PUNTUACIÓN EN IMDb
4,3/10
2,4 mil
TU PUNTUACIÓN
Una madre debe proteger a su familia en Navidad de un extraño demente que está empeñado en destrozarlos.Una madre debe proteger a su familia en Navidad de un extraño demente que está empeñado en destrozarlos.Una madre debe proteger a su familia en Navidad de un extraño demente que está empeñado en destrozarlos.
- Premios
- 2 nominaciones en total
Reseñas destacadas
Red Christmas features a memorable character in the form of Cletus: rescued as a fetus from an abortion bin and raised to adulthood by a pro-life priest, he hides his deformed appearance under bandages and a big cloak, and goes in search of his mother, Diane (Dee Wallace), looking for some maternal love. But when mom rejects him (again), he picks up an axe and takes revenge by hacking his way through her dysfunctional family.
Like the elephant man, only uglier, Cletus is a sympathetic character driven to kill when all he wants is a motherly hug and some loving words; this makes him a rather unique movie maniac, but one deserving of a much better film. Writer/director Craig Anderson might have created an impressive killer, but he doesn't do the slobbering freak justice, his film suffering from a weak script and dreadful dialogue, crappy acting, horrible lighting (unnatural green, red and blue colours) and duff direction. Dee Wallace used to be a Hollywood A-lister, and it's a real shame to see her appearing in such rubbish, but she's only got herself to blame: she is the producer of the film, after all.
As for the whole Christmas setting, it is purely incidental, having no real bearing on the plot: Cletus could have turned up on Shrove Tuesday and it wouldn't have made much difference (except that the title wouldn't work so well and Anderson's garish lighting scheme would feel even more out of place).
3.5/10, rounded up to 4 for the scene where a guy has his head pushed onto some kind of spinning device (it was hard to make out exactly what it was) and his eyeballs turn to mush and burst out of the sockets.
Like the elephant man, only uglier, Cletus is a sympathetic character driven to kill when all he wants is a motherly hug and some loving words; this makes him a rather unique movie maniac, but one deserving of a much better film. Writer/director Craig Anderson might have created an impressive killer, but he doesn't do the slobbering freak justice, his film suffering from a weak script and dreadful dialogue, crappy acting, horrible lighting (unnatural green, red and blue colours) and duff direction. Dee Wallace used to be a Hollywood A-lister, and it's a real shame to see her appearing in such rubbish, but she's only got herself to blame: she is the producer of the film, after all.
As for the whole Christmas setting, it is purely incidental, having no real bearing on the plot: Cletus could have turned up on Shrove Tuesday and it wouldn't have made much difference (except that the title wouldn't work so well and Anderson's garish lighting scheme would feel even more out of place).
3.5/10, rounded up to 4 for the scene where a guy has his head pushed onto some kind of spinning device (it was hard to make out exactly what it was) and his eyeballs turn to mush and burst out of the sockets.
When I read the synopsis for this movie and saw that Dee Wallace was in it, I did decide to give it a go, because the movie had the potential of actually being a fun movie.
As it turned out, then "Red Christmas" has a very poorly written storyline, and was equally poorly executed on the screen. The storyline was so generic and predictable that it was insulting to the audience.
The cast were doing good jobs with whatever little material they had to work with, and as expected it was Dee Wallace that carried the movie most of the way.
"Red Christmas" had adequate special effects, although it made no sense that a woman could be chopped in two by a single blow with an axe.
The characters were generic and one-dimensional, and you didn't really connect with any of them.
This was hardly a memorable movie in any way, and it doesn't have the contents to support more than just a single viewing. All in all, don't really bother with this movie unless you have nothing better to watch or if you are a die-hard fan of anyone on the cast list.
As it turned out, then "Red Christmas" has a very poorly written storyline, and was equally poorly executed on the screen. The storyline was so generic and predictable that it was insulting to the audience.
The cast were doing good jobs with whatever little material they had to work with, and as expected it was Dee Wallace that carried the movie most of the way.
"Red Christmas" had adequate special effects, although it made no sense that a woman could be chopped in two by a single blow with an axe.
The characters were generic and one-dimensional, and you didn't really connect with any of them.
This was hardly a memorable movie in any way, and it doesn't have the contents to support more than just a single viewing. All in all, don't really bother with this movie unless you have nothing better to watch or if you are a die-hard fan of anyone on the cast list.
I HAVE REVIEWED OVER 400 Christmas MOVIES.
BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION. NOW I HAVE NO AGENDA! I AM HONEST! I REVIEW Christmas MOVIES AS A WAY TO KEEP TRACK OF WHAT I HAVE SEEN!
Horror legend Dee Wallace (The Hills Have Eyes, The Howling, E.T., Cujo, Critters) stars as the stressed-out mother of a squabbling family, gathered together in a remote Outback estate on Christmas Eve. When a mysterious, deformed young man named Cletus appears at their door, things soon change from petty insults to bloody, imaginatively orchestrated violence as Wallace attempts to protect her family from the vengeful intruder. The film deliriously infuses comedy, dark family secrets with outlandish gore and adds the always controversial subject of abortion in its blood-stained mix.
This film is amateur hour. The camera work is terrible. The director thinks his low angles and weird color schemes add mode but they are a distraction.
If you want to see a good horror film that has a Christmas setting then watch the original "Black Christmas"
BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION. NOW I HAVE NO AGENDA! I AM HONEST! I REVIEW Christmas MOVIES AS A WAY TO KEEP TRACK OF WHAT I HAVE SEEN!
Horror legend Dee Wallace (The Hills Have Eyes, The Howling, E.T., Cujo, Critters) stars as the stressed-out mother of a squabbling family, gathered together in a remote Outback estate on Christmas Eve. When a mysterious, deformed young man named Cletus appears at their door, things soon change from petty insults to bloody, imaginatively orchestrated violence as Wallace attempts to protect her family from the vengeful intruder. The film deliriously infuses comedy, dark family secrets with outlandish gore and adds the always controversial subject of abortion in its blood-stained mix.
This film is amateur hour. The camera work is terrible. The director thinks his low angles and weird color schemes add mode but they are a distraction.
If you want to see a good horror film that has a Christmas setting then watch the original "Black Christmas"
Personally I don't think this film has a political agenda, either pro-life or pro-choice. All the characters are awful IMO. I think the reason for the bad reviews comes down to politics. Christmas + abortion. What a heartwarming combination! but if you can get past that, I actually really enjoyed the film. It wasn't as shallow as the typical hack and slash horror flick. No, not every scene was realistic, but so what? Very few horror films are. Recommended for anyone that isn't politically sensitive and enjoys horror.
I generally like aussie horror films a lot, quite a few gems in the outback and such & this one, despite the ratings, was a very intriguing choice - A directional debut by an aspiring filmmaker who put his all, financial and mental, in making a low-budget slasher about an aborted fetus seeking revenge on his family. How did it go? Considerably well, I'd say.
"Red Christmas" is, overall, quite the messy amateur horror flick, a comic slasher that's, for the most part, self-conscious enough. The plot is morally questionable, I suppose that's where some of the bad ratings come from - the movie tackles subjects of abortion and down syndrome in not exactly the most sophisticated ways. However, I'm not taking points away from it because of those themes. I take points away for the entirety of story simply being average. The first half an hour is decent, the dysfunctional family theme works, the introduction of the villain is decent - but all gets more murky as the movie goes on. Basically, in the core it's a Slasher, so, everyone's familiar with the tropes. I thought the cast did a pretty good job, there were definitely enough over-acting moments and the characters can be cartoon-ish, but the performances provided some entertainment. Dee Wallace gave her best as the life-tired and caring mother, confronted by her past traumas. "Red Christmas" has some cool and creative kills while also managing not to rely solely on violence - gorehounds will find something to their liking. Visually it was equal parts good and chaotic, muddled - we got dynamic and creative camera work that sometimes goes well overboard, candy-colored and contrastive cinematography with lighting that raises an eyebrow every now and then & inescapably, a vibe, a sense of student-like filmmaking.
I believe that by any general/objective standards "Red Christmas" is average at the most, but for the genre fans & b-movie fanatics it can be a fun holiday horror that smells like independence, effort and both defeated and lost filmmaking challenges. My rating: 5/10.
"Red Christmas" is, overall, quite the messy amateur horror flick, a comic slasher that's, for the most part, self-conscious enough. The plot is morally questionable, I suppose that's where some of the bad ratings come from - the movie tackles subjects of abortion and down syndrome in not exactly the most sophisticated ways. However, I'm not taking points away from it because of those themes. I take points away for the entirety of story simply being average. The first half an hour is decent, the dysfunctional family theme works, the introduction of the villain is decent - but all gets more murky as the movie goes on. Basically, in the core it's a Slasher, so, everyone's familiar with the tropes. I thought the cast did a pretty good job, there were definitely enough over-acting moments and the characters can be cartoon-ish, but the performances provided some entertainment. Dee Wallace gave her best as the life-tired and caring mother, confronted by her past traumas. "Red Christmas" has some cool and creative kills while also managing not to rely solely on violence - gorehounds will find something to their liking. Visually it was equal parts good and chaotic, muddled - we got dynamic and creative camera work that sometimes goes well overboard, candy-colored and contrastive cinematography with lighting that raises an eyebrow every now and then & inescapably, a vibe, a sense of student-like filmmaking.
I believe that by any general/objective standards "Red Christmas" is average at the most, but for the genre fans & b-movie fanatics it can be a fun holiday horror that smells like independence, effort and both defeated and lost filmmaking challenges. My rating: 5/10.
¿Sabías que...?
- CuriosidadesThe roller-coaster journey making of Red Christmas was documented in the feature length documentary Horror Movie: A Low Budget Nightmare.
- PifiasTodas las entradas contienen spoilers
- ConexionesFeatured in Dee Wallace Speaks! (2017)
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- How long is Red Christmas?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Красное рождество
- Localizaciones del rodaje
- Southern Highlands, NSW, Australia(location)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 2255 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 280 US$
- 27 ago 2017
- Recaudación en todo el mundo
- 2255 US$
- Duración1 hora 22 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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