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Hellfest (2011)

Noticias

Hellfest

“Tales From the Void” Creator Francesco Loschiavo Talks Giallo Inspired Episode “Starlight” [Interview]
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This past Sunday night brought two new episodes from Screambox’s Original Series “Tales From the Void,” an anthology series that adapts six tales of terror from the extremely popular r/NoSleep by series creator Francesco Loschiavo.

Director Maritte Lee Go’s “Carry“ and Loschiavo’s “Starlight” unleash more r/NoSleep-inspired nightmares, now streaming on Screambox. The episodes will also be available to buy or rent via electronic sell-through platforms beginning on Tuesday.

“Starlight“ marks the second of three episodes helmed by the series creator, but expect a vastly different flavor of horror this week. Loschiavo’s latest episode continues the series’ moral conundrums while venturing into bloodier Giallo territory.

“Starlight” turns r/NoSleep tale “The Million Dollar Question“ by Joao Andre Narigueta Ribeiro into a Giallo episode. Loschiavo says of his latest episode, “I started reading r/No Sleep probably back in 2012 or 2013, a little bit after it was...
Ver el artículo completo en bloody-disgusting.com
  • 21/10/2024
  • por Meagan Navarro
  • bloody-disgusting.com
Bonnie Aarons in La monja II (2023)
‘The Nun II’ Conjures Up $3.1 Million at Thursday Box Office
Bonnie Aarons in La monja II (2023)
Warner Bros. Discovery and New Line Cinema’s”The Nun II” began its domestic box office run with a promising $3.1 million in Thursday previews. That compares to the $5.4 million Thursday preview gross of “The Nun” in September of 2018, the $4 million Thursday gross for “Annabelle: Creation” in August of 2017 and the $3.4 million preview earnings for “The Conjuring 2” in June of 2016.

Considering a stronger critical response (53% fresh versus 24% for the first “Nun” on Rotten Tomatoes) and the relative lack of big-deal horror movies over the last several months, all signs point to another strong $25-$35 million opening weekend for Hollywood’s most successful post-“Avengers” cinematic universe.

Since James Wan’s first “The Conjuring” in July of 2013, the R-rated, religious horror franchise has earned over $2.1 billion worldwide on a combined budget of $180 million. It’s the one unmitigated success in terms of Hollywood trying to build their own interconnected cinematic universes...
Ver el artículo completo en The Wrap
  • 8/9/2023
  • por Scott Mendelson
  • The Wrap
Fall 2023 Film Preview: 30 Must-See New Movies
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The leaves are changing and pumpkin spice is on tap, which can only mean one thing: fall is upon us — and with it a bevy of movies that could very well influence this year’s Oscar race and end-of-year lists.

In spite of the ongoing SAG-AFTRA/WGA strike, movies are still coming out. But it will be interesting to see how the dual strike affects promotion, box office and this year’s Oscars race. Regardless, there’s something for everyone. Big awards heavy-hitters like “Maestro” and “Saltburn” will be on film buffs most anticipated lists, while blockbusters like “The Creator” and “Saw X” will charm those just looking for a good time at the movies.

Here are the 30 films TheWrap’s film team is excited to see this fall.

Sony Pictures

“The Equalizer 3” (Sept. 1)

Denzel Washington returns to complete his trilogy as action hero Robert McCall and has us very excited.
Ver el artículo completo en The Wrap
  • 2/9/2023
  • por Kristen Lopez
  • The Wrap
Tom Hardy, Michelle Williams, and Riz Ahmed in Venom (2018)
‘Venom’ Rules the Box Office, but ‘A Star Is Born’ Does Not Disappoint
Tom Hardy, Michelle Williams, and Riz Ahmed in Venom (2018)
“Venom” and “A Star Is Born” both opened over $40 million, and that’s a first for any October weekend. Only 20 films have opened to that much in October, nine of which were horror films.

Now “Venom” has the top October opening ever at $80 million. (Prior record holder was “Scary Movie 3” in 2003 at $73 million adjusted.) That means February, April, and October 2018 each set new records with Marvel movies. The total weekend gross will come in a little under $175 million, the strongest in at least a decade.

Sony has been the home of “Spider-Man” among Marvel releases, along with “Ghost Rider.” A reasonable comparison is Disney’s “Doctor Strange” in early November 2016 (a normally better date), which opened around $90 million. Of course, $80 million is great any time, particularly outside of summer.

What makes “Venom” more impressive is, unlike many Marvel films, it was poorly reviewed with a truly bad Metacritic score...
Ver el artículo completo en Indiewire
  • 7/10/2018
  • por Tom Brueggemann
  • Indiewire
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