Damsel

Such a strange movie. Much like watching two separate movies. At least there were a few laughs to be had in the first half.

I still do not understand why some folks can get away with a single paragraph review, and the rest of us must write at least 600 words before we can post our own.

Much like how the film Damsel has comedy all over the place, yet it really tries to cram it in in both unexpected and expected places.

The average film is going to be predictable to a certain degree these days, but even though that is the case, the ridiculous moments of hilarity in this film through my family and I for a loop.

"What is this random film?" I would shout.

I often thought this was directed by the Cohen ( Coen?) Brothers, but the timing was a bit too off most of the time. THe whole movie just could not decide if it really was a comedy or a pure western. Very arthousey therefore, and worth a watch if you are bored. Just dont expect too much. Some laughs may ensue. YOu are welcome for a nonsensical revies lol.

With very deliberate pacing and dark humor that seldom works effectively, this movie just added up to a difficult watch for me. Robert Pattinson and Mia Wasikowska are fine actors but they can only do so much with this flat script. Save yourself the trek.

My wife and I watched this at home on DVD from our public library. I wanted to see it mainly for the actors, knowing little about the actual story.

It was written and directed by the Zellner brothers, and each has a featured role in the movie. The basic story is a man, Robert Pattinson as Samuel, heads west to find his damsel who he thinks has been kidnapped. He plans to rescue her and ask her to marry him. The damsel is Mia Wasikowska as Penelope.

The opening scene sets the tone, David Zellner plays a man new to the west, fascinated by the prospect of meeting real Indians, and waits for the stagecoach with an old pioneer (Robert Forster) who is tired and headed east. The stagecoach doesn't show up but the old man gives away his belongings including a tattered bible, so the new man takes on the name Parson Henry.

There is no advantage in describing the story in greater detail, suffice to say Samuel has a total misunderstanding of the situation and it doesn't turn out well for him. When the movie was over we were both a bit puzzled as to why this particular story was put to film and what the filmmakers were really trying to accomplish.

I cannot recommend it to anyone I know.

The type of Western that you could see the Coen Brothers putting their name behind, Damsel is further proof that there's life in the age-old genre yet as filmmaking duo David and Nathan Zellner take us on a darkly comedic trip to the wild west.

It's not to say Damsel is a roaring success, as its slowly paced and rather emotion-free experience is often far too ponderous and cold for its own good, but the twisting, turning and non-conforming tale the Zellner's have created is an odd beast that is sure to find its fair share of fans amongst the many likely detractors.

Filmed in the eye-capturing surrounds of the American wilds, Damsel is a pretty sight indeed that's anchored by creative actors Mia Wasikowska and Robert Pattinson, as the two young lovers reunite after years apart, as the Zellner's take us on a zany journey through a time and place that was filled with more than its fair portion of colourful and cuckoo characters, all on a quest to find meaning and purpose in a harsh unforgiving land, filled with much promise and even more dreaming.

We never really get much of a backstory or foundation of where Wasikowska's competent Penelope or where Pattinson's more dim-witted but well-meaning Samuel Alabaster come from or what shaped them into the people they are as we meet them but it's quite clear we can gather Samuel has been on some type of journey (with a miniature pony in tow), it's just a shame we couldn't get to partake in any of it, as the Zellner's choose not to relay any of this in Damsel's near two hour run-time.

It's a runtime that at times draws to a near halt as the story at the heart of it flows rather slowly and despite the good work of Wasikowska and Pattinson, Damsel struggles to maintain an energy and vibe to keep it going and you do wish that someone like the aforementioned Coen Brothers could've lead the charge here as Damsel feels as though it had the potential to be quite special.

There's brief moments where darkly attuned humour and hilarious encounters (Adams apple comparisons and town hangings) happen throughout Damsel, while David Zellner's side character Parson Henry and other oddball creations add spark to proceedings at certain times but it's not enough to enlighten the film as a whole as you feel as though Damsel missed the opportunity to maximize its unique tale.

Final Say -

Damsel is a curious entry into the western genre with some nice moments of black humor and well-staged strange happenings but overall the Zellner's film ends up being a rather forgettable feature.

2 ½ miniature ponies out of 5