Duelo en el asfalto

How does a heavy wrecker tow truck (while also towing another car) consistently keep pace with a 2013 5.0 Mustang GT? The mustang can go 0-60 in 4.3 seconds. The heavy wrecker can go 0-60 in 30 seconds. The mustang's top speed is 155 mph while the heavy wreckers top speed is 75 mph. This whole movie is impossible and boring.

My quick rating - 3,6/10. Strange to rate this as a fictional movie, the whole thing is basically "how to shoot cameras from in the car, outside the car, near the car." This is all done to show new film makers the proper way to highlight the scenery, characters, etc. Did this movie intend to be anything but a flick showing how to film? Sort of, there was an occasional reference to a tow truck driver chasing after the two dumb girls in the car (I only call them dumb because of how they act in the movie. Would love to see them rolling their eyes when they read the script). I will say that this movie is very odd indeed since it could appeal to fans of "joy ride" and also could get notice from the school of film making wherever these kids were from, but combined together makes for a really boring movie.

Wrecker is in fact what we can say a kind of rip-off of the famous Steven Spielberg flick Duel (1971). Two girls in a Ford Mustang are suddenly being chased by a tow truck without any reason, the driver is never shown and nothing is explained. So far that can't be a problem but what do makes it hard to watch is the acting and the story.

The first 15 minutes I could dig and it all started rather good with an old Ford being broken down at , you guessed it, a road with Devil in it and no cell phone reception. But after 15 minutes the road goes down together with the flick. The acting of Anna Hutchison is below zero. Normally I can stand screaming girls but she doesn't understand it at all. Of course it's also her character that makes her a stupid blond. When a car is left alone on a bridge she can passes it easily but she stops just in front of that broken car, and there are so many things that doesn't make sense. The cop stopping her makes no sense at all. The gas attendant is acting terrible when she waves her gun. How her girlfriend is being put in the trunk of the Mustang is a don't know, at the diner the way she reacts is a girl with big issues.

Towards the end there's use of bad CGI can't explain when not to spoil what is happening but it's really bad CGI.

What I did enjoy was the Ford Mustang and the truck. Like the tow truck is doing it should better tow this flick to the dumpster.

Gore 0/5 Nudity 0/5 Effects 0/5 Story 1/5 Comedy 0/5

I always feel bad giving terrible reviews because ultimately this was other people's vision, budget and time but this movie is really, really, really bad. The very fact that the tow truck could outrun the Mustang causes the movie to immediately lose so much credibility that the movie is already in a hole that it cannot get itself out of.

And as others have said, it's essentially a rip off of Duel.

I don't even know where to begin with this movie. The first thirty minutes (after a pointless and confusing pre-credit scene) is not only a "remake of Duel" but a beat for beat, practically shot for shot, at times line for line rip-off of Duel. I mean, despite the fact that there is no mention of Steven Spielberg or Richard Matheson in the credits of Wrecker, the first half of this movie copies EVERYTHING from Duel. Lines, shots, framing... Like, I'm fairly certain that someone has grounds for a legal suit here. I mean, if I just remake a complete shot for shot, line for line (plus f-words) remake of a TV movie from 40 years ago and basically call it my own work, is that just okay? After copy and pasting the first half of Duel into his Final Draft script-writing program, hack writer/director Michael Bafaro then got to work on changing the middle of an already excellent movie. The only difference in the set-up is that instead of one man on the road alone, it's two completely unlikable girls. They go through, step by step, the exact same beats as Dennis Weaver's character in the original Duel. And then, halfway through, when hack writer/director Michael Bafaro has to deviate from the original script for a variety of reasons (among them being he's not a very good film maker), he does so by writing out the other girl completely, never to be seen again. ...Then why did hack writer/director Michael Bafaro make it two girls in the first place? You'll have to ask hack writer/director Michael Bafaro.

So yeah, the other girl disappears and the remaining girl continues to get terrorized. There's some terrible acting, a lot of boring driving, a telephone booth sequence taken whole from Duel, and then it eventually ends with a terrible and lame CGI rendition of the evil tow truck falling off a cliff.

And these are not spoilers. Watching this movie is the spoiler. It spoiled my evening and my mood. If you haven't seen Duel, go watch it and stay clear of this movie. Unless, for some reason, you want to see the same script interpreted by someone with a passion for film making and storytelling (Steven Spielberg) vs. someone who has no clue and apparently has no problem plagiarizing someone else's work (hack writer/director Michael Bafaro). Then perhaps it could be an interesting learning experience. Michael Bafaro sucks.

Just for example, real quick.... The entire time you're watching Wrecker, you're like... why don't these two idiot girls just turn around and either go home or find another way to get to their... stupid ski resort or whatever it was. While that makes no f'ing sense here, in the original Duel, Dennis Weaver has an important work meeting to get to and frankly has no choice but to keep going and hope he can shake the crazy truck driver. You see, because hack writer/director Michael Bafaro is not a creative person and when left to his own devices, can not differentiate between logical character motivation and people just doing things for no reason.

Michael Bafaro sucks and so does this movie. I'm offended by Wrecker both as a writer myself and as a movie fan. Even if he was given remake rights to Duel (which I don't think he was), that's no excuse for using 3/4ths of the script and not even crediting the original writer.