PUNTUACIÓN EN IMDb
8,1/10
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TU PUNTUACIÓN
Una colección de películas restauradas de los hermanos Lumière.Una colección de películas restauradas de los hermanos Lumière.Una colección de películas restauradas de los hermanos Lumière.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 2 nominaciones en total
Pierre Bellingard
- Self
- (metraje de archivo)
Ernestina Bossi
- Self - Ballerina
- (metraje de archivo)
François Clerc
- The Gardener
- (metraje de archivo)
Benoît Duval
- The Boy
- (metraje de archivo)
Leopoldo Fregoli
- Self
- (metraje de archivo)
Loie Fuller
- Self
- (metraje de archivo)
Madeleine Koehler
- Self
- (metraje de archivo)
Marcel Koehler
- Self
- (metraje de archivo)
Eugénie Laurent
- Self
- (metraje de archivo)
François-Henri Lavanchy-Clarke
- Self
- (metraje de archivo)
Andrée Lumière
- Self
- (metraje de archivo)
Antoine Lumière
- Self
- (metraje de archivo)
Auguste Lumière
- Self
- (metraje de archivo)
Louis Lumière
- Self
- (metraje de archivo)
Marguerite Lumière
- Self
- (metraje de archivo)
Rose Lumière
- Self
- (metraje de archivo)
Reseñas destacadas
This is available to watch on Youtube. The Lost World of Mitchell and Kenyon was fascinating as it showed the British duo making actuality films about real life in the early 1900s. It was very interesting to see how at the same time the Lumiere brothers were crossing their own frontier with the new film technology in France (and also they travelled to other countries for exotic footage to bring home). The Lumiere in a sense were making films as we know them today - scenes of spectacle impressively staged with close attention paid to the mise-en-scene. For this reason I find them less relatable than the films of Mitchell and Kenyon who are capturing real people going about their normal lives at this late Victorian / Edwardian age. But the work of the Lumiere's is historically interesting nevertheless and this documentary accumulates 108 of their short films into an insightful history of their work 1895-1905.
L´Institut Lumière, presided by Bertrand Tavernier et avec Thierry Frémaux as narrator, has issued for exhibition in cinemas this renewed session of some of the first moving images. Preceded in 2015 by the DVD "Lumière ! Le cinématographe 1895-1905" and intended to be followed by "L´aventure continue", it shows 114 selected subjects shooted by Auguste et Louis Lumière and the cameramen they sent around the world, like Alexandre Promio and others. By the way, they would encounter some problems in America with the Edison company.
The films, from 35 mm original negatives and each one of them 50 seconds long, assembled in chapters by subject, have been carefully restored in 4K technology to their best. And it is their best! The image quality is often stunning for these first pieces of glorious cinema from late 1890s until 1905. So much that when the film was shown in cinemas around France it largely surpassed Frémaux´s expectations, as he himself explains in the DVD extras. The screen ratio with rounded corners has been preserved so that watching them resembles the way in which the first public did. A Saint-Saëns soft contemporary soundtrack has been chosen, successfuly accompanying the images without overcoming them. And if the image quality of the short pieces is wonderful enough for their age, wait to see some autochromes as a surprise, unbelievably fresh and colourful as they had just been reenacted. There is also a guest appearance by Martin Scorsese hommaging the factory exit first film.
If the subjects themselves can be a bit boring for today´s audiences (mainly single plane location views, yet sometimes travellings and shots from a boat or train, even special effects), they are so brief and there are so varied that hardly become irrelevant. And as it is also noticed, they have an added quality : many of them distillate amusement, as the Lumière brothers and their friends as actors testify. It makes one but smile to see how their factory workers enjoyed a snow battle at Monplaisir. And although many of us have seen some time or another La sortie de l'usine Lumière à Lyon or L'arrivée d'un train à La Ciotat (the first and one of the earliest footages from 1895), here we are presented with three diferent versions of the first and an excellent restoration of the second.
The only issues to be raised against this wonderfully fresh compilation are how nice it would have been to include a sample of the restoration process (comparing some fragments before and after) and the fact that, being all of them so brief, listening to the commentaries and/or reading subtitles takes time from watching the films themselves. There´s always the DVD option of watching them silent, as they originally were. Let´s wait that more of these careful compilations will follow in 4K.
The films, from 35 mm original negatives and each one of them 50 seconds long, assembled in chapters by subject, have been carefully restored in 4K technology to their best. And it is their best! The image quality is often stunning for these first pieces of glorious cinema from late 1890s until 1905. So much that when the film was shown in cinemas around France it largely surpassed Frémaux´s expectations, as he himself explains in the DVD extras. The screen ratio with rounded corners has been preserved so that watching them resembles the way in which the first public did. A Saint-Saëns soft contemporary soundtrack has been chosen, successfuly accompanying the images without overcoming them. And if the image quality of the short pieces is wonderful enough for their age, wait to see some autochromes as a surprise, unbelievably fresh and colourful as they had just been reenacted. There is also a guest appearance by Martin Scorsese hommaging the factory exit first film.
If the subjects themselves can be a bit boring for today´s audiences (mainly single plane location views, yet sometimes travellings and shots from a boat or train, even special effects), they are so brief and there are so varied that hardly become irrelevant. And as it is also noticed, they have an added quality : many of them distillate amusement, as the Lumière brothers and their friends as actors testify. It makes one but smile to see how their factory workers enjoyed a snow battle at Monplaisir. And although many of us have seen some time or another La sortie de l'usine Lumière à Lyon or L'arrivée d'un train à La Ciotat (the first and one of the earliest footages from 1895), here we are presented with three diferent versions of the first and an excellent restoration of the second.
The only issues to be raised against this wonderfully fresh compilation are how nice it would have been to include a sample of the restoration process (comparing some fragments before and after) and the fact that, being all of them so brief, listening to the commentaries and/or reading subtitles takes time from watching the films themselves. There´s always the DVD option of watching them silent, as they originally were. Let´s wait that more of these careful compilations will follow in 4K.
I just saw Lumière in the Eye film museum (Amsterdam, Netherlands). Only 4 spectators on this Wednesday morning... This movie deserves much more. The old Lumière movies have been amazingly well restored. I only knew L'arroseur arrosé (The waterer watered) and the famous film with the train entering a station, which at the first viewing in the 19th century scared the audience so much many fled from their seats, afraid to be overrun. To see the other films, all shot between 1895 and 1905, was amazing (their quality!), interesting (to see the daily life of the end of the 19th century) and often amusing (the comic movies). Since each film olnly lastst for 50 seconds, the film never gets boring - there is so much variety!
For me a 10-star movie.
I saw this film (it is more a documentary than a film, really) during a commercial flight, of all places, on a tiny seat screen. but I was mesmerized and enchanted. What pleasure it is to see these very short clips the Lumiere bothers produced between 1895 and 1905. Historically and visually, this compilation -presented with a smart running commentary for each chosen mini films- is a treasure. I am sure I had a smile on my face during the whole thing, and now I wish I could see it on a big screen, to see the details beyond the frame composition.
It is a wonderful documentary, that everyone who love cinema must watch. Lumière brothers and crew were real artists and their importance goes much beyong the already essenfial role in the machne development. While the film design is simple, just showing original short films with narration, two elements make it an amazing achievement: 1) narrated text is brilliant, it is a well humored and deeply informed lecture on the history of cinema, the role played by Lumière in it, and how the world and society they showed in movement was; 2) many awesome short films produced or made by Lumière were, for artistic or historical reasons (often for both), extraordinary, anticipating what other important moviemakers would developped and being credited for later. Well done and moving documentary.
¿Sabías que...?
- CuriosidadesIncludes 108 films out of over 1400 made by the Lumière company.
- ConexionesEdited from La Charcuterie mécanique (1895)
- Banda sonoraJavotte - Fantaisie pour un orchestre / Rapsodie bretonne opus 7 bis - Allegretto / Rapsodie bretonne opus 7 bis - Andantino, Allegretto, Allegro quasi presto, Andantino, Allegretto / Andromaque - Ouverture. Andante, Allegro / Andromaque - Prélude du 4e acte / Suite en Ré opus 49 - Prélude. Allegretto moderato / Suite en Ré opus 49 - Sarabande. Sostenuto / Suite en Ré opus 49 - Gavotte. Vivace / Suite en Ré opus 49 - Romance. Andantino cantabile
Composed by Camille Saint-Saëns
Performed by Orchestre Philharmonique de Monte-Carlo
Conducted by David Robertson
(P) 1993
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Detalles
Taquilla
- Presupuesto
- 15.000 € (estimación)
- Recaudación en todo el mundo
- 531.436 US$
- Duración
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 1.85 : 1
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