Sam (Alan Cumming) is a self-centred artist working on a video tribute to a friend long-dead of AIDS. Sam's homosexuality is very political: a veteran of the gay rights protests and anti-bigotry campaigns of decades ago, he embraces the self-imposed outsider, 'rage against the machine' status it affords him, as witnessed by his tirade against a gay couple who marry. But it's not all politics: one night he takes home a young man (Zachary Booth) he meets in a bar. Their relationship is the hook on which the film hangs a wider examination of Sam's life.
So far, so talky American gay movie. What saves the film is the acting. I agree with Samuel L Jackson - why hire a Briton to play an American - were all the American actors busy? But there is no doubt Cumming is good in this, eschewing the queenliness he sometimes uses and instead delivering a character who is a strong, opinionated, not-particularly-likable ordinary guy. As for Booth, while he has the looks of a vapid Valley boy, he turns in a natural, realistic performance as the younger man intrigued by the older man, but not blinkered to the latter's faults. Amongst the supporting roles, Everett Quinton has fun as the ageing, gently flamboyant queen who is the oldest of the circle of friends.
So full marks for the acting, but considerably fewer for originality.
