PUNTUACIÓN EN IMDb
5,9/10
1,5 mil
TU PUNTUACIÓN
Retrato íntimo de una mujer que se debate entre la realidad y la negación tras quedarse sola y verse obligada a enfrentarse a las consecuencias del encarcelamiento de su marido.Retrato íntimo de una mujer que se debate entre la realidad y la negación tras quedarse sola y verse obligada a enfrentarse a las consecuencias del encarcelamiento de su marido.Retrato íntimo de una mujer que se debate entre la realidad y la negación tras quedarse sola y verse obligada a enfrentarse a las consecuencias del encarcelamiento de su marido.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 7 nominaciones en total
Aymeric Bolé
- A machinist
- (sin acreditar)
Reseñas destacadas
Despite an excellent central performance from Rampling this film is not easy and is not engaging. It is tedious.
The story and its telling recalls Antonioni, think of: Il Grido, il Deserto Rosso, L'Avventura and La Notte, with characters who barely intersect, let alone have any connection to each other, solitary, desperate, fearful, they stumble about the world, tiny and wretched. And that is exactly what 'Hannah' replicates.
Yet with Antonioni the films had a trajectory about a social and personal gulf which 'Hannah' doesn't', Hannah simply records the mundane as the mundane and even with a veteran in Rampling to give the merest levels of drama, it still falls short.
In a film the dramatic premise is necessary, such a narrative as 'Hannah' simulates are possible in prose, they work very well on the page, but in a film the internal represented as physical space is insufficient. It's only observation.
In some respects 'Hannah' is like a reality show, but whereas those shows tease the audience with sexual anticipation, Hannah ruthlessly records the anxiety of a lonely, miserable, woman.
The story and its telling recalls Antonioni, think of: Il Grido, il Deserto Rosso, L'Avventura and La Notte, with characters who barely intersect, let alone have any connection to each other, solitary, desperate, fearful, they stumble about the world, tiny and wretched. And that is exactly what 'Hannah' replicates.
Yet with Antonioni the films had a trajectory about a social and personal gulf which 'Hannah' doesn't', Hannah simply records the mundane as the mundane and even with a veteran in Rampling to give the merest levels of drama, it still falls short.
In a film the dramatic premise is necessary, such a narrative as 'Hannah' simulates are possible in prose, they work very well on the page, but in a film the internal represented as physical space is insufficient. It's only observation.
In some respects 'Hannah' is like a reality show, but whereas those shows tease the audience with sexual anticipation, Hannah ruthlessly records the anxiety of a lonely, miserable, woman.
A very subtle, evocative independent film, with an existential atmosphere recalling Ingmar Bergman's works.
It's a quiet, serene picture of beautifully composed scenes, creating an ambience of seclusion and isolation. We experience the lonely life of a woman who has been rejected by everyone in her life, except her only outlet, a theater group she is involved with.
Some, inexperienced with artistic films, may not appreciate its somber nature. And it's definitely not for those expecting a complete narrative. The film is one big question mark of what happened to her, left up to the viewer's interpretation.
Hannah is a homage to Charlotte Rampling, who should have received more nominations for this performance, and who I hope will receive an achievement award for her career.
It's a quiet, serene picture of beautifully composed scenes, creating an ambience of seclusion and isolation. We experience the lonely life of a woman who has been rejected by everyone in her life, except her only outlet, a theater group she is involved with.
Some, inexperienced with artistic films, may not appreciate its somber nature. And it's definitely not for those expecting a complete narrative. The film is one big question mark of what happened to her, left up to the viewer's interpretation.
Hannah is a homage to Charlotte Rampling, who should have received more nominations for this performance, and who I hope will receive an achievement award for her career.
I really liked this movie, however, WHY was her husband put in jail?
I know silly question, have to know...
I know silly question, have to know...
This film tells the story of a woman, whose life is filled with rejection and loneliness.
The story is mundane, as it focuses on the daily life of the woman. It has a lot of scenes featuring her walking, cooking, and doing housework. It doesn't have a lot of dialog, so not much happens. Indeed, the film is very dull and boring. Perhaps it's a film to be felt, but I couldn't really feel it.
The story is mundane, as it focuses on the daily life of the woman. It has a lot of scenes featuring her walking, cooking, and doing housework. It doesn't have a lot of dialog, so not much happens. Indeed, the film is very dull and boring. Perhaps it's a film to be felt, but I couldn't really feel it.
Twenty minutes into the movie I realized that I didn't know where it was going and that it gave me not enough clues to be ever figured out. But I kept on watching Rampling. Enjoying every moment of it.
Is it too much to ask for a plot?
Is it too much to ask for a plot?
¿Sabías que...?
- Banda sonoraModern Love
Written by David Bowie
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- How long is Hannah?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- 漢娜的失序人生
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 11.700 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.700 US$
- 11 mar 2018
- Recaudación en todo el mundo
- 146.325 US$
- Duración
- 1h 33min(93 min)
- Color
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