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IMDbPro

Museo

  • 2018
  • 16
  • 2h 8min
PUNTUACIÓN EN IMDb
6,9/10
6,3 mil
TU PUNTUACIÓN
Gael García Bernal in Museo (2018)
Ver Tráiler [OV]
Reproducir trailer1:39
3 vídeos
50 imágenes
CrimeDrama

En 1985, un grupo de criminales burla la seguridad del museo nacional de antropología de ciudad de México para extraer 140 piezas pre-hispánicas de sus vitrinas.En 1985, un grupo de criminales burla la seguridad del museo nacional de antropología de ciudad de México para extraer 140 piezas pre-hispánicas de sus vitrinas.En 1985, un grupo de criminales burla la seguridad del museo nacional de antropología de ciudad de México para extraer 140 piezas pre-hispánicas de sus vitrinas.

  • Dirección
    • Alonso Ruizpalacios
  • Guión
    • Manuel Alcalá
    • Alonso Ruizpalacios
  • Reparto principal
    • Gael García Bernal
    • Leonardo Ortizgris
    • Alfredo Castro
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,9/10
    6,3 mil
    TU PUNTUACIÓN
    • Dirección
      • Alonso Ruizpalacios
    • Guión
      • Manuel Alcalá
      • Alonso Ruizpalacios
    • Reparto principal
      • Gael García Bernal
      • Leonardo Ortizgris
      • Alfredo Castro
    • 24Reseñas de usuarios
    • 65Reseñas de críticos
    • 86Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 7 premios y 32 nominaciones en total

    Vídeos3

    Tráiler [OV]
    Trailer 1:39
    Tráiler [OV]
    Museo
    Trailer 1:55
    Museo
    Museo
    Trailer 1:55
    Museo
    Museo
    Trailer 1:40
    Museo

    Imágenes49

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    + 44
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    Reparto principal49

    Editar
    Gael García Bernal
    Gael García Bernal
    • Juan Núñez
    Leonardo Ortizgris
    Leonardo Ortizgris
    • Benjamin Wilson
    Alfredo Castro
    Alfredo Castro
    • Dr. Núñez
    Simon Russell Beale
    Simon Russell Beale
    • Frank Graves
    Leticia Brédice
    Leticia Brédice
    • Sherezada
    Bernardo Velasco
    Bernardo Velasco
    • Bosco
    Ilse Salas
    Ilse Salas
    • Silvia
    Lisa Owen
    • Sra. Núñez
    Eduardo García
    • Lalo
    Maite Suarez Diez
    • Jimena
    • (as Maite Suárez)
    Amaya Suarez Diez
    • Adriana
    • (as Amaya Suárez)
    Camila Robertson Glennie
    • Camila
    • (as Camila Robertson)
    Iker Brehm Mondragón
    • Iker
    Pilar Brehm Mondragón
    • Pilar
    Vanessa García Figueroa
    • Vanessa
    Esteban Garay
    • Esteban
    Gabriel Nuncio
    Gabriel Nuncio
    • Igor
    Natalia Garcia Agraz
    • Gaby
    • (as Natalia García)
    • Dirección
      • Alonso Ruizpalacios
    • Guión
      • Manuel Alcalá
      • Alonso Ruizpalacios
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios24

    6,96.3K
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    Reseñas destacadas

    7johnnyfoley-46397

    Great Concept, cool cinematography, average execution

    The movie had a really cool/interesting story to pull from and I thought they did a pretty good job at keeping the story going, though there is one part where the plot drags a little. There were some really great and interesting cinematography. The movie over all is okay, would give it a 7.5 if I could. I think the film is worth the watch but make sure to read the actual story afterwards.
    5vaguira

    A missed opportunity

    I looked forward to watching this movie for taking on a fascinating story. Having such an incredible base to work on gave this film so much potential. Gael's involvement usually entails quality. Not in this case. Other than some good performances (including Gael's), the rest is mediocre. The script, the flow, the adaptation. They did not even stick to the story! That was the easy part and it was such a good story. All in all, a missed opportunity.
    carmelonoticias

    I love Gael 's talent but in Museo....

    In general Gael Garcia Bernal is always part of great projects, this time is not the case, the movie had a great anecdote based on a true story and at the end they made a boring and at times ridiculous film, what a waste fo talent! the director wasted a great plot.
    8aysebetul-78072

    Nihilism or the reason why

    Nihilism in the film captivated me from beginning to end. While there are implications of cultural imperialism, the culture poisoning of the individual has also been shown. The institution of 'family' has been included in the dilemma as the institution to which the individual both wants to move away and which he remains attached. Many people have criticized the lacuna in the script, but I think this was left on purpose because the movie rejected the causality principle from the beginning. Sound editing tooks part in the movie as an actor/actress. The black woman with a bleeding nose at the party, the rubik's cube, and the people jumping into the water... Each symbol is skillfully placed.
    7alex_with_a_P

    A fool's story

    The movie left me with very mixed feelings. I'm a sucker for this kind of movies, that are slow paced, have lots of symbolic imagery and but told in a light-hearted way. I admire the movie more for it's technical achievements: It's great use of sound and editing. A good sense of visuals that stick with you. It's the story part that left me a bit disappointed, especially after reading about the real story.

    Our protagonist is one of the dumbest individuals out there but at the same time he comes up with a pretty intricate way to devise a heist. We get a good view of the psychology of a good-for-nothing guy who wants to prove himself to himself, his family, to the world and to history. The movie has some interesting things to say about the ethics of museums and heritage of cultures. But it's more like an afterthought than an actual deep dive. I don't now if it was intentional but Juan never really does become likeable throughout the journey, not even a bit (not like his sidekick at least). He stumbles through his life and close calls like Peter Sellers. In fact, a lot of the images and music is very reminiscent of the 60's, although the movie is supposed to be taking place in the 80's which kind of confused me several times. The last half of the movie is kind of meandering in my opinion and the movie could have easily be trimmed down to 100 minutes. But it was still an interesting experience/insight into Mexican culture, although emotionally it didn't really grab me.

    Argumento

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    • Curiosidades
      The movie is a fictionalized account of what was called "The Heist of the Century", with the obvious changes. In reality, it was performed by two veterinary school students, actual names Carlos Perches and Ramon Sardina. The movie portrays the events of the actual robbery quite accurately, including museum guards being careless due to a Christmas celebration, the amount and type stolen pieces, the method of escape, as well as the first suspicion of the heist being done by professionals working for international art dealers and the 50 million pesos reward offered by the museum. Later, the film comprises time periods and combines several characters into a single one. In reality, the thieves managed to avoid capture for four years: Perches and Sardina went to Acapulco, when they tried to sell the pieces to drug lord Jose Serrano and his mistress, a popular cabaret dancer nicknamed "Princesa Yamal". Serrano introduced them to Salvador Gutierrez a.k.a. "El Cabo", another drug lord, who promised to sell the artifacts and estimated a price tag of one billion dollars. Two of the pieces were given to Serrano in exchange for cocaine by Perches, while Sardina apparently gave him seven as evidence they were the actual robbers. The police, in the meanwhile, had lost track of the pieces and closed the file, in part by the fact of the Museum not having a complete inventory of the stolen artifacts until much later, with the first reports showing wrong or incomplete records. Finally, in January 1989, the Mexican Federal Police arrested "El Cabo", who gave them all the leads to find the robbers. Perches was arrested in April at his house, along with his brother and the rest of the stolen artifacts. Five more people were arrested, including Serrano's mistress, an Argentinean showgirl called Cristina Gonzalez -both later released- and an American named Nathan Clevenger, the apparent buyer. In total, 111 of 124 pieces were recovered and returned to the museum. However, the whereabouts of Ramon Sardina and the nine pieces he and Perches gave away is still unknown.
    • Citas

      Benjamin Wilson: What are Satelite-folk like, then?

      Juan Núñez: A Satelite-folk is a person so tired from work, they'd rather watch TV than be with their family. What's on TV tires them, so they go to bed more tired. Their dreams tire them too. They wake up looking like crap, so tired. And one day, just like that, they die from exhaustion.

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    Preguntas frecuentes18

    • How long is Museo?Con tecnología de Alexa
    • Where can I find this film? !! Definitely want to see it from looking at trailer!

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de noviembre de 2018 (España)
    • País de origen
      • México
    • Idiomas
      • Español
      • Inglés
    • Títulos en diferentes países
      • Museum
    • Localizaciones del rodaje
      • Palenque, Chiapas, México(location)
    • Empresas productoras
      • Detalle Films
      • Distant Horizon
      • Panorama Global
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 148.505 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 16.554 US$
      • 16 sept 2018
    • Recaudación en todo el mundo
      • 762.284 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 8 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.35 : 1

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