PUNTUACIÓN EN IMDb
4,7/10
2,9 mil
TU PUNTUACIÓN
Un hombre ve cómo su vida se desmorona después de que su novia de diez años lo abandone.Un hombre ve cómo su vida se desmorona después de que su novia de diez años lo abandone.Un hombre ve cómo su vida se desmorona después de que su novia de diez años lo abandone.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 8 nominaciones en total
Blake Anthony Crawford
- Henry
- (as Blake Crawford)
Reseñas destacadas
This film tells the story of a socially awkward man, whose girlfriend of ten years left him suddenly. He tries to live his life as normal, but his life is anything but normal.
Honestly, the first ten minutes of the film is already horrible. The protagonist is such an socially awkward man, and he just does not know how to be around people. The film itself is super awkward as well, as there are dialogs such as a man saying "I need you", then the woman replies "my sister is double parking". This type of illogical conversation happens constantly in the film. The dialogs are so ridiculous and logically unconnected, that the plot just makes no sense. I do not find the film funny, engaging or sympathetic at all. It is a waste of my time, and my poorly informed decision to have watched this film.
Honestly, the first ten minutes of the film is already horrible. The protagonist is such an socially awkward man, and he just does not know how to be around people. The film itself is super awkward as well, as there are dialogs such as a man saying "I need you", then the woman replies "my sister is double parking". This type of illogical conversation happens constantly in the film. The dialogs are so ridiculous and logically unconnected, that the plot just makes no sense. I do not find the film funny, engaging or sympathetic at all. It is a waste of my time, and my poorly informed decision to have watched this film.
Little bit of strange, that this has comedy genre attached to it, when there is really nothing funny about this movie. Awkward - sure, stupid - maybe, but funny? Not really. It's mostly just a character study of a sociopath, but it fails at that too, since towards the end, you don't really know that much more about the main character as you knew in the beginning.
I still kinda liked the movie, I think if you are able to enjoy movies about sociopaths like for example "The Fanatic" , then you'll be able to enjoy this one too.
I still kinda liked the movie, I think if you are able to enjoy movies about sociopaths like for example "The Fanatic" , then you'll be able to enjoy this one too.
This is a great dramedy, in the sense that it actually is very funny and has some emotional moments too. I love the main actor (his work in Fleabag is great, but he's fully on display here). The concept of the film is a little dark, but really gets to the emotional core of being rejected. Love the supporting cast as well - def a recommend for this little-seen gem.
This is the only movie that I have ever taken the time to write a review for on IMDb, and my sole motivation is the hope that someone will see this and save themselves the 85 masochistic minutes that I just put myself through. This is one of those movies that you want to turn off from the moment you start but you just keep watching in the hopes that it will get better, and the next thing you know it's an hour in, the movie is still terrible, and screw it - you might as well finish it at this point because the prescription opiates haven't worn off yet.
My girlfriend roped me into this debacle with a trailer that promised a mix between Juno and Wes Anderson, but what I got instead was A Serious Man after it had been eaten by a 400 pound trucker named Larry, poorly digested, and ultimately deposited into a toilet bowl at a rest stop. This movie is so bad that I actually felt it was below Michael Cera to take this role. Michael Cera is too good of an actor to be in this movie. Let that sink in.
This "film" feels exactly like what it is - a poorly executed imitation of some of the great indie films of our time, written by a man and a woman who likely knew that no one in their right mind would make this thing so they had to make it themselves. It has all awkwardness and low-budget characteristics of Napoleon Dynamite but with none of the charm, and its attempts at humor are so forced that I'm not sure an entire bottle of Dulcolax could have moved things along.
We as a society love a good bit of cringe in our films, since art often imitates life. If you like a good cringe every now and then, you might look forward to the scene in which the protagonist (whatever his forgettable character name was) attempts to kiss his (also forgettably named) male co-star. On the surface, this scene should have made my skin crawl, but instead my skin was crawling as I thought about the fact that someone actually invested time and money to put this lightly-polished piece of garbage into the annals of film history and expect people to revere it as art. If this is art then the scab I tore off my leg while watching YouTube earlier today is a Van Gogh.
I could further analyze on a scene-by-scene basis, but frankly I am close to nausea already as I rehash just exactly how angry it made me to sit and watch attempt after attempt to be a quirky indie movie fall shorter than Tyrion Lannister.
I would rather lobotomize myself with a chopstick than watch this movie again.
My girlfriend roped me into this debacle with a trailer that promised a mix between Juno and Wes Anderson, but what I got instead was A Serious Man after it had been eaten by a 400 pound trucker named Larry, poorly digested, and ultimately deposited into a toilet bowl at a rest stop. This movie is so bad that I actually felt it was below Michael Cera to take this role. Michael Cera is too good of an actor to be in this movie. Let that sink in.
This "film" feels exactly like what it is - a poorly executed imitation of some of the great indie films of our time, written by a man and a woman who likely knew that no one in their right mind would make this thing so they had to make it themselves. It has all awkwardness and low-budget characteristics of Napoleon Dynamite but with none of the charm, and its attempts at humor are so forced that I'm not sure an entire bottle of Dulcolax could have moved things along.
We as a society love a good bit of cringe in our films, since art often imitates life. If you like a good cringe every now and then, you might look forward to the scene in which the protagonist (whatever his forgettable character name was) attempts to kiss his (also forgettably named) male co-star. On the surface, this scene should have made my skin crawl, but instead my skin was crawling as I thought about the fact that someone actually invested time and money to put this lightly-polished piece of garbage into the annals of film history and expect people to revere it as art. If this is art then the scab I tore off my leg while watching YouTube earlier today is a Van Gogh.
I could further analyze on a scene-by-scene basis, but frankly I am close to nausea already as I rehash just exactly how angry it made me to sit and watch attempt after attempt to be a quirky indie movie fall shorter than Tyrion Lannister.
I would rather lobotomize myself with a chopstick than watch this movie again.
It's difficult to rate this movie as for me I'd give an 8 as I was really amused throughout. A score for a wider audience would be much lower as it's quite a divisive film. I think the film is trying to make fun of the pretentiousness and self- absorbed nature of the characters, and one of the ways is by filming in an arch, avante garde manner. The style reminded me a lot of Yorgos Lanthimos in the way characters dispassionately speak past each other and the rather surreal nature of a lot of scenes. Most of the characters aren't particularly likable or relatable but that's good in my opinion. Why should a character in a movie be relatable to my life?, and it's the bad or unlikable characters that are the most interesting in a film. That's not to say the characters are bad, just rather solipsistic.
¿Sabías que...?
- CuriosidadesWriter/director Janicza Bravo and writer/actor Brett Gelman were married in real life. When the movie premiered, their families - that are portrayed as quite dysfunctional in the movie - hadn't seen the film yet. They separated in 2018.
- ConexionesFeatured in Half in the Bag: Quarantine Catch-up (part 3 of 2) (2020)
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 29.258 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5957 US$
- 20 ago 2017
- Recaudación en todo el mundo
- 29.258 US$
- Duración
- 1h 23min(83 min)
- Color
- Relación de aspecto
- 2.35 : 1
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