Madoff

This is by far the best production, documentaries included, of the Madoff story. The script was excellent. The information and plot are easy to follow without being weighed down by boring financial specifics. The major players are represented well and the acting is superb. Dreyfuss, Danner, and Rispoli make De Niro, Pfeiffer, and Azaria look like amateurs! I enjoyed the miniseries so much that I wish there were more episodes!

I didn't know that much about Bernie Madoff, except that he had supposedly cheated people out of millions of dollars. Actually, it was billions.

But right away Richard Dreyfuss made this supposedly evil man look like a great guy. You have to like him. He had his clients' best interests at heart, but he knew what he was doing would be frowned on by the SEC and the federal government. And yet he had been doing this since the 1960s--making big money for people regardless of what the market was doing.

And it became quickly apparent that Bernie cared about his family. A loving wife who had only a vague idea that her husband's dealings weren't quite legal. Two sons, one more uptight than the other, who like Sgt. Schultz knew NOTHING (at least that's how the movie portrays it). A brother who has some knowledge that Bernie's activities aren't what they should be, but is kept pretty much out of the picture.

Dreyfuss does a fantastic job. I might even say Emmy-worthy. Most of the time Bernie is quite charming and a good guy. He can get quite angry when pushed. Knowing investigators are this close to putting him away, he seems quite vulnerable. And this last part is shown quite effectively with rapid-fire editing. The sound stays consistent but we keep seeing the nightmare Bernie thinks is coming, or flashbacks, or whatever, in addition to what is happening now. And this editing technique is used several times.

Michael Rispoli is very good as the man in charge of the 17th floor. I should mention that the legitimate business operated from fabulous modern offices where everyone dressed for success on the 19th floor, where the employees included the brother and two sons. Mark resented that Frank got the promotion he deserved, but Bernie would not let his sons get mixed up in the illegal activities on the dark, depressing 17th floor where it was always Casual Friday.

Ben Dreyfuss effectively showed us a charming and ambitious but not particularly endearing young Bernie in flashbacks. He showed how Benrie learned to do what he did.

Blythe Danner is a loving, caring wife, until ... and then wait until you see what she's like. A very good job with a wide range of emotions.

Erin Cummings is impressive as the loyal secretary. She seems out of place with the New Yawk accent in these plush offices, but she is quite appealing.

Peter Scolari used to be so funny, but he's mostly serious here, which he has become good at in recent years. He really shows his ability when brother Peter's son gets very sick, and Peter starts feeling guilty about what he knows he has done wrong. And we have to go through the hard times with the family.

There are happy times with the family as well, which makes up for the difficulties.

But of course watching Bernie wine and dine and otherwise impress his billionaire clients (soon to be broke in some cases) is lots of fun. One of them is in West Palm Beach and the big band music in the scenes there is great.

Frank Whaley is the man who started the process of bringing down Bernie Madoff. Since some situations and people are fictional, we don't know if he's real or not, but it doesn't matter. He is a brilliant investigator who lacks people skills and is often quite nervous. People don't take him seriously, and even when they do, Bernie has the ability to talk himself out of the situation.

Or government officials are just morons. It doesn't matter. It's all quite entertaining. You want Bernie to win, but you know something is bound to happen.

And when it does, it really does. There goes that rapid-fire editing again, this time with the sound matching the visuals.

In one sequence the people are either real victims of Bernie Madoff or they are very good actors.

Also effective is the apparent use of real ABC News anchors reporting on the scandal.

Dreyfuss appeared on the TV screen during the closing credits, at least when I watched, to invite us to watch the real story coming up next, and to praise the talented actors and writers whose work we just saw, and I agree with him.

Like him or not, I think this movie is a winner.

An interesting story based on Bernie Madoff the so called wizard of Wall Street, well played by the entire cast, and informative of what people are willing to do acquiring your money, Madoff may have started out simply trying to impress his friends and family as they stated he had it all before the Ponzi affair, so either he did it and it spun out of control or he became wrapped up in the illusion of his vain wizardry, maybe both, in either case its sad people become so wrapped up and taken so easily by money, never satisfied with what they got, and need something to fill their void of unhappiness, don't pity the poor man, pity the fool, and delusional wizards, the domino effect of the fallout was a atrocity to all the victims, hopefully a lesson to save others in the Madoff's of the future.

Richard Dreyfuss gives a terrific performance as investment con man Bernie Madoff. He's an interesting character, dishonest to the core yet loyal and generous to his friends, although it's unclear whether he was genuinely generous or just interesting in keeping people loyal.

It's fascinating to see the long con and how it unravels, and infuriating and disturbing to watch a lone crusader spend fruitless years trying to convince an inept SEC to investigate one of the great financial criminal.

The great weakness of the film is that it overly focuses on Madoff's family, including an ungraceful attempt to use his family history of cancer as a symbol.

I understand wanting to show how Madoff's actions hurt his family, and the actors are fine, particularly Blythe Danner (still, surprisingly, sexy in her 70s), but what Madoff did hurt so many more people than his family, and while that is shown, it is overshadowed by the rather dull family stuff.

I feel the movie should have focused more on the crusader, or on the incompetence of the SEC. Or it could have just been pared down in length.

Still, it's a fascinating story and Dreyfuss is a perfect Madoff.

Out of all of the great TV shows, mini series and TV movies this year, this has got to be the best one this year bar none, Richard dreyfuss in one of the best performances since the goodbye girl back in the 70's, where he won a Oscar for that role, plays Bernie Madoff a man who was sentence to 150 years in prison for tax for running a Ponzi scheme, the teleplay is one of the best teleplays in recent TV history and the performances are all wonderful as always, the writing is crisp, the pacing is great and the editing is marvelous, it's a shame that he wasn't nominated for a emmy for his whole, because he should have been, nevertheless this is definitely the best TV of 2016 bar none I give it my highest rating A+