Bogieville

This is a very ambitious project. It provides thrills, scares, gore, really good teeth and a whole new twist on the vampire genre.

Its ambitious because it was probably made for a modest budget, but the effects alone bely that. From a technical point of view the prosthetics look amazing and the CG work is top notch.

But its also a hoot - in a good way, lots of nasty snarling bad guys chomping down on some wholesome neck. Mostly red neck actually as this is set in the deep South of the US.

Some stand out performances here too. It may not be the most fancy and accomplished vampire flick of all time, but if you are after a roller coaster of gore and lashings of pointy teeth - then this is for you.

So I had the pleasure of going to the UK premiere of Sean Cronin's independent British horror film Bogieville.

Now for me I am sold already as it's a vampire movie, I felt Bogieville did take a little well to get going at first it felt more like a drama than a horror movie but once the story had invested and progressed it started to get into it a lot more.

For me it was bloody camp and fun, ignore some of the accents but hats of to the British cast for trying to do a redneck accent , rather you than me.

The vampires looked fantastic , for me it had shades of hills have eyes meets daybreakers.

Overall this was a fun film and it's great to see British indie horror , independent cinema is well and truly alive, just want to thank Sean and the crew for an amazing night , met some lovely people .

Long live independent cinema.

Sure, I can help with that. Here's a 600-word review of why you liked the horror movie:

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I recently watched Bogieville which left a lasting impression on me, and I'd like to share why it resonated so deeply. The film masterfully combined elements of suspense, psychological thrills, and classic horror tropes, creating an experience that was both terrifying and intellectually stimulating.

First and foremost, the plot was exceptionally well-crafted. Unlike many horror movies that rely heavily on jump scares and gore, this film took the time to build a compelling narrative. The story was layered with intricate details and subplots that kept me engaged from start to finish. The pacing was perfect, gradually increasing the tension and fear without ever feeling rushed or forced. Each scene was meticulously designed to add to the overall atmosphere of dread, making the eventual climax all the more impactful.

The characters were another standout aspect of the movie. Often in horror films, characters can feel one-dimensional or clichéd, but that wasn't the case here. The protagonists were well-developed, with backstories and motivations that made their actions and reactions believable. I found myself genuinely caring about their fates, which only heightened the suspense. The antagonist, too, was a fascinating and terrifying presence. Rather than being a mindless monster, the villain had a complex and disturbing personality that made them all the more frightening.

The cinematography and visual effects were also top-notch. The use of lighting and shadows was particularly effective in creating a sense of unease. Many scenes were shot in dimly lit environments, with just enough light to make out the horrors lurking in the background. This technique kept me on the edge of my seat, constantly scanning the screen for any signs of danger. The special effects were used sparingly but to great effect, enhancing the realism of the supernatural elements without overshadowing the story.

Sound design played a crucial role in the film's success as well. The soundtrack was hauntingly beautiful, with eerie melodies and unsettling soundscapes that perfectly complemented the visuals. The use of silence was equally powerful, with many scenes relying on the absence of sound to build tension. Every creak, whisper, and footstep was amplified, making the quiet moments just as terrifying as the loud ones.

Another reason I enjoyed this movie was its exploration of deeper themes. Beyond the scares and shocks, the film delved into psychological and existential questions that added a layer of depth to the horror. It explored the nature of fear, the impact of past traumas, and the lengths people will go to protect their loved ones. These themes were woven seamlessly into the narrative, enriching the story and giving me plenty to think about long after the credits rolled.

The film also paid homage to classic horror movies while bringing something new to the table. There were subtle nods to iconic scenes and tropes from the genre, which felt like a respectful tribute rather than a lazy imitation. At the same time, the movie introduced fresh ideas and innovative scares that set it apart from its predecessors. This blend of old and new made for a unique and satisfying viewing experience.

Lastly, the movie's ending was both surprising and satisfying. Without giving too much away, I'll say that it managed to tie up the story's loose ends while leaving room for interpretation. It was the kind of ending that stayed with me, prompting me to revisit earlier scenes and reconsider their significance. This open-ended conclusion felt true to the film's overall tone and themes, providing a fitting end to a memorable journey.

In conclusion, this horror movie stood out to me for its well-crafted plot, compelling characters, stunning visuals, and thought-provoking themes. It was a perfect blend of suspense, psychological intrigue, and classic horror elements, making it a film that I thoroughly enjoyed and would highly recommend to any fan of the genre.

Sure, without ever having heard about this 2024 horror movie "Bogieville", from director Sean Cronin and writer Henry P. Gravelle, I still opted to watch it. I am a big fan of all things horror after all.

Writer Henry P. Gravelle put together an okay script and storyline, though the narrative was a bit sluggish at times. There were moments in the movie where it felt like the narrative went into Neutral and went nowhere. But overall, it was an okay enough entertaining script for a vampire movie, just could have used a bit more excitement and action sequences.

The acting performances in "Bogieville" are good, and it was nice to see Indonesian actor Arifin Putra in an American movie. Director Sean Cronin was also starring in the movie. I was actually only familiar with Arifin Putra on the entire cast list.

Visually then "Bogieville" was good. The vampires look feral, and doesn't have that archetypical charming appearance that you would expect from the Bram Stoker's inspired vampires.

This movie will appeal to fans of the vampire genre at large, of that I am sure. I was moderately entertained, but it is hardly a movie that warrants more than a single viewing.

My rating of director Sean Cronin's 2024 movie "Bogieville" lands on a five out of ten stars.

I'm pretty forgiving for horror and science-fiction but this is just BAD. The acting is a just step above community theater and whoever wrote this needs to be flogged. Low budget horror can often be good. Vampire films like Near Dark can be very good. This had no interesting characters or a point.

I'd say its a complete waste of time to watch but even that would be high praise and that any streaming company would charge for this monstrosity is a crime. Okay here's a quick synopsis. 'Our' hero gets fired from his job. He heads over to see his girlfriend who works at a bar. She's actually pretty. So they need to leave town quickly. Behind in rent and all.

So off they go to find work, etc. They drive along until they hit someone or something. So they stop to try and find out what happened and to get help. Hey there is a trailer park up ahead.

This of course is Bogieville.