La fiesta acaba de empezar

I've loved Karen Gillan ever since Doctor Who and I've followed her career since then. Her debut as a director comes off as true to herself, as if every single step was made with Karen's approval first. This film feels so determined in the story it wants to tell and absolutely commited to its characters and plot development. Karen's performance is also admirable as she turns into this reckless person who is struggling to cope with loss. I'm glad she chose to deal with heavy themes like this because it's important to make them visible for anyone out there who may feel identified with such a troubled state of mind.

It's a great first effort for her and hopefully she will continue down this path of making small but highly compelling indie films. If her future endeavours are also set in her native Scotland, it will certainly add a much more absorbing atmosphere, since she really succeeded in capturing a strong sense of Scotland's environment. It's what she knows, so if she embraces her roots she could even make Scotland as if it was another character, much like Woody Allen did with New York or Jean-Luc Godard did with Paris. By all means, Karen, be my guest and keep doing your thing, I'm excited for more.

Very good for a first time effort and was nice to see bits of home on screen (that walk home would be mental though). It's a bit scattered and Karen may have over reached a bit as there are a few too many different issues thrown in BUT shows promise for the future.

If you've ever read the book or seen "Trainspotting" the film, you know that it gives an unfiltered look at what heroin addiction is and its effect on people, all through the eyes of the main character Mark Renton. In a very similar fashion, "The Party's Just Beginning" gives you a glimpse into the hellish world of depression.

Karen Gillan did an amazing job writing and directing this film, which is especially surprising (and awesome) because it's her first. As a directorial debut it's a hit, but even from a seasoned director this would easily be a winner. Like any film that deals with such a specific and supremely dark subject matter (and being so bleak as it is), it's certainly not going to win everybody's heart. However it's that bleakness that Karen managed to capture which really resonated with me, and is portrayed so well, both in the film's characters and its substance.

In fairness, I must admit to some bias, as I've always found Karen gobsmackingly beautiful. With that said, if you've ever struggled with depression, this is likely to resonate with you. And if you're like me, it's going to leave you crying and writing good reviews. Finally worth mentioning is that the last film I gave a 9/10 to was "Pulp Fiction"; indeed, I liked it that much, and I can't say enough good things about it.

Chastising small town Scottish life to indifferent yet surly pubsters more interested in their drink than this open mic looney, Liusaidh delivers her trash talk with poetic vigour before stumbling out for her nightly shag and take away.

As Liusaidh, (Lucy or Loosey) Karen Gillan owns the screen, as she trudges through her insufferable existence, something her best friend decided against a year's past. Her nightly drink/shag/fries concludes with a stagger over the train bridge favoured by local jumpers, and visions of her dear departed, departing. This unsettling tragedy of events soon becomes mundane with repetition, as is everything in the unfortunate ville of Inverness.

Staring into deep dead space from the local deli counter, under harsh fluorescents and a tight hairnet, she encounters a new bloke interested in more than just processed meats, and we are off. "The Party's Just Beginning" doesn't follow the paint by numbers movie canvass, instead delivering a choppy story in jumpy time slices, with equal doses of edgy humour and dark pathos. Attention must be paid.

Although there are glimmers of hope, the film, like it's perpetually grey, dead end town, has trouble finding a rainbow among the clouds, and that may be the point.

This one, for better or worse, or both, stays with you.

This movie is not for everyone. It is about those of us who are outsiders that often feel so dead on the inside we give up on life or seek self destructive behavior to feel alive or human, whether that be through drugs, sex, abusive relationships, risking one's life, intentional infliction of pain, or whatever else makes us feel alive for a moment, or a combination of all of the above, and the devastation it can leave behind. As someone that deals with depression and addiction to self-destructive behavioral patterns, I can tell you this movie was dead on in capturing what it truly feels like, and the impact it has on us and those around us.

For those that don't have such feelings, or know people plagued with them, I am not sure if they will get it. For those of us that do, it is hard not to view this movie as a masterpiece. It was not judgmental, overacted, or built on false assumptions. Rather, it was a brilliant showing of understanding and awareness for those of us that do not often feel understood or valued.

You will not feel good or happy leaving this movie. In fact, it was so realistic and on point it brought me straight to my dark place. However, for a change, I did not feel alone in my blackness, but felt like I was with friends that understood and wanted me to make better choices in life. For that I am grateful this important movie was made.

Absolutely exceptional. And again, I thank all of those involved for taking this so seriously.

I have no idea why IMDB has this movie listed as a comedy. It is a dark movie about depression, emptiness and suicide.