I Love You Both

This was a film designed to explore the co-dependent relationship between twins who struggled to have relationships with others other than themselves. It succeeded beautifully in that regard. The characters were eccentric and awkward in an interesting way, and I found myself liking them both and craving more. Not the standard Hollywood stereotypes. Rather, people you would really want to be friends with. Some reviewers complained about the one dimensional quality of their mutual love interest. I believe such discussion is misplaced in that it was the intent to focus on the bond between the brother and sister, and he was just a vehicle to accomplish this task. Many of the supporting actors were also noteworthy. The mother, the music "manager" and the best friend were exceptional, and provided deadpan and subtle humor of the highest caliber. Brilliantly done Doug. Thank you.

I watched this because I came across Lucas Neff's name while in an IMDBing rabbit hole. I've liked him in things like Raising Hope. He's kind of like a Pedro Pascal 'everyone like him' actor. I'd be interested to find out how he got attached to this movie. The brother & sister team didn't come across as twins in the movie. I know many sets of twins from several generations and their relationship didn't seem close other than the living situation. Also neither is interesting enough a person to attract someone from the start at a party. Plus if you're going to say they both date the same person, how about having something that resembles a date along the way? I've been on more intimate coffee 'dates' with online strangers. The movie is lit well but the sound mix is off. I'd have to adjust up and down when people in the same scene are talking to each other. Try again, kids.

Where to begin. The characters were for the most part hard to look at, as if they searched out unattractive actors. On top of that the main character was hard to understand as she spoke so fast. I don't know why I kept watching it but I did until the end and it never got better. So many glitches in the plot and direction I cannot recall them all.

Film Review: "I Love You Both" is the reason to go to film festivals. It is the quintessential experience of seeing new talent communicate with fresh voices and visuals that fill each frame with quiet grace.

"I Love You Both" is produced, directed, and stars Doug Archibald in his first feature length film. Mr. Archibald co-wrote the film with his sister and co-star Kristin Archibald, and they demonstrate an ear for dialogue that made every line crackle with wit, humor, absurdity, honesty, and life. This is one of those films where you can close your eyes and simply listen to the actors speak and be completely sated.

However, I wouldn't keep them closed for long, because the visuals are equally impressive. Each shot is carefully and meticulously framed, focused, and lit. Every pattern of wallpaper, wardrobe selection, and location is lovingly selected by Mr. Archibald and production designers Jay Kyung Eum and Jagyoung Eum, and set decorator and art department Jessica Miano Kruel and Jessica Kruel (who may be the same person).

The film uses the provocative plot of fraternal twins Don and Krystal, played by Mr. and Ms. Archibald respectively, who begin to date the same man, Andy, portrayed by Lucas Neff ("Raising Hope"). However, this is merely a vehicle to explore the relationship of Donny and Krystal and their bond. We see their love, kindness, loyalty, and truth as they grapple with their yearning to care for someone other than each other. And as the world disappoints them time and time again, they have each other.

One of the most satisfying aspects of the film is that we just don't see Don and Krystal stuck in a co-dependent brother and sister relationship and spinning in place, but we see each struggle and evolve as they face their individual challenges. So many scripts get this wrong. How many times must I watch characters start and end the film as the same person. How many times must I watch characters experience contrived epiphanies created out of nothing. Each character must emotionally begin the story one place and finish in another, even if their physical bodies only move a few yards from where they began.

Finally, I should note the sound department for helping Mr. Archibald hit the right note with every beat, song, and sound effect (there was only one scene when bird chirping pulled me out of the scene in the hotel room after he finishes tying the bow-tie— perhaps that can be fixed?).

I'm not sure I will see a better film at the Napa Valley Film Festival. This is a gem that should be picked up at more film festivals.

If I was still writing script coverage for a studio, I would highly recommend this film be picked up for US and international distribution for limited release in art houses, and definitely for streaming in the US, Canada, and Europe. It was my absolute delight to see this film.

If you are seeking a Jerry Springer-type relationship film with drunken fist fights, or a film where everything is neatly tied up, HEA, and you don't have to think at all and have everything spoon fed to you in goobs of cliches, look elsewhere. If you want to watch a sweet, charming, original film that proves blood is thicker than water, this is it. A wonderfully funny film about twin interdependence and the issues related to it. All three lead characters are delightful and interesting. The ending is sublime.