La balada de Lefty Brown

I love an underdog--who doesn't? With The Ballad of Lefty Brown, Jared Moshe gives the audience a chance to revel in what happens when a bumbling sidekick (expertly played by Bill Pullman) loses his left-hand man (Peter Fonda) and is compelled by love and honor to take revenge. The cinematography is gorgeous--think Andrew Wyeth landscapes at sunset--and the mood of the film remains true to its genre: pensive, a bit wild, and ripplingly tense.

The film succeeds most when it juxtaposes Lefty's incompetence with his determination. Lefty doesn't take action with grace and style like so many other Western heroes--It's just not in his nature. Even his friends think he's too incompetent to manage a ranch let alone outsmart some highly capable bad guys. Lucky for us, his tenacity reveals strength within a love that compels him to do what everyone around him thinks impossible.

As the film progresses, our desire to see Lefty "win" takes on a deeper meaning. Not only do we want him to succeed because justice is pleasurable to witness--Lefty's success is also proof that courage comes in all packages and that true grit reveals its own type of grace, one that is often overlooked when we dismiss those at the bottom of the pecking order.

The Ballad of Lefty Brown is a meditation on what happens if we stop worrying about our flaws and instead explore how we can work with them. Who knows, maybe one of our weaknesses could come in handy some day...

Enjoyed this film more upon second viewing. In the last two years, I think I'm finally coming to understand that I need to be a dedicated consumer of the visual arts or I'm wasting everyone's time. The concept behind this film, the idea of focusing on a dimwitted sick kick rather than his confident partner, is a great idea. Lefty Brown (Bill Pullman) grew on me as the film progressed. I'm not sure he created his own luck but he definitely had it in spades. Joining him is the two-gun rig sporting Jeremiah (Diego Josef) and a grief stricken alcoholic Marshall Tom Harrah (Tommy Flanagan). Blondie, the cool and competent killer for hire provides a challenging adversary but I found his departure from the film is a wee bit anticlimactic. Overall, The Ballad of Lefty Brown is a good modern western and will keep genre loving fans, like myself, very content. Right on.

Ok so it's a bit slow but don't let that put you off, it's gritty with empathy towards the main characters. It has political and moral undertones and we'll acted throughout.

Seldom ever do a review here. Had to cause I've NEVER thought of Bill Pullman as above average actor. This has to be his best as an actor in his career in my opinion! Kudos to Bill!

If you like Western movies, I don't need to write anything to convince you to watch this. Look on the casting here and you already may be swayed by that alone too. Good ensemble to say the least. And it also feels like a classic western. The hunt and the pursue of justice! And the morals being thrown down the drain (well or whatever was the equivalent of that in the Western world) for a better "future" for all (read making rich folk richer).

Now there is a lot that is not being said and things can be interpreted any way you like or however you see things - worldview and all that. A lot of action and quite a lot of Western talk (which I find amusing, but also really like melody). If that sounds like fun to you, the technical aspect and all other aspects really enhance the experience you're going to have watching this