Noticias

Exclusive: Gluon Media, which until now has focused on releasing international movies into Latin America, is branching into U.S. distribution.

The Miami Beach-based specialty distributor will kick-off its U.S. operation with the release of The Fantastic Golem Affairs by Spanish film-making duo Burnin’ Percebes, consisting of Juan González and Fernando Martínez.

Gluon, which has acquired all North American rights will open the film at New York’s Quad Cinema on August 29, in the presence of the filmmakers, following select Fantastic Fest Presents screenings at Alamo Drafthouse locations on August 25 and 26. Gluon will release the film on digital and streaming platforms following the theatrical window.

The sci-fi comedy follows Juan, who, after a night of partying, watches helplessly as his friend David drunkenly falls from a terrace. David’s body hits a car hood on the street below and shatters into a thousand pieces.

Since no one else seems shocked by this,...

Brazil’s Fantaspoa film festival is celebrating its 20th anniversary this year, and the festival is breaking numerous records, presenting an impressive total of 114 feature films, 22 of these as World Premieres, marking the largest number of feature films in Fantaspoa’s long history.

The final selection of feature films for Fantaspoa’s highly-anticipated 20th edition has been exclusively presented to Bloody Disgusting, so read on for everything you need to know!

The festival tells us this week, “With a diverse selection, the feature films screening at Fantaspoa Xx have been divided into seven distinct competitive categories: International, Ibero-American, National, Documentary, Animation, All-Nighter, and Low Budget, Great Films. These categories promise audiences a variety of cinematic experiences, from the fringes of horror and fantasy to the depths of the human imagination.

“In addition to feature films, Fantaspoa will screen 123 short films, totaling 237 participating works, making this edition of the festival the largest in its history.

Cementing their place as auteurs of the absurd, Spanish writer-directors Juan González and Nando Martínez, of creative outfit Burnin Percebes, presented their latest feature “The Fantastic Golem Affairs,” to audiences at the Malaga Film Festival.

A sci-fi caper that embodies the duo’s freeform, standalone filmmaking style, it competed alongside further buzz titles “20.000 Species Of Bees,” from Spanish director Estíbaliz Urresola, and Gerardo Herrero’s,“Under Therapy.”

Selected for Canada’s Fantasia Film Festival, it begins after a night of heavy drinking, with quintessential bachelor Juan and his friend David playing a game of charades on the roof. During a highly-animated round, David falls from the ledge and shatters into a million ceramic pieces. The event sets off a fiendishly ludicrous odyssey through Juan’s daily affairs as he seeks to uncover the truth behind his ruptured relationship.

With a keen eye on the absurd, the film ponders death,...

Based out of the U.S. and Spain, 34T Sales has taken international rights to surrealist romcom “The Queen of Lizards,” directed by Nando Martínez and Juan González, who go by the name of Burnin’ Percebes.

The feature is produced by Pedro Hernández at Madrid-based Aquí y Allí Films which first caught notice with “Here and There,” the debut feature of Antonio Méndez Esparza, which won Cannes Critics’ Week Grand Prize in 2012. Carlos Vermut’s “Magical Girl” scooped San Sebastian’s Golden Shell in 2016, while another Aqua y all production, Méndez Esparza’s “Life and Nothing More,” was proclaimed an “essential film2 of 2017 by Variety.

The Spanish producer has proven to have a keen eye for discovering young original talent working on stories deeply rooted in memorable characters.

Martínez and González broke out with their first feature, 2014’s “Searching for Meritxell,” then made “Ikea 2,” two low-cost indie features which confronted classic scenarios,...

Boston-based international sales company 34T has picked up Enrique García’s Spanish thriller “Black Stain.”

Set in an isolated Andalusian village in the early 1970s, the story revolves around a family mourning the death of the elderly matriarch and the deep tensions that are reignited with the return of her estranged son Eugenio, who left years earlier. As his three sisters grieve, the dark stain that has long haunted the family resurfaces.

Eugenio’s return reawakens ill feelings among the neighbors, whose livelihood has been devastated by a plague that has destroyed the village’s once fertile olive grove. The family is soon facing the threat of destitution and exile as long buried secrets are revealed.

García, whose previous films include the 2017 thriller “Resort Paraíso” and the 2014 drama “321 días en Michigan,” has described his latest work as “a tragedy with echoes of Lorca, of Shakespeare not to mention Hitchcock’s...