A la sombra de Kennedy

I was 10 when LBJ became president. I associated him more with possibly putting me in Vietnam than anything else. It wasn't a good impression. This movie and Harrelson's excellent portrayal fleshes out the man as someone who had mastered the art of political give and take, who was as powerful a senator as you could become, and yet someone who needed people's approval and even love. If you expect to see LBJ the great manipulator and master politician, you'll only get a little of that. More, you'll get exposed to LBJ's complex relationships with his wife Lady Bird, John and Bobby Kennedy, Kennedy's presidential staff, and one or two congressmen such as Senator Russell of Georgia. Set against a huge backdrop, this is still an intimate movie of LBJ the man. My wife and I both enjoyed it.

After having its world premiere at the Toronto International Film Festival in September 2016, Rob Reiner's LBJ has finally bowed out in theatres over one year later. Woody Harrelson does a pretty good job as the title character and uses his natural Texan features well. The rest of the supporting cast doesn't shine as brightly, and a rehashed story about the Civil Rights Movement makes this film average at best.

The film follows the years 1959-1963, a time when Johnson was at the height of his power. We follow his path from Senate majority leader, vice president, and ultimately, president. Along on the ride is his ever supporting wife, Lady Bird Johnson (Jennifer Jason Leigh). Lyndon also has to deal with the civil rights policies of JFK (Jeffrey Donovan) and how he is going to carry that legacy after the infamous assassination in Dallas.

The film only carries a 98-minute runtime and flows at a speedy pace. The only event we really spend that much time on is the civil rights debate. The Civil Rights Act of 1964 is the final act of the film and we never see anything else about Johnson's presidency. It doesn't feel right that a film titled LBJ only concentrates on less than half his term. The film also feels like it was made in the 90's because of the overly patriotic tone and score. I feel that releasing this film as a television movie would have been a better film because of the small size and focused storyline.

LBJ is also a slightly comedic film mostly because of the overly vulgar and blunt antics by Johnson himself. People that have lived through his administration will probably get most of the jokes and find the comedy in serious situations. The best moment comes in the beginning of the film when Johnson is heckling his workers and calling his tailor to resize his pants because of his "well endowment" and need for his "nuts to breathe".

The biggest disappointment of the film is the makeup. While it's usually not a huge component, in this instance it really throws off the look of the actors. Woody Harrelson in full makeup doesn't look that much like the real Johnson. A side by side comparison of the two will really puts the poor makeup in perspective. Jennifer Jason Leigh's transformation into Lady Bird Johnson ends up being even worse than Harrelson's. You can obviously see the makeup on her face and it doesn't look natural. It looks like she has a Halloween mask on her face.

The acting is either hit or miss, with some performances ranging from pretty good to downright bad. Woody Harrelson does a decent job as Johnson. He has the same gravitas and powerful demeanor Johnson had in real life. However, Harrelson doesn't have a convincing southern accent even though he spends about half his time talking about the south. His performance also pales in comparison to Bryan Cranston's role in the 2016 television film All the Way.

Jeffrey Donovan does a great job as John F. Kennedy. He perfectly imitates Kennedy's famous voice and shares many physical similarities with him. He plays Kennedy as a calm and collected politician that never cracked under pressure, especially when it came to civil rights. Michael Stahl-David does an equally great job as the Robert Kennedy. RFK is the opposite of his president brother since he is headstrong and not afraid to voice his unwanted opinion. He constantly butts heads with Johnson and they continue their rivalry throughout the whole film.

Jennifer Jason Leigh does a poor job trying to portray the famous first lady. She never delivers more than a couple of lines of dialogue at a time and doesn't have a convincing southern accent. Lastly, Bill Pullman delivers a weird and unneeded performance as Senator Ralph Yarborough. He only shows up for three scenes that total about less than ten minutes of screen time. He feels shoved in and I question why he's even in the film.

LBJ is a film that thought it was something special when it actually never lifts off the ground. Harrelson and Donovan are the only shining lights lackluster biopic that doesn't deliver on its promises. I recommend that viewers watch the superior All the Way if they want to learn about Johnson's involvement with the Civil Rights Movement.

Woody Harrelson completely disappears into the role of LBJ.

Great acting. A good inside look at LBJ and the aftermath of JFK's assassination, especially for those not alive when it happened.

Worth a rental.

Greetings again from the darkness. More than 50 years after his death, President John Kennedy casts an ever-present shadow over Lyndon Baines Johnson's career as a stellar politician and a President with significant accomplishments. Part of the reason is presentation – JFK was a story book leader straight from the fashion magazines, while LBJ was a vulgar-at-times comic book adversary who looked and talked funny. Each has been portrayed on film numerous times and from various perspectives.

Woody Harrelson and his facial prosthetics play LBJ, and Mr. Harrelson seems to be enjoying the swagger and emotional range of the titular man. What this film does that's a bit different from others is embrace the comedic elements – enhanced by both the performance and the script from Joey Hartstone. It seems odd (a somewhat awkward) to have so many laughs in a movie where the infamous 1963 Presidential motorcade, and subsequent assassination, form the backdrop.

Director Rob Reiner presents LBJ in all his crude and gruff glory, but also shows the ultimate politician – a man who was constantly negotiating. Intimidation was always part of the LBJ motif, and the film effectively displays the tactics used by John and Bobby Kennedy (Jeffrey Donovan, Michael Stahl-David) to take the wind out of LBJ's sails after the election.

There are reenactments throughout the film that place us back in the middle of iconic images seared into our memories … the motorcade after the shots, the scene at Parkland, and the swearing in aboard Air Force One with Jackie still wearing her blood-stained Chanel suit. This was an incredible time in our history, as the nation was emotionally shattered. It's for this reason that much of the film seems disjointed or misguided. Too much (or maybe not enough) attention is on LBJ's strained relationship with Georgia Senator Richard Russell (Richard Jenkins), one of the most racist men we've seen on screen. Their discussion of race relations while being served dinner by the black woman is beyond uncomfortable – yet still somehow too stagey.

Most of the film is spent on LBJ's time as Senator and Vice President, with only the final act being about his famous networking upon ascending to the Presidency … after which the entire focus is on the Civil Rights Act. The flow of the film seems a bit off, though most will enjoy watching Harrelson's performance – especially when paired with Jennifer Jason Leigh's Lady Bird. Together, the two almost rescue the script.

A film like this is viewed through the lense of our experience. In the 60s I was politically active, adored Bobby Kennedy and despised LBJ. So naturally I think the film was too kind to LBJ and too unkind to Bobby. But let's put that aside and look at the film itself.

The acting by Woody Harrelson and Jennifer Jason Leigh is excellent. You think you're watching the real thing. They are the only two actors who do such great job, and the others do OK.

There is a real sense that this is a docudrama rather than a film.

My main criticism is that the film makers stopped in mid film. The story of LBJ didn't end with the passage of the Civil Rights Act of 1964. It continued through the devastation of the Vietnam War. The true story is how Johnson squandered the legacy of JFK with his foreign policy, and all that is left out.