Nacidos en China

Greetings again from the darkness. You'd be hard-pressed to name or find anything cuter than a baby Panda, and the folks at Disneynature don't hesitate in taking full advantage of our affinity for such fuzzy black and white cuddliness. Am I upset with them after watching this documentary? Only because they periodically cut away to a herd of antelope.

This is the next in a line of Disneynature films dating back to 2007 (Oceans, Bears, African Cats) that usually hit theaters in close proximity to Earth Day. This particular screening was also affiliated with the inaugural year of EARTHxFilm, a Dallas-based festival dedicated to all things nature, natural and earthy. Acclaimed Chinese director Chuan Lu and his photography crew take us into some stunning wilderness areas and parts of China that we rarely, if ever, get to see … all to witness intimate wildlife moments in shockingly close proximity.

If what comes to mind are those charming Disney animal features from the 1960's – the ones that featured the great Rex Allen as narrator, you're in for a surprise. Hey, I loved Charlie, the Lonesome Cougar and Yellowstone Cubs as much as the next kid, but rolling down a leaf-covered hill with a baby Panda that can't walk yet is a whole new level of awe. Watching a mother Snow Leopard (what an incredible creature!) hunt so her two cubs can eat takes us to the highest standard of respect and admiration for this elusive species. Heck, even the rebellious Golden snub-nose Monkey teaches us about family and community within the monkey world … and how they don't appreciate cold weather any more than I.

Director Lu provides a loose ancient Chinese structure to the film by explaining that every time a crane takes flight, it's believed to be relocating the soul/spirit of one dying being into that of a newborn. The spectacle of watching these creatures majestically soar through the orange-sun soaked sky is merely one of the many breathtaking examples of spectacular photography during the film. We are bounced between mountains and forest and rocky vistas and are taken closer than you've ever been to a Great Panda scratching her baby, a Snow Leopard on the prowl, or a monkey rescuing his baby sister from an ominous winged predator. The only downside for grown-ups is the over-narration from John Krasinski, an admitted necessity for the youngsters in the audience who will appreciate the one-liners that go along with the cuteness. In Disney fashion, most of nature's violence takes place off screen, but what we do see are parts of nature that will amaze.

Be sure to stay for the closing credits for a glimpse at how the photographers managed to get some of their shots – as well as how they sacrifice for their work.

10/4/17. A great documentary about 3 species of animals found China. The cinematography is just out of this world! Don't expect to learn a whole lot of new information about the Panda, Snow Leopard and the Snow Monkey. Just enjoy the opportunity to watch these animals in their natural habitat doing what they do best - live.

Born in China was a mixed bag - some spectacular footage only partially spoiled by the editing and narration Disney imposed upon it. This has a very different tone than your usual David Attenborough BBC Nature Documentary (such as Planet Earth), adopting anthropomorphizing storytelling of the characters (I initially hesitated to use the word characters to describe animals, but such was the extent of Disney's approach that it is, unfortunately, fitting here) instead of the objective, informative narration you might be expecting. I think it's likely well-suited for children, but if you're a nature documentary loving adult without children, my advice would be to pass. I'm still giving it a 6/10 for the quality of the footage itself and what I'm estimating is a decent film for its target audience, very young children.

The good: The footage itself was wonderful. The team captured some beautiful and fascinating nature scenes. The detail into which the film delved into the social life of the monkeys was interesting and new. There were lots of baby animal scenes and who doesn't love baby animals?! John Krasinski of "The Office" fame was, in my opinion, an excellent narrator *for the material given to him*. Because Disney chose a more playful, childish tone in the narration, I think an actor's touch was needed, and John Krasinski handled the material well. I just didn't care for the material (ok sorry that was a good and a bad, but it's hard to praise the narration without acknowledging the terrible writing!).

And onto...the bad: * The writing itself. While John Krasinski performed the playful tone well, I disagree with the choice for the writers to use that tone to begin with (or at the very least, if I'm to temper my criticism I'll say it's not well-suited to adults). This film was not highly informative, and most of the narration felt like it was projecting human emotions onto the animal "characters", which I found very irritating.

* Predator subjects but no successful hunting footage. With a significant portion of the film covering snow leopards, one of nature's most capable and majestic hunters, one would hope for some spectacular hunting footage! Disney omitted it, presumably as a concession to their target audience. Another thing that's not *necessarily* worse if you concede that the movie is strictly for young children, but in my opinion makes it worse for anyone *but* that small audience.

* "Dishonest" editing. I strongly suspect the filmmakers fixed a LOT in post to fit the narrative they wanted to tell, and make things "more interesting." You would think after Disney's history of this (Google "Disney Lemmings" for more, and prepare to be shocked if you don't know the story!) they would be extra vigilant to be honest in their depictions, but Born in China appeared to cheat a LOT. For example, there's a scene with the Baby Panda climbing, and the footage would cut back and forth between face shots of the baby panda and a "nearby" red panda, who they imply with the juxtaposition of shots is watching the whole ordeal. But an establishing shot with the baby panda and the red panda is never shown, and the implied perspective of the red panda remains static, even after the baby panda takes a tumble down a hill. For all we know (and I strongly suspect), the footage of the red panda was completely separate, but they chose to inject it into this scene to tell a more "interesting" story. This is just a minor example of manipulating the footage shot to support a slightly more compelling narrative, but I for one would prefer honesty. There are other examples as well, and you'll notice watching the film that the edits are more like that of a sitcom than a nature documentary - character focused rather than an objective account of the events. They try too hard to tell a story, and beyond the tone of the writing itself, it appeared that they spliced together disjointed footage to make it fit their narrative. This kind of "dishonesty" in portrayal upset me the most about the film, because it goes against what I feel a nature documentary should be.

6/10 is higher than my own enjoyment of the film (which I'd put more along the lines of 4/10, with Planet Earth being an easy 10/10), but I think for its target audience it's a bit better than my own experience so I'm giving it some benefit of doubt there, and again the footage itself was excellent. It probably deserves some real credit for that alone, as well as some adjustment for the context of its target audience.

I got to see a special advance screening of this movie 6 months before its US release. I may mention certain specific moments of the movie, but I won't spoil anything.

One of the producers came onstage before the movie started and talked about how it took 4 years to film everything and then they edited everything together to form each of the stories. This is noticeable in at least one scene where it cuts back and forth between a panda and red panda to imply they're looking at each other, but that's the only noticeable instance that comes to mind.

Among all the animals they filmed, the three main stories center around families of Pandas, monkeys, and snow leopards. The narrator tries to anthropomorphicise everything the cute furry animals do. I know other nature documentaries sometimes do that, this one does it a lot, trying everything to make it more emotionally relatable, and I guess for the most part it works, but it might get a little annoying at parts.

Speaking of the narrator, I assume there was a technical difficulty at my screening since there was no narration for the first 10 minutes, then all of a sudden he started taking as if we already knew who the animals were. What's up with that?

It sorta goes without saying that the landscapes are beautiful and the footage is impressive. What really sets this film apart is how much footage they got of the snow leopards. If you didn't know, snow leopards are very rare and notoriously difficult to photograph, let alone film. Even Planet Earth didn't get anywhere near as much footage, or as close. I'd say this movie is worth checking out just for the snow leopard footage alone.

It's difficult for me to give nature films a numerical rating since they're so different from traditional movies, so all I can really say is its pretty good. I gave it a 7/10 because I ranked every movie I've seen in theaters in 2016 from best to worst, and this movie falls in the 7/10 block for me.

The story of the animals is very touching and the scenery is beautiful.