Noticias

"Hope I didn't wake the others..." "The others...?? There's nobody around for acres..." FilmFrontier Studios has unveiled an official festival trailer for an indie film titled The Veil, now playing on the festival circuit. Written & directed & produced by Cameron Beyl, this just premiered in his hometown of Portland at the H.P. Lovecraft Film Festival earlier this month. Not to be confused with the 2016 horror film The Veil with Jessica Alba, or the 2021 Korean spy thriller series The Veil, this one is something else. Redemption gives way to a reckoning when a reclusive retired priest shelters a young Amish runaway in crisis, only to uncover a mystery that ties her presence to a terrifying encounter from his youth– and the bright aurora borealis that rages overhead. The little indie film stars Sean O'Bryan and Rebekah Kennedy. A "genre bending cosmic horror" that definitely seems like a good fit for the H.

In their seventeen feature-length films over the last three-plus decades, there are perhaps no more consistent, distinctive American filmmakers working today than Joel and Ethan Coen. After finishing up similarly comprehensive series on David Fincher, Stanley Kubrick, and Paul Thomas Anderson, Cameron Beyl has returned with another multi-part documentary, this time dedicated to the work of the Coen brothers.

“They no doubt would be quick to dismiss this very video series as a frivolous waste of time — an ill-advised attempt to define a filmography that actively defies interpretation,” begins Beyl. Indeed, much of the fascination with the Coens has to do with the seemingly effortless way they are able to layer their films; virtually all of them able to work as a piece of entertainment on first viewing, only to reveal themselves as much deeper on many deserved repeating watches.

Briefly kicking off with their pre-Blood Simple days, Beyl...

Filmmaker Cameron Beyl has released the third part of his Director Series centering on the Coen Brothers’ films. The new installment of “The Directors Series” focuses on the Coens’ breakout classic films, “Fargo” and “The Big Lebowski.” Read More: The Best & The Rest: Every Coen Brothers Movie Ranked Using clips from the films, Beyl discusses the influences […]

The post 25-Minute Video Essay Examines The Coens’ Breakout Classics ‘Fargo’ & ‘The Big Lebowski’ appeared first on The Playlist.

In his seven feature-length films over the last two decades, there are few filmmakers who have displayed as much skill and artistry with each new work as Paul Thomas Anderson. After finishing up similarly comprehensive series on David Fincher and Stanley Kubrick, Cameron Beyl has returned with another multi-part documentary, this time dedicated to the work of the There Will Be Blood director.

Beginning in his early days of crafting The Dirk Diggler Story and other shorts, as well as his debut Hard Eight, the next section segues to his sprawling Los Angeles stories Boogie Nights and Magnolia. Then we dive into his more comedic side with Punch-Drunk Love and various comedy sketches and shorts around the era before getting to his portraits of power with There Will Be Blood and The Master. Lastly, it looks at his more groovy side with Inherent Vice, Junun, and recent music videos.

So...

After finishing up a three-hour series on Stanley Kubrick earlier this year, Cameron Beyl has returned with another comprehensive set of video essays on the another director who is has earned similar attention and reverence: David Fincher. With a cold, clinical approach that favors technical precision and methodical storytelling not unlike Kubrick, he makes for the ideal subject to explore.

Spread out over five separate videos each chronicling a specific era of the director’s career, we begin with his early days of working on the visual effects Return of the Jedi and directing music videos and commercials, inspired by brothers Ridley and Tony Scott. The first video then concludes with his tumultuous experience when it comes to his debut, Alien 3.

The other video essays mainly focus on his subsequent features, with various commercials and music videos on the side. This is coupled with his increasing passion for technology,...

The short film Yellow Plastic Raygun directed by Alessandro Cima, which was featured on Bad Lit just a few weeks ago, has won the Best Experimental film award at the Downtown Film Fest Los Angeles that ran Sept. 8-12.

I believe this was the second year for the festival, which was created by the former organizers of the defunct Silver Lake Film Festival in an effort to help promote the formerly neglected, but now popular downtown neighborhood of L.A.

Yellow Plastic Raygun is a mix of found and original footage that creates a retro-futuristic tale of society crumbling. The film also ends with creative shots of the World Trade Center that Cima filmed himself several years ago prior to 9/11. You can watch the film on Bad Lit here.

Another winner of the Dffla include the Matt Harlock and Bill Thomas’ documentary American: The Bill Hicks Story, which also screened Australia twice recently,...