As a bio-pic, Vice does a good job of capturing Cheney's drive for power and his devotion to his family. Complicated people are generally difficult to depict in film, but McKay and the team he assembled gave it an effort worthy of some awards.
I found some of the editing a bit quirky to the point of distraction, but I definitely recommend seeing it. Be sure and stay to the end.
McKay's use of a narrating character is sometimes helpful in providing context and continuity, though I think it worked better in The Big Short.
As a bio-pic, Vice does a good job of capturing Cheney's drive for power and his devotion to his family. Complicated people are generally difficult to depict in film, but McKay and the team he assembled gave it an effort worthy of some awards.
I found some of the editing a bit quirky to the point of distraction, but I definitely recommend seeing it. Be sure and stay to the end.
Saw 'Vice' for quite a few reasons. The subject was fascinating as is Dick Cheney himself. That it was positively reviewed, well mostly, and got the awards attention it did (yes, have always taken the big awards more seriously than others because while there have been questionable wins and even nominations in every category every year there are just as many that are richly deserved), showed a lot of promise.
Also really liked 2015's 'The Big Short', another positively reviewed Adam McKay film, and what was especially good in that film also came over to me as particularly good here in 'Vice'. My main reason though, and this seems to be true of a lot of films seen recently (both those released this year and first time viewings for all years), was the cast. Hard to go wrong with Christian Bale, Amy Adams, Sam Rockwell and Steve Carrell (who is good and more with good material).
While full potential is not fully achieved and it is a bit uneven and messy, a larger part of me really enjoyed 'Vice', which did impress me with its ambition and invention. It is a film that will hugely entertain a good number while challenging others, and will be and is even a polarising experience more than understandably. As said it is a long way from perfect and between this and 'The Big Short' the latter is the better film. Am going to agree with those that criticised the editing, which does go too over the top on the intended quirkiness and like it was trying too hard to be inventive and it comes over as choppy instead.
The story execution, while mostly compelling, does suffer zig zagging to and fro too much, which gave it an unfocused feel that didn't always make the film feel cohesive. So it did come over as a bit rushed and muddled at times, and it definitely could have benefitted from trying to do less and not go over the top on the details. Was a little mixed on the narration, it has a lot of clever moments (and was not expecting the twist regarding it) but there were times where it wasn't necessary and intruded a bit.
'Vice' however has a lot that is good. Although there were reservations with the editing, there was some quite audacious photography that succeeds better at being inventive and the production/locations and costuming show great care in making the time and place clear. The best thing though visually was the makeup for Cheney, which was a masterstroke and rendered Bale unrecognisable. The film is tightly directed by McKay and the music is a beautiful mix of melancholic and uplifting. While the story is not flawless by any stretch, it is still very compelling even when more deliberate than 'The Big Short' and told with great gusto. It is a tough and very relevant subject, handled in a way that hits hard. Two things are especially good in 'Vice' though.
One is the script, which is often darkly hilarious, unsettling in its frank truth, very informative even though the amount told to us is vast and bleakly tragic. The other is the cast, with all the actors on point and make their characters well rounded (the negative portrayal of Cheney though is polarising, his family objected to it, and some may find it on the biased side, but to me he avoids caricature). Bale is magnificent, one of his best performances this decade and it shocked me seeing him this cold and menacing. Adams is just as powerful a presence and their chemistry is eerily twisted. Rockwell is always great and Carrell is fun to watch while never resorting to silliness. Tyler Perry shows too that his performance in 'Gone Girl', a brilliant film and he was surprisingly good in it, wasn't a fluke in an another relatively against type role.
In a nutshell, good but not great. 7/10
Also really liked 2015's 'The Big Short', another positively reviewed Adam McKay film, and what was especially good in that film also came over to me as particularly good here in 'Vice'. My main reason though, and this seems to be true of a lot of films seen recently (both those released this year and first time viewings for all years), was the cast. Hard to go wrong with Christian Bale, Amy Adams, Sam Rockwell and Steve Carrell (who is good and more with good material).
While full potential is not fully achieved and it is a bit uneven and messy, a larger part of me really enjoyed 'Vice', which did impress me with its ambition and invention. It is a film that will hugely entertain a good number while challenging others, and will be and is even a polarising experience more than understandably. As said it is a long way from perfect and between this and 'The Big Short' the latter is the better film. Am going to agree with those that criticised the editing, which does go too over the top on the intended quirkiness and like it was trying too hard to be inventive and it comes over as choppy instead.
The story execution, while mostly compelling, does suffer zig zagging to and fro too much, which gave it an unfocused feel that didn't always make the film feel cohesive. So it did come over as a bit rushed and muddled at times, and it definitely could have benefitted from trying to do less and not go over the top on the details. Was a little mixed on the narration, it has a lot of clever moments (and was not expecting the twist regarding it) but there were times where it wasn't necessary and intruded a bit.
'Vice' however has a lot that is good. Although there were reservations with the editing, there was some quite audacious photography that succeeds better at being inventive and the production/locations and costuming show great care in making the time and place clear. The best thing though visually was the makeup for Cheney, which was a masterstroke and rendered Bale unrecognisable. The film is tightly directed by McKay and the music is a beautiful mix of melancholic and uplifting. While the story is not flawless by any stretch, it is still very compelling even when more deliberate than 'The Big Short' and told with great gusto. It is a tough and very relevant subject, handled in a way that hits hard. Two things are especially good in 'Vice' though.
One is the script, which is often darkly hilarious, unsettling in its frank truth, very informative even though the amount told to us is vast and bleakly tragic. The other is the cast, with all the actors on point and make their characters well rounded (the negative portrayal of Cheney though is polarising, his family objected to it, and some may find it on the biased side, but to me he avoids caricature). Bale is magnificent, one of his best performances this decade and it shocked me seeing him this cold and menacing. Adams is just as powerful a presence and their chemistry is eerily twisted. Rockwell is always great and Carrell is fun to watch while never resorting to silliness. Tyler Perry shows too that his performance in 'Gone Girl', a brilliant film and he was surprisingly good in it, wasn't a fluke in an another relatively against type role.
In a nutshell, good but not great. 7/10
Christian Bale delivers a remarkable performance worthy of the hype and the Oscar (sadly, he did not win). The acting is great across the board. Rockwell might be the second best in film, while Steve Carell and Amy Adams were similarly excellent.
Director Adam McKay holds this movie back from being great. He lays on the metaphors with the thickness of grandma's lasagna. And much like when eating the lasagna, a little goes a long way. Unfortunately, McKay feeds us an unneeded second helping. And a third.
That's not to say Mckay did a terrible job directing this movie. He didn't. Most of the film has a strong, resonant message wrapped in an entertaining and hilarious packaging. Much like in "The Big Short," McKay cleverly communicates complicated material in a way that's easy for any viewer to understand. And this is all accomplished without being condescending, except for when it is.
McKay doesn't put enough trust in viewers to comprehend what he's saying. The cutaways to literal representations of hunting and fishing feel a bit insulting and clunky. They're unnecessary. Christian Bale is masterful chef. Just keep the camera on him and let him cook.
For the most part, the movie is thoroughly enjoyable, largely because of the way it sheds light on the ridiculousness of the events unfolding. It's a funny movie at times because it's so appalling. Other times it's too appalling to be funny.
Critics may point out that the story is not a bi-partisan take. To be clear: it's not and it's not trying to be. McKay is disgusted by what Dick Cheney and other political figures did, and he makes his feelings painfully clear. This approach leads to some of the movie's most fascinating moments but also led to its partial undoing. If McKay had just been willing to trust that moviegoers would understand his message if presented it with a touch more subtlety (they would have) this would be a smarter and more ultimately more widely praised film.
Director Adam McKay holds this movie back from being great. He lays on the metaphors with the thickness of grandma's lasagna. And much like when eating the lasagna, a little goes a long way. Unfortunately, McKay feeds us an unneeded second helping. And a third.
That's not to say Mckay did a terrible job directing this movie. He didn't. Most of the film has a strong, resonant message wrapped in an entertaining and hilarious packaging. Much like in "The Big Short," McKay cleverly communicates complicated material in a way that's easy for any viewer to understand. And this is all accomplished without being condescending, except for when it is.
McKay doesn't put enough trust in viewers to comprehend what he's saying. The cutaways to literal representations of hunting and fishing feel a bit insulting and clunky. They're unnecessary. Christian Bale is masterful chef. Just keep the camera on him and let him cook.
For the most part, the movie is thoroughly enjoyable, largely because of the way it sheds light on the ridiculousness of the events unfolding. It's a funny movie at times because it's so appalling. Other times it's too appalling to be funny.
Critics may point out that the story is not a bi-partisan take. To be clear: it's not and it's not trying to be. McKay is disgusted by what Dick Cheney and other political figures did, and he makes his feelings painfully clear. This approach leads to some of the movie's most fascinating moments but also led to its partial undoing. If McKay had just been willing to trust that moviegoers would understand his message if presented it with a touch more subtlety (they would have) this would be a smarter and more ultimately more widely praised film.
As Adam McKay's follow-up to The Big Short (one of my favorite films of 2015) he is back with another dark satirical comedy.
Just like in The Big Short, the amount of information McKay throws at you is a little overwhelming, especially if you don't fully understand it. It is a little slower paced of a movie, but the way he frames every scene has such gusto that you can't take your eyes off the screen.
Other than the brilliant script the main thing to note in this movie is the perfect casting. Christian Bale and Amy Adams teaming up again, this time as Dick and Lynne Cheney further prove they should team up in every movie together. Christian Bale is so believable as Dick Cheney that you suddenly forget that you are even watching Bale at all. Then you have Steve Carell as Donald Rumsfeld, Sam Rockwell as George W. Bush, Tyler Perry as Colin Powell, Naomi Watts, Lily Rabe, Jesse Plemons (in a role that I did NOT see coming), and plenty more.
There is a fantastic scene between Lynne and Dick where Plemons' character narrating notes - that we wouldn't know what they actually would have said in this certain moment, but he images it would be something quite Shakespearian. Then Lynne and Dick start talking like they are in Macbeth. Their chemistry is just fantastic and you get to see how much Lynne stepped up, and her ambitions and reservations with going into this political world.
As much as this movie paints Cheney as a villain, McKay still gave him depth and compassionate moments, and showing all of his health troubles. You really see how this man became the most powerful VP that we have ever had in the history of the U.S. Presidency and how scary that is because it is all true. We have lived it.
This movie is definitely not for everyone but I really enjoyed it. There is a funny after credits scene that shows how divided our country is, and the quote above is exactly what you should be asking yourself at the end of the movie. So, what do we believe?
Just like in The Big Short, the amount of information McKay throws at you is a little overwhelming, especially if you don't fully understand it. It is a little slower paced of a movie, but the way he frames every scene has such gusto that you can't take your eyes off the screen.
Other than the brilliant script the main thing to note in this movie is the perfect casting. Christian Bale and Amy Adams teaming up again, this time as Dick and Lynne Cheney further prove they should team up in every movie together. Christian Bale is so believable as Dick Cheney that you suddenly forget that you are even watching Bale at all. Then you have Steve Carell as Donald Rumsfeld, Sam Rockwell as George W. Bush, Tyler Perry as Colin Powell, Naomi Watts, Lily Rabe, Jesse Plemons (in a role that I did NOT see coming), and plenty more.
There is a fantastic scene between Lynne and Dick where Plemons' character narrating notes - that we wouldn't know what they actually would have said in this certain moment, but he images it would be something quite Shakespearian. Then Lynne and Dick start talking like they are in Macbeth. Their chemistry is just fantastic and you get to see how much Lynne stepped up, and her ambitions and reservations with going into this political world.
As much as this movie paints Cheney as a villain, McKay still gave him depth and compassionate moments, and showing all of his health troubles. You really see how this man became the most powerful VP that we have ever had in the history of the U.S. Presidency and how scary that is because it is all true. We have lived it.
This movie is definitely not for everyone but I really enjoyed it. There is a funny after credits scene that shows how divided our country is, and the quote above is exactly what you should be asking yourself at the end of the movie. So, what do we believe?
This is one of the best films I've seen this year & left the theatre with the same feelings toward the political system as I did after BlacKkKlansmen (2018) & Sorry To Bother You (2018). A pseudo-documentary/dramedy biopic that tells the story of Cheney's political career while skewering the Republican Party & Washington DC politics in general, from the Nixon administration to today. It brings to light how politicians will sell-out everything in the pursuit for power, just how much sway one person can hold in politics, how media was forever changed under the Bush administration, & how all of this is still effecting us today. It's a film that has as many laughs as it does moments of bitter truth, many of them bleeding into each other. Again putting his body through a drastic change for a role, Christian Bale is absolutely incredible as Dick Cheney with his mannerism & glare down perfectly. I'm just as impressed with Amy Adams, Steve Carell, & Sam Rockwell. The editing is fantastic & the narrator was an interesting touch, especially once it's revealed who he is in relation to Cheney. And the mid-credits scene perfectly expresses what the reactions to this film will be.
¿Sabías que...?
- CuriosidadesChristian Bale said that due to the improvisational directing style of Adam McKay, he had to do more research for this film than any other film he's done. In order to ad-lib in character, Bale not only needed to have Dick Cheney's mannerisms and vernacular down, but he also had to know which policies, their instances, and abbreviations the Vice President would be aware of at any given moment in his life.
- PifiasIn the movie, all the characters including Cheney family members, pronounce the family name as "chain-y". The Cheney family has always pronounced their name as "cheen-y".
- Citas
Anonymous: Beware the quiet man. For while others speak, he watches. And while others act, he plans. And when they finally rest... he strikes.
- Créditos adicionalesA fake end credits runs midway through the movie.
- ConexionesEdited into Vice: Deleted Scenes (2019)
- Banda sonoraSend Me the Pillow You Dream On
Written and Performed by Hank Locklin
Courtesy of RCA Records Label Nashville
By arrangement with Sony Music Entertainment
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- How come Dick Cheney never apologized to the man that he "accidentally" shot?
- How did they get Steve Carrell to play Donald Rumsfeld?
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- El vici del poder
- Localizaciones del rodaje
- Kern River, California, Estados Unidos(Fly fishing scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 60.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 47.836.282 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 7.768.371 US$
- 30 dic 2018
- Recaudación en todo el mundo
- 76.073.488 US$
- Duración2 horas 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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