Super Dark Times

If there's another 2017 film that starts off really well and continues greatness until it loses all its momentum and potential and becomes a mess in its third act, then I haven't seen it. This film is an intriguing but realistic psychological drama/thriller for its first two acts and then decides to become a genre film instead. By doing so, it loses everything that made it interesting. Maybe in retrospect and on a possible rewatch I will think the third act is fine for what it is, but it's such a shame the turn the film makes. Still, it remains a worthy effort overall, with some fine performances from its cast and some effective imagery.

It's always impressive to see a young actor really shine, and the two best friends this movie centers around certainly deliver in their performances. Unfortunately, the ending leaves me wanting...more? Not necessarily, I don't have a problem with open ended stories, but the ending scene being about a character I didn't really connect with or care for was an odd choice. Maybe on a re-watch I'll catch some nuance that steers me in the direction of revelation with the ending scene...but is it really worth watching again? It certainly does capture the precell phone nineties teen vibes well, and there's a the surreal feeling of a town where we never see anyone else except the teens. It certainly speaks for the tunnel vision you have at the age.

I wish the set dressers would decorate my house for Christmas.

Worth watching overall.

Teenagers Zach (Owen Campbell) and Josh (Charlie Tahan) have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence. Not to mention both friends are interested in the same girl (Elizabeth Cappuccino).

Viewers of a certain age and upbringing will latch on to this film almost immediately. This was life in the pre-Internet era, circa 1992, with scrambled pornography on television being the most exciting thing a teenage boy could hope for. Perhaps an older brother will have a sword or some other contraband to show off to your suburban friends and be a hero for a day.

Through this film, we also get a peak at the "nerd" or outcast world, not far removed from the group of kids featured on Netflix's "Stranger Things", if we add a few years. Having been a part of that crowd and that generation, the reviewer can confirm that conversations about a prosthetic "hand that cooks steaks" might have been entirely plausible. Interestingly, the outcast world (the reviewer again confirms) has its own tiers. There is more than one kind or level of unpopular, and as we see in "Super Dark Times", the annoying overweight kid is likely to be looked down upon, even by those already ostracized.

Without giving too much away, let us just say an unfortunate death haunts this small band of outsiders, but what really shows off the cleverness of the script is how they deal with it in different ways. Who will be able to handle the pain and guilt? Who will be eaten up inside? And as the warning signs tart adding up, will anyone notice that this is not all just going to blow over? The acting is top-notch and you have to give these kids credit for tackling such dark material and executing it flawlessly.

The direction is strong, and this really comes through later in the film as we start to feel the pacing gnaw at us (in a good way). There is an incredible use of suspense and tension as the film reaches its climax, and if you find yourself literally on the edge of your seat, you are not alone. The viewer ultimately winds up caring about these kids, and cannot even attempt to look away as things could become worse… or salvation swoops in. It could go either way – you just have to watch and see.

"Super Dark Times" screened on July 13, 2017 at the Fantasia International Film Festival (opening day). There are many strong films this year, as there are every year, but this film really sets the bar high for suspense and thrills. As the festival rolls on, other films will try – and possibly not succeed – in matching that bar.

Saw this at the Rotterdam film festival 2017 (website: iffr.com). The synopsis on the festival website contained ample pointers to avoid this movie, for example "life revolves around vying for popularity, hanging out, falling in love and looking for kicks". Luckily there was only little attention for partying, courting, clothes, and more such, unlike other movies covering youngsters of high-school age. The real drama took some time to develop, but once becoming apparent it stayed in the forefront, and so should it be.

A bit problematic (for me) is that the finale went a bit too fast and too bloody for my taste, something that did not follow logically from what happened before. It seemed a bit over the top. On the other hand, a different ending was not easy to think of, as involving the police and the legal system would have ruined the story completely. Moreover, it would require bringing in the parents of our main protagonists, which usually does not bode well for the clarity of the drama. Anyway, unexpected turns of events came at a steady pace and without weak moments, one step after another. The role of the female college students was less cultivated, as if they were only background tapestry, or maybe serving as catalyst material to speed up developments but otherwise not really crucial for the outcome.

Unclear is the opening scene where a deer is found dead in the class room with a broken window. It took some time before the police entered, who started exchanging glances with each other, but I'm at a loss what it all meant.

From the final Q&A I learned a nice statement: "planting little seeds here and there is the essence of script writing". And also: Rhythm and pacing are important (it was a side answer to a question about the sound track, but even more applying to the screenplay).

Also from the Q&A: A serious attempt was made to give Josh more dimensions in his character. Same for the others, though they did not need it that much. All were nice young men without really bad habits, but only nice is not enough to keep our interest.

All in all, I was glad to have booked tickets for this movie, despite my fears that it was to become another coming-of-age story with too much time devoted on courting and partying. This time there were no problems along that line. It sustained a real focus on the central story and its pacing of subsequent developments. The audience awarded this movie a mediocre 73rd place (out of 172) with an average score of 3.905 *out of 5).

A brilliant directorial debut by Kevin Philips. From the opening shot itself, the super dark mood is created in this film set in the mid-90s. A lot is communicated using visuals and incidents that aren't directly related to the main plot which solidifies the atmosphere of the film. Owen Campbell lives and breathes as Zach, even his inhaling and exhaling was so perfect for the character at each particular moment. But the third act was not a well-written part of the film where the characters act upon motivations that feel rushed without proper transition and ends up like a lot of other films.