Un año en la vida de la criada de una familia de clase media-alta en la Ciudad de México a principios de los años setenta.Un año en la vida de la criada de una familia de clase media-alta en la Ciudad de México a principios de los años setenta.Un año en la vida de la criada de una familia de clase media-alta en la Ciudad de México a principios de los años setenta.
- Dirección
- Guión
- Reparto principal
- Ganó 3 premios Óscar
- 255 premios y 229 nominaciones en total
Reseñas destacadas
First off, believe me, I tried to see it in theaters but it just did not play near me at times that were doable.
I will try to see it if there are more screenings during awards season or anything, maybe that could happen.
Now to the good stuff, the film. It is truly incredible and I'm glad I kept my hopes and dreams in check and did, like usually, not even look at a trailer or anything. That was the best thing I could do. This movie for sure works best when you just jump right into it and give yourself to it.
I'm not sure where I should start with this piece of filmmaking but I think I'll just start with the performances which are absolutely brilliant and feel lived in. I truly believed in all of them and they did one hell of a job.
Now to the direction, the pretty much flawless direction. It is insanely intense and you can feel the deep passion of this project and all its meanings. The execution of this whole experience is one that can't be praised enough.
The main reasons why this remarkable movie works, in my opinion, are not its story but its characters that are so wonderfully brought to life by a dedicated cast, alongside the very naturalistic camerawork and of course the direction which is so personal and truthful in a way that is exceptional.
I am sure there is much more to unpack, talk about and praise about it, like for example the remarkable sound of it, but I'll leave it at that for now.
This is almost perfect to me, almost because there were some moments where it did not fully click for me just yet. Maybe it will completely do so after a second viewing.
Roma is obviously a must-see and whether you see it in the comfort of your home, hopefully on a 4K TV at least, or in a cinema, this is going to affect you undoubtedly and that is what huge films can achieve.
Now to the good stuff, the film. It is truly incredible and I'm glad I kept my hopes and dreams in check and did, like usually, not even look at a trailer or anything. That was the best thing I could do. This movie for sure works best when you just jump right into it and give yourself to it.
I'm not sure where I should start with this piece of filmmaking but I think I'll just start with the performances which are absolutely brilliant and feel lived in. I truly believed in all of them and they did one hell of a job.
Now to the direction, the pretty much flawless direction. It is insanely intense and you can feel the deep passion of this project and all its meanings. The execution of this whole experience is one that can't be praised enough.
The main reasons why this remarkable movie works, in my opinion, are not its story but its characters that are so wonderfully brought to life by a dedicated cast, alongside the very naturalistic camerawork and of course the direction which is so personal and truthful in a way that is exceptional.
I am sure there is much more to unpack, talk about and praise about it, like for example the remarkable sound of it, but I'll leave it at that for now.
This is almost perfect to me, almost because there were some moments where it did not fully click for me just yet. Maybe it will completely do so after a second viewing.
Roma is obviously a must-see and whether you see it in the comfort of your home, hopefully on a 4K TV at least, or in a cinema, this is going to affect you undoubtedly and that is what huge films can achieve.
No masterpiece needs a campaign that costs 30 million to win best picture....
I already want to see "Roma" again.
It took me a good while to settle into the rhythms of Alfonso Cuaron's critically acclaimed new film, and by the time I did I wanted to go back and start it over to see what I might have missed. A lot comes at the viewer in "Roma," and it's hard to take it all in on a first viewing. No...that's the wrong way to put it. Nothing comes at you -- you have to go after it. That's what makes "Roma" unique. Cuaron crams his frame in any given scene with tons of movement and sound, but he shoots almost everything in medium and long shots and chooses to pan his camera rather than insert a lot of edits. The result is you have to decide what you want to look at, and while the main protagonist is in virtually every scene, she's not always necessarily the focal point.
That protagonist, by the way, is Cleo, maid to a wealthy family and played in a quiet and quietly devastating performance by Yalitza Aparicio. "Roma" is an episodic assemblage of scenes that shows what life is like for Cleo, without big showy emotional moments or much editorializing. She's treated fairly well by the family she works for, but make no mistake -- they rarely let her forget she's their employee. The film is a lot about privilege. The family treats Cleo as one of their own when they feel like it or when it's convenient to, but don't when it's not. She's part of their most intimate moments and they her's, but she'll never really be one of them. She has much to take care of, but nothing of her own to really care for. And there's a big wide world out there, the movie makes clear, that will never include people like Cleo.
For a while I was a little disappointed that I wasn't feeling "Roma" as much as I wanted to and as much as rapturous reviews led me to believe I would. I was engaged by it, but I didn't feel heavily involved emotionally. But then pretty far into the movie something happens to Cleo, and in that moment I realized how invested I was in how things turned out for her. "Roma" sneaks up on you in that way.
Grade: A
It took me a good while to settle into the rhythms of Alfonso Cuaron's critically acclaimed new film, and by the time I did I wanted to go back and start it over to see what I might have missed. A lot comes at the viewer in "Roma," and it's hard to take it all in on a first viewing. No...that's the wrong way to put it. Nothing comes at you -- you have to go after it. That's what makes "Roma" unique. Cuaron crams his frame in any given scene with tons of movement and sound, but he shoots almost everything in medium and long shots and chooses to pan his camera rather than insert a lot of edits. The result is you have to decide what you want to look at, and while the main protagonist is in virtually every scene, she's not always necessarily the focal point.
That protagonist, by the way, is Cleo, maid to a wealthy family and played in a quiet and quietly devastating performance by Yalitza Aparicio. "Roma" is an episodic assemblage of scenes that shows what life is like for Cleo, without big showy emotional moments or much editorializing. She's treated fairly well by the family she works for, but make no mistake -- they rarely let her forget she's their employee. The film is a lot about privilege. The family treats Cleo as one of their own when they feel like it or when it's convenient to, but don't when it's not. She's part of their most intimate moments and they her's, but she'll never really be one of them. She has much to take care of, but nothing of her own to really care for. And there's a big wide world out there, the movie makes clear, that will never include people like Cleo.
For a while I was a little disappointed that I wasn't feeling "Roma" as much as I wanted to and as much as rapturous reviews led me to believe I would. I was engaged by it, but I didn't feel heavily involved emotionally. But then pretty far into the movie something happens to Cleo, and in that moment I realized how invested I was in how things turned out for her. "Roma" sneaks up on you in that way.
Grade: A
This film starts as if in slow motion and very little seems to happen as we observe the mundane actions of a young woman. I did wonder if I was going to stay the course. Gradually the pace picks up and draws you in to the daily life of the young woman who we learn is the maid, and the life of the family she works for. The ups and downs of life are in this chaotic city are well conveyed with the ordinary and the dramatic side by side. Beautifully shot with every frame counting it has heart and soul and is very moving at times. If it has a weakness it is a lack of narrative drive, it is essentially anecdotal but gripping none the less if you allow yourself to be drawn into this world.
Beautifully shot. Impressive long takes as per with Cuarón. Very emotional later in the film, however slow start drags it down to an 8 in my opinion. Well worth a watch if your in the right mood.
Director's Trademarks: The Films of Alfonso Cuarón
Director's Trademarks: The Films of Alfonso Cuarón
IMDb dives into the distinct trademarks of Alfonso Cuarón's directorial style to illustrate what Children of Men, Gravity, Y Tu Mamá También, and his latest, Roma, have in common.
¿Sabías que...?
- CuriosidadesMany were mystified by Alfonso Cuarón's decision to release this very cinematic film on Netflix. One of his primary reasons for doing this was because foreign language films do not usually get adequate distribution. By releasing it on Netflix, Alfonso Cuarón knew Roma (2018) would potentially play to its widest audience.
- PifiasReflection of a few members of the crew is visible during dolly shot as Cleo walks to the movie theater with the family.
- Créditos adicionalesThe closing credits end with "Shantih Shantih Shantih," the conclusion to every mantra in the Upanishads, a collection of 108 Hindu scriptures. "Shantih" was referenced several times in Alfonso Cuarón's earlier film, Hijos de los hombres (2006).
- ConexionesFeatured in WatchMojo: Top 10 Early Oscar Contenders You NEED to See (2018)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Khu Phố Roma
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 1.140.769 US$
- Duración
- 2h 15min(135 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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