El imperio de las sombras

South Korean thrillers rarely misfire even if they aren't that well reviewed or rated. Coming for Kim Jee-woon, who masterfully directed "I Saw the Devil" and "A Bittersweet Life", "The Age of Shadows" makes a notable entry to his filmography. The Western audience doesn't really get to see period South Korean film set in early 20th century and it gives us a chance to perceive life on the Eastern front.

"The Age of Shadows" takes place in the 1920's around a back-and-forth game between a group of resistance fighters and Japanese agents. The film is deeply rooted in the Korean independence movement from the Empire of Japan. While most of the people back home wanted to gain independence, they could not do anything in front of the strong Japanese authorities. The key was to form resistance groups to overtake the Japanese dominion.

The film stars two of South Korea's biggest actors working in the industry today, Song Kang-ho and Lee Byung-hun. They have paved the way of the South Korean new wave by delivering outstanding performances that helped the film industry achieve new heights. In "The Age of Shadows" they play on the opposite side of the fences, Song as a Korean police officer charged to sniff out the resistance and Lee as the leader of the resistance fighters. Lee's character begins to sense that the police officer can turn ways and be persuaded to help the resistance by feeding them information. At this point the wheels start to be in motion and it will be a very bumpy and eventful train ride, literally.

"The Age of Shadows" is a good period thriller with twists and turns that will keep you entertaining until the end.

* This was South Korea's official submission for the Best Foreign Language Oscar of 2016. There were four, notable SK movies released in 2016 and this movie was the one officials felt was the best to submit....boy were they wrong. Both "The Handmaiden" and "The Wailing" are simply superior in just about every reguard.

* The movie is not bad by any measure, it's technical merits (cinematography, acting, production design, etc) are all great. The movie has a great stoic, 1920s feeling to it. And Song Kang-ho is outstanding (no surprise here). This was clearly well planned and organized by top workers in SK. It just didn't have a strong story behind all the great acting and camera-work.

* It's the story that feels just a tad underwhelming. It ends up going exactly where you expect it to (with a few MINOR surprises along the way). But right from the get go, you know where this one is heading. And it's this predictability and makes the 2 hours and 15 minutes feel a bit long.

* When all's said and done, this is a good movie from South Korea, but not great. It's not among the all time greats (and boy there are a lot), and it's not even the best movie from South Korea in 2016. But if you are a fan of period dramas (this one is light on action), then this is something you should check out.

Based on the real story that happened during the time that Japan ruled the Korea, The Age of Shadow is very successful history-based movie. It is a fine mixture of Korean characteristics and Western characteristics. Until these days, many Korean movies have sought for ways to put Korean-exclusive stories into the frame of Western film-making. The result has been somewhat successful but also somewhat disappointing. It fulfilled Korean people's wishes to watch Hollywood-ish Korean movies. However, it couldn't convince foreign people of the reason to watch Korean movies instead of Hollywood movies. I mean, no matter how hard Korean movies try, the budget is lower than Hollywood, and spectacles are also lesser.

However, this movie, The Age of Shadow, is different. This one is unique. I'm not going to praise action scenes, or comedy scenes because they were not that outstanding. What I want to praise is atmosphere in this movie that keeps suspense alive throughout the whole running time. Well, for better understanding I could use Quentin Tarantino as an example. Even though he is famous for violence in his movie, many people who watch his movies for the first time find them very non-blockbuster like but still quite amusing. The Age of Shadow is quite similar. This movie's acting, dialogue and visuals give this movie a special atmosphere that keep audiences' focus. I'm not saying that this movie is Tarantino-like though. Kim Jee-Woon and Tarantino are similar in a way that they use special atmosphere throughout the movie but their atmospheres are different. Kim Jee-Woon has the ability to form a Korean-exclusive atmosphere that is based on Korean culture. I'm not sure how to name it but it is something that can move Korean people's heart without stating it in a specific way. And I believe this movie will be quite amusing and also exotic experience for you if you are not Korean. This movie is not like other Korean movies, but also the most Korean-like movie. I recommend it.

"The Age of Shadows" is a historically inspired dramatic action-thriller about a group of Korean resistance fighters who are opposing the peninsula's Japanese occupation. Directed and written by creative mastermind Kim Jee-won and starring South Korean top actors like Lee Byung-hun, this epic film became South Korea's official submission for the "Best Foreign Language Film" category of the 89th Academy Awards in 2017. While the premises seemed to be very positive, I was slightly disappointed by the movie.

First of all, a much better movie with a very similar story line called "Assassination" was released only one year earlier and it beats this flick in terms of acting, pace, settings and story. It's quite difficult to identify with the main character in "The Age of Shadow" who constantly changes sides and doesn't seem to know what he believes in. Instead of portraying a man torn between two choices, the movie focuses on a rather antipathic and egoistic character who is thinking about his own advantage at all times. Even an outstanding actor like Song Kang-ho can't make this dull main character any more exciting.

"The Age of Shadow" starts with an explosive opening scene only to lead towards a lengthy introduction with endless dialogues and numerous characters. It takes close to one hour before the pace quickens up again. The first half of the movie is definitely too long and often lost my interest.

While the settings of the movie are very realistic and bring to life a genuine depiction of the Korean peninsula in the forties, the costumes and locations aren't as detailed and memorable as in many other South Korean high-quality productions.

The story remains somewhat shallow in my opinion. It's obvious that the members of the resistance are trying to attack the Japanese occupants but the film never really explains what they are organizing precisely. It's quite unsatisfying to realize that the resistance's charismatic leader is taking many risks by trusting a highly unreliable main character and personally organizing an attack against the enemy that is never ever specified. The ending also leaves many questions open and feels unfinished to me.

Despite these flaws, the movie also has many strong points. The side characters are portrayed excellently and add some depth to the movie. Especially the clever villain portrayed by Um Tae-goo is very creepy. The movie also convinces in its more intense passages. The opening scene is both dynamic and memorable. The climax on the train is very tense and will get you on the edge of your seat. The last thirty minutes of the film have a welcome dramatic and emotional touch. The settings are authentic and especially the scenes on the train, in different torture chambers and in the prison are beautifully crafted and provide a gripping and sinister atmosphere. While the story is maybe the movie's biggest flaw, it still requests some thinking from the audience and includes a few minor twists in the second half of the film that save this movie for me.

Maybe my rating would be slightly more generous if the excellent "Assassination" hadn't been released a year earlier. That film's excellent execution from any point of view makes "The Age of Shadows" look quite predictable, redundant and even unnecessary. Faithful fans of contemporary South Korean cinema should still watch both movies but I would only recommend "Assassination" to occasional international audiences. "The Age of Shadows" really pales in comparison to Choi Dong-hoon's "Assassination". On a closing note, South Korea should have chosen the outstanding horror film "The Wailing" as official submission for the "Best Foreign Language Film" category of the 89th Academy Awards in 2017.

Well, that was a lot of fun. The Age of Shadows is a spy thriller that is basically a ticking bomb and once things go wrong, it just gets brutal and chaotic. The set up for these characters and their plot is well put together enough to be engrossing. And the set pieces are just excitingly executed. The film is unafraid of showing something terrible from their consequences. Though there is one point at the third act where I wished the film had ended. It gets to feel a little too long as it goes on, but man, the train sequence alone is one hell of an exercise for suspense. The production is also too impressive and the acting is quite engaging. Overall, it's a dark and brutal, yet quite an edge of your seat cinematic thrill ride.