O.J.: Made in America

At the time, I didn't understand the fascination with the O.J. Simpson trial. I remember the weird slow-speed police chase of the bronco, which was so peculiar that I couldn't stop watching, but after that I never watched the trial, or read news of the trial, because I barely new who Simpson was and I thought of it as just some salacious celebrity murder case. I had no doubt Simpson was guilty - I mean, he'd gone on the run and been chased down by the cops! - but I didn't have any interest in the process of his being convicted, didn't care about Kato Kaelin or Judge Ito, or any of that.

Then he got off, and it turned out that the case was a huge one about the shocking difference in how white and black America saw U.S. justice.

This documentary puts that trial in context. First, it explains why Simpson was so beloved, portraying his phenomenal sports success and his subsequent celebrity career. It also puts the trial in the context both of the Rodney King beating and of a case I'd never heard of where an Asian woman got no jail time for shooting a black girl in the back of the head.

For white people like me, this was a simple case of a celebrity who savagely murdered his ex. But viewed through the lens of a justice system that seemed built entirely for white people, the trial was something else entirely, and Simpson's pricey lawyers took advantage of that.

The full story of Simpson, from his glory days to his final fall, is like a Shakespeare tragedy, with a shining hero undone by his own darkness. It can also be seen as the story of a cold-stone psychopath who was given a pass for continually beating his wife simply because he was a celebrity with a winning smile.

An excellent documentary, and also a perfect companion piece for the recent TV miniseries, The People vs. O.J. Simpson: An American Crime Story. Between the two, I have now learned a great deal about a case I had no interest in while it was happening.

A detailed view of the life of the infamous O.J. Simpson starting with his NFL carrier and his rise to an American icon to his downfall caused by one night in 1994. An excellent documentary series executed to perfection.

Watching a 7.5-hour long documentary about a case we all think we know may seem a daunting task at first, but trust me: you'll have a very hard time to resist the urge to binge watch the whole mini series once you've started. This documentary (which to me felt like a seven-and-a-half-hour feature film) is - in my humble opinion - one of the greatest achievements in American filmmaking and utterly captivating from the beginning to the end.

Where the equally brilliant but fictional series 'The Wire' took the topic of crime as a means to cast a look at all aspects and social layers of a whole city (Baltimore), 'O.J.: Made in America' examines the life and crimes of a single man (albeit one leading a very public life) to cast a very close look at American society as a whole, and the result is the most complete, in-depth analysis of the divided nation's collective psyche I have ever seen.

The portrait that emerges is so fascinating and so revealing and educational (and I hate to admit: thrillingly entertaining) that I believe this should be recommended viewing in schools and colleges across the country. And if you think: "Meh, I know that story, it's been all over the news - not interested", think again. Trust me, you do not know this story (or better: these stories). And there's a big chance you'll understand a great deal more about America once you've finished watching this masterpiece.

I know I'm dishing out superlatives here, but it's like director Ezra Edelman made the ultimate documentary - perhaps even the ultimate film. 'O.J.: Made in America' functions on so many levels; it's like watching a whole collection of films where the same protagonist inexplicably lives through a wide array of very different stories (which somehow STILL manage to end up as ONE cohesive tale). Just to give you an impression how rich this documentary is, I tried to count the stories and most dominant themes and found at least 10 (although you could probably find more):

1. There's the fascinating story of a poor kid from the ghetto rising through sheer will and enormous talent to become an American icon and superstar.

2. There's a great - and uplifting - sport story (especially for Football fans) that is usually the material of Hollywood films.

3. There's the very human drama of a genuine love story turning into an abusive relationship plagued by domestic violence.

4. There's the mesmerizing and shocking murder mystery;

5. the thrilling courtroom drama;

6. a razor-sharp satire about our and our media's unhealthy fixation on celebrities;

7. an unbelievable, surreal story of a nationwide man-hunt that gives Spielberg's 'Sugarland Express' a run for its money;

8. a close examination of the U.S. judicial system;

9. the story of the rise and the very, very steep fall of a man who had it all and lost everything;

10. an eye-opening story about race relations in America over the past 50 years

And as incredible as it may seem, those stories are all real.

The way Edelman managed to put them all together to forge this groundbreaking documentary can't be praised enough. A unique experience. 10 stars out of 10.

Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

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There are many documentaries out there- particularly on Netflix- that are just far too long. I can understand why, because owing to the way streaming services work, it's surely tempting to extend a documentary beyond the standard two-ish hours into a multi-part 6-10 hour miniseries, because that keeps viewers hooked into whatever service they're subscribed to. In all honesty, I'm personally a little tired of this approach, particularly because I think most subjects can be thoroughly explored within the length of a movie, if the director and editor and everyone else involved know what they're doing.

This naturally made me very cautious to watch OJ: Made In America, despite how critically acclaimed it was. While it was released in a very limited theatrical release- and won an Oscar for Best Documentary before the Academy changed their rules to disqualify lengthy works broken into parts- it did look to me like it would be another true crime miniseries that would draw itself out longer than necessary. Furthermore, I was worried it would be tacky and disrespectful the way many documentary miniseries are; if you're teasing and using real life tragic events as cliffhangers or hooks for viewers, for example, I think that's pretty twisted.

Thankfully, OJ: Made In America managed to transcend all of its similar contemporaries. This is miles better than something like Making A Murderer or any other show trying to chase its success; it goes in depth and uses its incredibly long runtime to tell a huge story and cover many, many topics in gripping and compelling detail. It's much more than a story about the double murder that OJ Simpson was accused of committing, and it's even more than just a documentary about OJ Simpson. The hint's in the title: it uses the story of Simpson to tell a huge, almost epic story about crime, race relations, and societal conflict throughout the last few decades of history.

It's hard to unpack everything, but you will find something interesting and intensely thought provoking within this documentary. It's not so much about trying to prove whether Simpson committed the crime or not, and moreso just giving as many points of view, opinions, and insights as possible. It's superbly edited, and flows in a way where despite all the information, you never get lost or confused. And furthermore, despite the risk of information overload, you never really get bored either. Despite watching this in chunks, I could have happily digested the entire seven and a half hours in one sitting, and if I ever rewatch it one day maybe I will view it in that way.

It's hard to come up with too many flaws. I'm conflicted over the use of graphic crime scene and autopsy photos in Part 4 of the documentary- some viewers may not understand the intensity and viciousness of the murder with verbal descriptions alone, but I feel like some people are appropriately disturbed with just picturing the aftermath in their head, and for those people, seeing the images themselves may feel like overkill. As such, I understand why those photos were included, but personally don't feel like I needed to be exposed to them. And I mean, could it have been six and a half hours instead of seven and a half? It's almost silly to think about that as a flaw, so I'm not sure it is, but at the same time... maybe it could've got more or less the same thing across?

I guess I'm struggling to think of flaws, or justify why I got this to 9/10 but not 10/10. On a rewatch, I may realise that this is about as good as documentaries can get, and raise the rating. For now, I can say that it's truly excellent and among the best documentaries I've ever seen, regardless of whether you choose to watch it as a miniseries or an extremely long feature.

Regardless of your thoughts on OJ Simpson and the infamous court case he was involved in, you will find things to appreciate, fixate on, and ponder throughout this incredibly impressive and borderline 'epic' documentary.

(RATING: ☆☆☆☆½ out of 5)

THIS FILM IS HIGHLY RECOMMENDED.

IN BRIEF: A compelling documentary that focuses on a city on fire and the "Trial of the Century".

GRADE: B+

SYNOPSIS: The O.J. Simpson trial and the many factors influencing the verdict and its aftermath.

JIM'S REVIEW: There is a fascinating 7½ hour documentary that premiered on ABC and ESPN television stations this past week and is currently streaming which is worth your attention. O.J.: Made in America may be overly long and in some need of judicious editing in parts, but it is a fascinating in-depth look back at the "Trial of the Century" and its repercussions that are relevant today.

The brutal murder of Simpson's ex-wife, Nicole Brown and her friend, Ron Goldman, on June 12, 1994 immediately made headlines and spawned a media circus, showing the incompetent handling of the case by the LAPD and District Attorney's office, and the unethical maneuverings of the prosecuting team, led by Robert Shapiro and Johnnie Cochran, to free their client and exploit the legal system.

Documentarian Ezra Edelman culled over hours of archival footage, news segments, and interviews (both then and now) to create a timely chronicle of the O.J. Simpson trial and the political unrest of a racially-divided city. He delves into the numerous 911 calls prior to the murder and Nicole's personal diary with many passages about the physical abused she suffered in her marriage to this volatile celebrity. Mr. Edelman astutely assembles new interviews with many of the people involved with the case which brings us access to observe a broken judicial system in retrospect.

The documentary shares a balanced look at the man and equally at the era. It begins with a before-and-after approach, first showing this famous incarcerated man and providing flashbacks depicting an up-and-coming young college athlete beginning his exulted career. The effect is startling. Seeing O.J. in his prime sheds new light of the man and his later fall from grace. We learn about his homophobia toward his gay estranged father, his gift for talking himself out of situations at an early age (which may have given him a false sense of security throughout his life), his lack of involvement with Civil Right issues, his innate kindness to his teammates, and the tragic death of his daughter which ended his first marriage, events that were unknown to this reviewer. We also hear of O.J's constant womanizing, his insatiable ego, his life cavorting with the rich and famous of Brentwood, his sexist and privileged attitude, and his intense jealousy and violence toward his second wife that went unheeded. Fame and wealth brought him the good life and finally corrupted the man.

But the other character in this multi-faceted tragedy is L.A. itself and the racism and injustice by the police force. Mr. Edelman's need to parallel these two tangents with the murder trial itself to make his film more complete is noteworthy, but it also gives his documentary too much latitude into this area. The film meanders into the prejudice and hate that was so rampant at the time, with the Watts riots, the Rodney King beating, and the senseless murders of African- Americans in the hands of the LAPD as the backdrop to the subsequent trial. Perhaps too much time is spent on this topic (and the famous Bronco chase) which is overstated but essential filler. Here is an accused man who erased race from his own life only to rely on it later for his freedom. That is just one irony among many. (Another is Simpson's ability to pay for his legal defense via selling autographed sports memorabilia when still being incarcerated for these murders.)

The numerous interviews and comments with former friends and colleagues are enlightening and seeing the actual cast of characters that played their parts in the trial is riveting. Particularly memorable are the words of attorney Marcia Clark, a still grieving Fred Goldman, former head D.A. Gil Garcetti, prosecuting lawyer Carl Douglas, detectives Tom Lange and Mark Fuhrman, and former friends Robin Greer, Ron Shipp, and Joe Bell. Their personal knowledge adds important details to this complicated story.

Probably the most interesting aspect about the film is the mixed emotions and personal biases felt by the jurors. (Deliberations of the verdict lasted a few hours with one member, a former Black Panther, saluting the plaintiff upon exiting the jury box.) That, and the questionable decisions handed down by the judge, Lance Ito, throughout the trial helped the prosecution play their successful "race card". Unable to see certain evidence (O.J. prior violent activities, the 911 calls, the graphic blood scene photos, the direct DNA blood connection), and falling for the grandstanding antics of that bloodied glove and a pre-staged jury's visit to Simpson's home completely changed for maximum African-American emphasis, the outcome seemed like a sure acquittal from the start. (That latter stunt by the prosecution team alone would have created a mistrial today.) O.J. may have been found not guilty, (no spoiler here), but the LAPD and their botched investigation were the ones really on trial.

O.J.: Made in America is a powerful documentary and one of the year's best films. (One would hope that it would qualify for Academy Award consideration next year, although it eluded any theatrical release as yet.) The film depicts an America filled with racial hate and anger. It shines a spotlight on domestic abuse issues. It highlights our fascination with celebrity worship and a willingness to give free rein to the lifestyle of the rich and famous while two innocent people receive no sign of justice. Mr. Edelman's epic achievement may give these victims their dues and finally a bit of justice as well.