Broken

Not a Catholic, but that matters not a whit. Everything in this series is just so absorbing that its direct spirituality (Catholicism) is, because of it, surprisingly inclusive: there is something for everyone. So impressed with Jimmy McGovern, the writing, the acting, and I assume all others who had a hand in this finished work. A BBC keeper.

Firstly I'd just like to start by thanking Jimmy MGovern, for giving us this drama, six parts of compulsive viewing, each episode gives a scarily realistic snapshot of real life. We get cover ups, gambling debts, fraud, bitterness, love and hope. I loved the format, six different episodes, with parallel stories running all the way. Gritty, realistic and heartbreaking, you are attached to every single character and their everyday battles.

Every single episode had me gripped, but I must give a special mention to Episode 2, Andrew, not since Line of Duty have I sat glued to my seat for sixty minutes captivated by what was in front of me. Mark Stanley stood out, but the entire cast were mesmerising. Drama doesn't come much better.

I've always been a massive fan of Sean Bean, I just don't think I'd realised he was THIS good, let's be honest, he was a revelation in this, and if awards don't follow I'll be majorly surprised.

I can find no faults whatsoever, I just wanted more.

Arguably the drama series of 2017. Series 2 has to follow.

10/10.

This is not a perfect series; it all adds up in the end, but each episode is devoted to a different character and plot line, and some of those slip in to following episodes. The playing of the priest by Sean Bean is as natural a performance that you will see anywhere. Bean plays a maverick of a priest with unconventional approaches and attitudes to religion and a very chatty way of delivering the sermon and the mass. This is a priest, though, with a past; a past of the ordinary red blooded male who becomes a priest after he has sewn his wild oats and he questions the faith and whether he is fit enough to even be a priest. His demons attack him every time he performs the Eucharist - if perform is the right word - and images from his past flood through his mind every time he takes the piece of bread before he turns it into Christ. The first episode tells you what the whole series is about when a character is found 'borrowing money' from the till of her employer just to feed her kids. Then we have a scene at the Social Security office, after she is fired, which we have seen in films by Ken Loach and Tony Garnet but we go a little further in this story. The performances are generally excellent and played for realism but everything seemed to be blamed on the southerners. Apart from a black family from the West Indies all the cast were 'northerners' but why did they have to have the big bad bully of a bookie who makes all the money from his slot machines played by a 'southerner' - a cockney? It's as if everything is blamed on the south east of the country - the priest says this in one of his sermons in the final episode - and sometimes the script takes a heavy hammer to the subject when a more subtle approach might have been more acceptable; I mean I've seen tally men in Manchester fleecing the poor housewife who's run out of money but the whole piece is very highly recommended, nonetheless, and very watchable with beautiful music and songs by Nina Simone and Ray Davies. The last thing I would say about this series is that it is very difficult to work out if it is pro or anti Catholic or even religion; the priest is a good man and does good work and where would we be without the work of the church but they preach to us telling us that there is a God - or a god - and it's as if they help us in the community and expect us to believe. The same dilemma is in the excellent British movie The Singer not the Song with John Mills and Dirk Bogarde.

Broken was a gutsy series. It dramatised big themes—conscience, guilt, shame—and, with powerful writing and performances, told big stories about the Church, poverty and abuse. It's made for bitter viewing at times but even at its toughest, there's been a lit candle glowing determinedly at its centre.

Amen, Father Michael, you wonderful priest. And amen, Sean Bean, you wonderful actor.

This drama is amazing- the writing, the actors,the story line and interweaving of the the theme in the Communion and in the characters lives. So many dramas on T V lack originality and passion but this has both in full measure. It is intense and completely engaging.. The writing is exquisite and the theme music complements the script beautifully.

Sean Bean inhabits the character of the priest- his humanity and spirituality encourages a desire to reconnect with faith at its most meaningful level. He portrays a tortured but beautiful soul. He deserves an accolade for this part along with Jimmy MGovern- one of, if not the best writer and social commentators of our time.