La primera profecía

In a world of prequels and frenchise universes this movie has been one I didn't wait for or did expect.

Especially after the 2006 Omen remake.

The story is not full of surprises. We always heard of Damian's birth, his real mother, the jackal. Now asome creative people wrote the story and brought it to life.

What to say? It's what you expect in the year 2024. But wait. It's more. Or better said: less!

It's a modern flick but in the style of the 70s. No jump scares. Just a good horror stories told in a decent way. The first death scene was something I haven't seen in a long time. An unexpected kind of killing and dying. But even more impressive. Not the usual "He's dead Jim" bloody jump scare death. More a "what the heck!? Really?" scene which keeps you mouth wide open.

And the movie continues this style of story telling and unexpected kills and how the people die. All in time without rush.

All in all this movie is doing things right other modern franchises are missing. A good story, people with patience and creativity who gave us something familiar from the past in times we only rush threw life.

I found "The First Omen" a decent horror flick. It's definitely a slow burn, so be prepared for building suspense rather than constant jump scares. The chilling atmosphere, unsettling moments, and creepy background score really worked for me.

While the pace might be too slow for some, I appreciated the way the film gradually builds tension. It has genuine scares, fueled more by atmosphere than cheap tricks. If you enjoy a classic, atmospheric horror experience, you might like this one.

Don't go in expecting a fast-paced thrill ride. Instead, be prepared for a film that aims to unnerve you. It won't blow you away with originality, but for fans of old-school horror, "The First Omen" offers some solid chills.

Easily one of the best horror prequels. The original Omen is an all time classic, and this is a great follow up. The film revels in mashing up genres: body horror and gothic church horror. Well paced with a good cinematic moment.

Synopsis: When a young American woman is sent to Rome to begin a life of service to the church, she encounters a darkness that causes her to question her own faith and uncovers a terrifying conspiracy that hopes to bring about the birth of evil incarnate.

When a young American woman is sent to Rome to begin a life of service to the church, she encounters a darkness that causes her to question her own faith and uncovers a terrifying conspiracy that hopes to bring about the birth of evil incarnate.

How can a prequel of a classic directed by a first timer (at least when it comes to feature films) be this good???

The First Omen is a must watch for it's cinematography alone. Adding Nell Tiger Free as the incredible lead, eery body horror, spectacular sets and costumes and the feeling of 70s cinema.

It might be a tid bit too long and the whole Dan Brown-esque scavenger hunt wasn't fully working, but damn is it fun and just beautiful to watch.

Arkasha Stevenson did the original Omen justice.

I have to compare it to Immaculate since it's basically the same story, but so much better! Go watch this instead, trust me.

The First Omen is literally the Rogue One of horror movies. Late stage horror prequels are usually cheap cash grabs which is what makes this one such a pleasant surprise. It's clearly crafted with vision and artistry as it operates within an established franchise whilst being so much nastier than mainstream horror usually gets to be.

Nell Tiger Free is phenomenal, as the film progresses it demands more and she is always able to provide it. A late stage sequence has her going to a very visceral place and it leaves you speechless. Ralph Ineson gives Father Brennan a lot more humanity than he originally had and is great at establishing the stakes.

Arkasha Stevenson makes such a confident debut, skillfully choosing to harken back to the original not just with callbacks and musical cues but by imbuing this film with the same rich texture and slow burning pace of 70s cinema. She also crafts an atmosphere so potent that the few jump scares really land and the horrific imagery won't be forgotten anytime soon.