Sandy Wexler

... Adam Sandler has turned from one of the funniest guys on screen to the exact opposite. Sandy Wexler is Sandler's latest Netflix effort and it's even worse than his previous two Netflix productions. Wexler is supposed to be an inside look into Hollywood of the early 1990s. Why? I didn't get it. Is it funny? Not at all. Wexler somehow wants to draw us into this time period and fails miserably.

Worst, Sandler acts with some idiotic Jerry Lewis like nasal voice which clearly is only annoying. (and Jerry Lewis was great in doing the nasal voice BTW). I can no recommend this film. I wish Sandler would go back and make some smart and actually funny comedy. But it sure doesn't look like it.

I've never been more outraged in my life. I actually liked his movies and kept giving him chance after chance after chance. His time has run out. I literally stormed out of the room, grabbed a smoke and thought "I'm better than this!". We are all better than this. Three words - Jack and Jill....and then it went all down hill from there. My intelligence is beyond insulted. Netflix has disturbed me to no end - why let this turd face continue? Shaking my fists at the heavens screaming "Why!?". Literally - WHY! IS THERE NO GOD? The answer....NO. At least, not while Sandler and his disgusting croonies make another pile of raging rubbish. NO GOD.

I wasn't sure of this one when I saw the previews to it but it was a please tell surprise! Had some pretty damn funny parts in it!

For what it is, the movie is pretty good.

It's a comedy inspired by real events, a talent manager working in Los Angeles in the 1990s. So see it as semi-documentary type of movie with some laughs here and there.

I don't know anything about the manager but it seems that he is that weird as Adam Sandler portrays him to be, and the audience for some reason mix those two together thinking Adam Sandler is to blame for some parts of the manager's character? Like the voice for example, the manager seems to have that kind of voice..

Also, some people watching this probably expected more comedy and fiction, and finish it disappointed. I started watching this without any expectations, just that it's some kind of a movie based on real events, and I had a positive experience watching it.

Netflix's Sandler output has certainly been erratic in terms of quality. The Ridiuclous 6 was probably the worst western themed comedy made since John Candy's unfortunate final film Wagons East, The Do-Over was a marginal improvement but came off as trying to hard to ape the Jon Lucas and Scott Moore shock style of comedy popularized in their films. Sandy Wexler still has many of the tropes and trappings of other films in Sandler's repertoire, but what this film has that others didn't is good naturedness to it that was lacking from his previous comedies. The film stars Adam Sandler as the titular Sandy Wexler a loyal but not all that effective talent manager in 90s Hollywood with an eccentric group of wannabes for clients who range from ventriloquists, to Evel Knievel style stuntmen, and struggling actors/actresses. The story follows Sandy's discovery of the talented Courtney Clarke played with genuine talent and charisma by American Idol winner Jennifer Hudson. Sandy tries to keep himself at a respectable distance even letting her go once he is convinced by others that she'd be better off with a new manager but their paths keep intersecting for one reason or another. Before this movie even came out it was already being trashed because the trailer was nothing but back to back scenes of Sandler using his voice. However this time there is context. While the voice Sandler uses for Sandy can be grating, it is spaced out and the scenes in the trailer are a few instances of him at his most grating and luckilly the film surrounds Sandler most of the time with other actors so his voice has a chance to take a breath. Another point in this films favor is the character of Sandy is an affectionate sendup of Sandler's real life manager so it isn't taken to the ridiculous extremes of say something like Jack and Jill and we're still able to reasonably like Sandy as a character. With that said the movie is WAY to long at 2 hours and 10 minutes and really should've been 90 to 100 minutes at max. But despite it's length problem this is a pleasant enough outing for Sandler fans and reminds us that he does have genuine talent. Despite some rough spots a marginal recommendation.