A Small Fortune

Relatively formulaic crime caper. The best thing the movie has going for it is the setting; PEI certainly lends itself to some beautiful cinematography. The story has some interesting elements but overall it doesn't rise above a made-for-TV cheap production feel.

The dialogue is a bit ham-fisted at times and you've got some overly stereotypical characters: the disgruntled old cop, the bad guy with tattoos, etc.

"Deus ex machina" I think is the term for the introduction of a major new character toward the end of the movie. Well, it happens here and is a tad annoying. There are various "convenient coincidences" that happen such as a character finding an important bag at a rock that he just happened to randomly crouch down near. Some suspension of disbelief is OK but a few too many of them here.

The "wrap things up nicely" monologue at the end was a bit too pat while leaving various things unexplained.

You have a married couple financially strapped for cash expecting a child until the husband finds a bag of money that washed up on the shore. Instead of playing it cool and not doing anything to bring any attention to himself, like a fool the husband does just the opposite which leads the bad guy who's money it is right to him. One of those films depicting a person who doesn't know how to play it cool when they find some money and ruins it and brings unnecessary attention to themselves and the ones they love. Moral is, whenever you find money, don't be an idiot like this guy and bring any unnecessary attention to yourself and keep your mouth shut.

Kevin Doucette (Stephen Oates) and Sam Doucette (Liane Balaban) are a married couple struggling to survive in PEI. Sam is pregnant. Kevin harvests seaweed in a traditional way. It would be kind to say that it's a dying industry. The money is not worth the effort. Sam keeps urging him to move west to make some cash, but he refuses to leave home. Out of the blue, he finds money scattered in his seaweed and then a duffle bag full of cash.

This is a small Canadian indie in the mold of other small crime dramas where the down and out characters find a bag of cash. It is interesting that Kevin is still harvesting seaweed with a horse. Burning the boat is a really dumb idea. Kevin is not the sharpest tool in the tool box. He's not like a cartoon idiot either. There are so many foreseeable problems that he runs into head-first. That's not a problem. Dumb lead characters are often frustrating, but still interesting. I just wouldn't want dumb writing. My main issue with the story is that Kevin should be dead. At a certain point, he should be killed or at the very least, tortured to an inch of his life. I get that it's hard to kill the lead before the end of the movie. Maybe that's the better move.

Earning his money raking kelp from the shores a man finds money, much money. Despite bestest intention he does what - let's be honest - everybody does two weeks after finding a treasure.

The movie provides us an unbelieving look into modern small town life without being dramatising, showing you the unworldly in the middle of the world who hold up labour and value heritage, with some effords at times, but eventually sucessful. A neat afternoon movie.

Pour gagner sa vie en ramassant du varech sur les côtes, un homme trouve de l'argent, beaucoup d'argent. Malgré ses meilleures intentions, il fait ce que - soyons honnêtes - tout le monde fait deux semaines après avoir trouvé un trésor.

Le film nous offre un regard incrédule sur la vie moderne des petites villes, sans dramatiser, en nous montrant les gens du peuple au milieu du monde qui défendent le travail et la valeur du patrimoine, avec quelques efforts parfois, mais qui finissent par réussir. Un bon film d'après-midi.

This is writer and director Adam Perry's second-only full length feature film, and although far from perfect, for a newb filmmaker, it's better than some disappointments I've seen lately from seasoned filmmakers.

Perry's directing was actually impressive, to the point you'd think it was a Coen brothers' production. The story did have some plot and technical issues, and the pacing was a little slow, but the screenplay was tight, original and very well laid out and shot. A little more action and suspense would've gone a long way, and I would've loved to see more of the beautiful PEI landscapes.

All casting and performances were spot on, although I felt old man Omer was a little too much. The cinematography was great, and the score amazing, especially for a low budget indie B-film. It's a very decent 91 mins one-time watch, especially considered this was a novice low budget film. It's a well deserved 6.5 rounded up to a 7/10 from me.