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La definición de culpa es ser responsable de una maldad o un crimen. En el asesinato de Molly Ryan, muchos son culpables de formas diferentes, pero solo uno es el auténtico responsable de su... Leer todoLa definición de culpa es ser responsable de una maldad o un crimen. En el asesinato de Molly Ryan, muchos son culpables de formas diferentes, pero solo uno es el auténtico responsable de su muerte.La definición de culpa es ser responsable de una maldad o un crimen. En el asesinato de Molly Ryan, muchos son culpables de formas diferentes, pero solo uno es el auténtico responsable de su muerte.
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Guilt is watchable, it has some degree of suspense, but the American influence is very much the negative factor which dogs it. It looks American, and somehow the British setting and performances don't gel with it. It's like a trashy ITV2 show, even footballer's wives Cristian Solimeno is here, he's good, but not well served by the script. The main flaw is the presence of the Royal character, the possibility of the scenarios playing out as they do, just stretch the imagination too far.
Needed to be made in the US, with American actors, Britain make incredible crime dramas, a genre that certainly doesn't need to be tampered with.
I enjoyed the mystery element of it, just didn't work for me. 5/10
Needed to be made in the US, with American actors, Britain make incredible crime dramas, a genre that certainly doesn't need to be tampered with.
I enjoyed the mystery element of it, just didn't work for me. 5/10
Whoever wrote this script did little or no research of the British Legal system. All the jail scenes do not show Briish jails but Hollywood American jail furnishings. Barristers at law do not prowl the front of the court but plead standing behind their podiums and read from their briefs. In British law you can not ' plead the fifth' . British rules of Sub Judecie forbid any discussion of a case especially in the press once a suspect has been charged with a crime. All in all a travesty of bad research and please not a second series of Mid Atlantic trash. Filmed on location in London it may have been for the exterior shots but I suspect Canada or somewhere in North America for internals. A mixture of genuine American accents from the genuine Americans, weak accents from the British/Americans and the obligatory Eastend cockney accents from the genuine Brits. Worth watching only for the goofs.
I can't help feeling that this is influenced by the Kutcher incident? American girl and her European boyfriend, murder in their apartment, tabloid judgement etc? But everything from the acting to the accents - particularly the 'I'm from Scotland Yard' policeman ... no one says that here in the UK! As someone else noted, there are so many 'this is how the US think we do things' moments too - factually incorrect.
Absolutely will not continue past episode 2 - which I've struggled through.
Absolutely will not continue past episode 2 - which I've struggled through.
Yeah, I know that title sounds convoluted, but this was just.... this is not how Britons are. Or the British legal system. Or British mannerisms. And some of those weren't British accents (that Molly girl was not Irish, she just... wasn't. Though Anthony Head is, and now he's playing an American?).
Every British buzz-topic has been thrown into this blender. Knox/ Kircher, The Troubles, The Royals, it's all thrown in there. This is really obviously about how Americans see us, and they produced an American show (slow mo shots, use of music, wide angle overhead shots), all they did was unnecessarily base it in London where apparently everyone is rich and lives close to the Astoria. And drinks in the same pub. And bump into each other in one of the most populous cities in the world.
Billy Zane was,as always, amazing. I watched it initially because he was in it, and he always does a stellar job. He wrangled his lines beautifully, and his incredulity at the stupidity of the main characters was apparent in his delivery. Can not fault him, and he's the only reason this debacle got any stars from me at all.
Every British buzz-topic has been thrown into this blender. Knox/ Kircher, The Troubles, The Royals, it's all thrown in there. This is really obviously about how Americans see us, and they produced an American show (slow mo shots, use of music, wide angle overhead shots), all they did was unnecessarily base it in London where apparently everyone is rich and lives close to the Astoria. And drinks in the same pub. And bump into each other in one of the most populous cities in the world.
Billy Zane was,as always, amazing. I watched it initially because he was in it, and he always does a stellar job. He wrangled his lines beautifully, and his incredulity at the stupidity of the main characters was apparent in his delivery. Can not fault him, and he's the only reason this debacle got any stars from me at all.
I didn't even hang around for Billy Zane's appearance. I pity those actors who put themselves through this horror show of a "pilot" but I can't be bothered to keep watching to see who hung around.
This is the Notting Hill of British TV. Americans: keep away from other countries' entertainment. You have your own genre and audience.
Britain: Keep other cultures out of your own fabulous TV and cinema productions. Be true to your wonderful, reliable selves.
This is the Notting Hill of British TV. Americans: keep away from other countries' entertainment. You have your own genre and audience.
Britain: Keep other cultures out of your own fabulous TV and cinema productions. Be true to your wonderful, reliable selves.
¿Sabías que...?
- CuriosidadesDaisy Head (Grace) is the daughter of Anthony Head, who plays James.
- PifiasWhen Luc and Grace try to escape to Paris on a train in the first episode, yes they are at St Pancras Station where Eurostar trains are based but that is clearly not a Eurostar train. Also the platform featured is not one that is in the Eurostar terminal.
- ConexionesFeatured in Guilt: Sex, Sin and Scandal (2016)
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