La adinerada propietaria de una galería de arte recibe un borrador de la nueva novela de su exmarido, un thriller violento que ella interpreta como una amenaza velada, un simbólico cuento de... Leer todoLa adinerada propietaria de una galería de arte recibe un borrador de la nueva novela de su exmarido, un thriller violento que ella interpreta como una amenaza velada, un simbólico cuento de venganza.La adinerada propietaria de una galería de arte recibe un borrador de la nueva novela de su exmarido, un thriller violento que ella interpreta como una amenaza velada, un simbólico cuento de venganza.
- Nominado para 1 premio Óscar
- 21 premios y 154 nominaciones en total
Robert Aramayo
- Turk
- (as Rob Aramayo)
Bobbi Salvör Menuez
- Samantha Morrow
- (as India Menuez)
Evie Pree
- TV Woman #1
- (voz)
Reseñas destacadas
You have to watch this movie without thinking it's going to follow a stereo typical Hollywood pattern. It that really has a darkened effect on the audience and Ford has done an excellent job at attacking the mind
You must see this movie. it is so impressive and I felt those emotions while woman reading the book...sorry my english I can not explain more.
While lamenting on her life, well-to-do art gallery owner Susan Morrow is startled to receive the manuscript of a novel written by her ex-husband Edward Sheffield, an aspiring writer with whom she's been estranged for several years. Upon reading his story she's quickly captivated by the intensity and raw emotion of the writing, and soon begins to ponder over her past actions. Gripping, murky, and suspenseful psychological thriller pulls you in and never lets go, with many haunting scenes that explore various underlying themes like revenge, regret, and betrayal, made all the more believable by the searing performances of a perfectly chosen cast--Shannon and Taylor-Johnson standing out in particular. Lots of startling moments, along with skillful direction and editing make this a potent piece of work. ***
Tom Ford's first film since 'A Single Man' is another winner, an ambitious high-wire noir thriller with Amy Adams and Jake Gyllenhaal in an explosive tale of love, violence, and revenge.
Susan Morrow is a successful gallery owner. She is married to businessman Hutton Morrow, who is constantly travelling. She receives a manuscript of a novel, Nocturnal Animals, written by her first husband, Edward Sheffield. The gritty content of the novel strikes a chord with Susan and she starts to remember the times she and Edward had together. While this draws her closer to him, there are unresolved issues between the two.
Intriguing movie that operates on two levels. There's the relationship drama involving Susan and Edward and the crime drama in the novel. The novel becomes the story-within-a-story, with, cleverly, Jake Gyllenhaal as the link between the two. Having Amy Adams play Susan and Isla Fisher the lead female character in the dramatisation of the novel is also a masterstroke, due to them looking so alike. (I only realised that it was Isla Fisher once I saw the credits. I had to go back to her scenes to confirm it was her, I was so convinced the character was played by Amy Adams).
Unfortunately, the two levels are not created equal. I found myself far more interested in the novel's story than the main story. The novel was unflinchingly gritty and included a good revenge plot and theme. The main story was interesting only for the Susan-Edward backstory, and didn't really progress much, feeling more like wrapping around the novel story, without contributing much itself.
There was still heaps of potential for both stories and the movie as a whole though, but the conclusion is a bit of a let-down. The novel ends in strange, contrived-feeling, fashion. The main story and movie ends quite flat. I'm a veteran of many anticlimactic endings, so very little tends to surprise me, but I was genuinely surprised when the closing credits started to roll. I thought "That can't possibly be it". But it was.
A more profound tying together of the two stories and a punchy ending (to both) and Nocturnal Animals would have been superb.
This said, there is still a lot to be admired about the movie. The novel story was done well and was helped by great performances from Michael Shannon and Jake Gyllenhaal. Shannon received a Best Supporting Actor Oscar nomination for his effort. In addition, the Susan-Edward backstory was interesting.
Intriguing movie that operates on two levels. There's the relationship drama involving Susan and Edward and the crime drama in the novel. The novel becomes the story-within-a-story, with, cleverly, Jake Gyllenhaal as the link between the two. Having Amy Adams play Susan and Isla Fisher the lead female character in the dramatisation of the novel is also a masterstroke, due to them looking so alike. (I only realised that it was Isla Fisher once I saw the credits. I had to go back to her scenes to confirm it was her, I was so convinced the character was played by Amy Adams).
Unfortunately, the two levels are not created equal. I found myself far more interested in the novel's story than the main story. The novel was unflinchingly gritty and included a good revenge plot and theme. The main story was interesting only for the Susan-Edward backstory, and didn't really progress much, feeling more like wrapping around the novel story, without contributing much itself.
There was still heaps of potential for both stories and the movie as a whole though, but the conclusion is a bit of a let-down. The novel ends in strange, contrived-feeling, fashion. The main story and movie ends quite flat. I'm a veteran of many anticlimactic endings, so very little tends to surprise me, but I was genuinely surprised when the closing credits started to roll. I thought "That can't possibly be it". But it was.
A more profound tying together of the two stories and a punchy ending (to both) and Nocturnal Animals would have been superb.
This said, there is still a lot to be admired about the movie. The novel story was done well and was helped by great performances from Michael Shannon and Jake Gyllenhaal. Shannon received a Best Supporting Actor Oscar nomination for his effort. In addition, the Susan-Edward backstory was interesting.
¿Sabías que...?
- CuriosidadesAlthough he is known as a fashion designer, director Tom Ford chose to leave the costuming in the film strictly to the costume designer. Not a single Tom Ford product appears in the film, as Ford "didn't want a commercial."
- PifiasTony fires the pistol, a Sig Sauer P226 semi-automatic 9mm, twice and is then knocked out by the dying man he shot. The hammer on a P226 cocks and remains cocked after each round is fired, but when Tony wakes up the next morning the hammer is down. There is no way that could have happened; the hammer should have remain cocked.
- Citas
Edward Sheffield: [to Susan] When you love someone you have to be careful with it, you might never get it again.
- ConexionesFeatured in Breakfast: Episodio fechado 16 octubre 2016 (2016)
- Banda sonoraBaudelaire
Written and Performed by Serge Gainsbourg
Courtesy of Mercury France
Under License from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Nocturnal Animals
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 22.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 10.663.357 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 492.648 US$
- 20 nov 2016
- Recaudación en todo el mundo
- 30.311.857 US$
- Duración1 hora 56 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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