La forma del agua

It's a time when being different was discouraged, by how you looked, by how you hooked, by how you foraged, in a world of prejudice, the overwhelming emphasis, was to align, to toe the line, to be acknowledged. Elisa's mute, but she still has things to say, using Zelda as a surrogate airway, together they both clean, where there's things that go unseen, behind one doorway there's a place she likes to stay. In this place something's imprisoned and interned, Elisa shows it love, the tides begin to turn, a connection has been made, it's time to escape and evade, logistically that causes some concern.

Sally Hawkins is as spectacular as ever in an imaginative tale that reflects a world of the past, but not forgotten or disappeared (sadly).

The Shape of Water, the Oscar winning film about an unlikely love between a humanoid amphibian and a mute woman set in the early 1960's. The movie was greatly directed by director and screenwriter Guillermo Del Toro and acted by award winning actress Sally Hawkins with supporting actress Octavia Spencer. The movie is full of hope and desire as the lead characters explore love in a unique way that is different and unnatural. The movie will have you shed tears, in suspense, and thrilled by shocking twists and events.

"Unable to perceive the shape of you, I find you all around me / Your presence fills my eyes with your love, It humbles my heart, For you are everywhere." -Giles, The Shape of Water

The Shape of Water (2017):

I would say this is the kind of film that's more of an experience rather than a movie. Walking out of it, it feels like you just had a really beautiful, odd and emotional dream.

Now I'm gonna warn you right away, this isn't a movie for everyone, but I think if you're the right kind of person for it, you already know that you'll like it. It's very art-house, it's very Guillermo Del Toro, it's very weird.

Overall I really enjoyed "The Shape of Water", it leaves you with a good fuzzy feeling in your heart. I loved seeing every frame of it since Guillermo has a very distinctive and stylized look and tone. He manages to create a real world but with a dash of magic and fairy tale to it. The cinematography was absolutely astonishing (especially the colours), set design/costumes/etc were fantastic, the creature was really cool and pleasant to the eye (good mix of practical and CGI), the acting was good (even though the Russian was iffy).

My only problem with the movie was the fact that it felt a little too long, I think a couple of tiny things could've been cut here and there and the movie would've been just as good. There's also a couple of things that felt unaddressed but as the viewer you let it slide and forget about them since you're focused on the main story.

Basically, if you knew about this movie and you were interested in seeing it, see it. If you don't know anything about it or the works of Del Torro, probably don't.

If I had to boil it down (egg joke) to a score it would be somewhere around 7.5/10

P/S

Do NOT see it with kids unless you want to have some VERY awkward moments.

One of the most impressive parts of The Shape of Water will probably go unstated by many, because it is easy to overlook. It is stunning how much chemistry a woman who never talks and a fish monster can have. The energy between them radiates, and I had to keep stopping myself to consciously think about what a feat that truly is. As a direct result to how great the writing, directing, and performances are, this relationship between a woman and a monster never feels strange. If done by lesser talent, this could have come across as very weird or wrong. But del Toro crafts this film in such a way that it never comes across in this manner. In fact, in feels only natural, and that is applause-worthy on his part. That is the single biggest thing that Del Toro needed to pull off flawlessly, and he rises to meet the challenge. As with every Guillermo del Toro movie, the production elements are all spectacular. Del Toro really has a great understanding of mise-en-scène, something I'm continuously taken aback by every time I watch a movie of his. His cinematography isn't usually something that lunges out at you and calls attention to itself; rather, it works to very subtly draw you into the film. I do very much like cinematography that stands out and pops, but there is also something to be said for more the subtle kind of shooting a film. Del Toro has a strong hold on his production design. From the set design to the costume design to the color palette, every del Toro movie has a clear direction that is unique to its own story, and this film is no exception...

A mute janitor falls in love with a fish man during the Cold War 1950's. That's about as simple as you can describe the plot of Guillermo Del Toro's new film The Shape of Water. Del Toro has always had in interest in monsters for his films. No matter how scary or deformed they look, they always have human traits that connect us with them. In this film, Del Toro has crafted his most likeable monster yet and tells a totally original story (trust me) that is part romance, part thriller.

We follow the life of a janitor without a voice, Elisa Esposito (Sally Hawkins). She works in an underground facility alongside her co-worker, Zelda (Octavia Spencer), who talks enough to make up for Elisa's silence. One day a secret test subject is brought into the facility by the psychotic Strickland (Michael Shannon). The subject happens to be an amphibious-human hybrid creature that was found in the Amazon and has been brought back to America in order to be dissected and studied. After interacting together a few times, Elisa and the creature begin to form a special bond of love. Elisa recruits her neighbor (Richard Jenkins) and a sympathetic Russian spy (Michael Stuhlbarg) for a plan to break the creature from his chains and allow him to return home.

The plot carries both a whimsical and serious tone to it. They mostly go together well as we get a fairytale that isn't afraid to embrace a childish feel with adult actions. However, GDT goes overboard once with a song and dance number that comes close to throwing the whole film off during its most poignant time.

This is one of GDT's most mainstream films (apart from Pacific Rim) and is a great way for people unfamiliar with his work to be introduced. He expertly uses his monster experience to make a film that carries a realistic and fantasy tone.

He also makes a very brave film that doesn't shy away from unconventional material. We get to see Michael Shannon having sex after his fingers get severed, political assassinations, and a self-pleasuring scene involving an egg timer. Oh, Elisa and the Amphibian Man also experience, let's just say, a special physical connection.

The most impressive aspects of the film come from the behind the scenes work. The camera is brilliantly manned by Dan Lausten. It flows freely between the sets to give the film a romantic fantasy feel, but he also uses constant rain, dark colors, and confined spaces to make it feel like a cold war noir.

The production design is also outstanding as each set piece is designed with care and precision. It's astonishing that this film was made for only $19.5 million because it looks like it cost more than triple that amount.

The actors create one of the best ensembles of the year. They all carry their weight when matched together and make their characters interesting to watch. Hawkins is perfectly cast and leads the show with her signature shy look. She gives the most compelling and passionate performance of the year, all without saying a word.

Richard Jenkins also gives an award-worthy supporting performance as Elisa's neighbor, Giles, who is going through a midlife crisis in terms of his career and sexuality. His scenes with Hawkins are astounding, but the ones with him alone aren't as great and take away from the important story.

While not breaking any new ground, both Michael Shannon and Octavia Spencer do what they do best. Shannon gives his trademark evil, unhinged authority performance. Spencer does well in a performance very similar to her role in The Help.

Michael Stuhlbarg also continues his amazing 2017 (also in Call Me by Your Name, The Post, and on TV with Fargo) by giving a great performance in the little time he has. Shoutout to Doug Jones as well for playing the Amphibian Man. He gives an endearing performance that brings warmth to his naturally cold-blooded character.

The Shape of Water is easily one of 2017's best films and deserves all the Oscar nominations it will get. Every person in the cast and crew do their job exceptionally and create a breathtaking cinematic experience that makes you feel like a kid again while also giving you the stuff your adult mind wants to see.