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Tart Carlos

Noticias

Tart Carlos

‘Queer Genius’ Salutes Four Women Creating Art Outside the Mainstream
Barbara Hammer
Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress — at the end of the week, you’ll have the chance to vote for your favorite.

In the meantime: Is this a project you’d want to see? Tell us in the comments.

Queer Genius

Logline: “Queer Genius” explores the lives of four visionary queer artists: Eileen Myles, Barbara Hammer, Jibz Cameron and Shannon Funchess.

Elevator Pitch:

“Queer Genius” is a cinematic exploration of four visionary queer artists breaking down barriers in their creative fields as they confront fame, failure, censorship, family, gender, and sexuality. The film embraces the communal possibilities of “genius” from a particularly queer perspective crossing genre and generational perspective.

The film features intertwined portraits of Eileen Myles, Barbara Hammer, Jibz Cameron (Dynasty Handbag), and Shannon Funchess of Light Asylum.

Production Team:

Catherine Pancake – Director/Producer

L.A. Teodosio – Consulting Producer (“Little Men”)

Laura Terruso – Consultant,...
Ver el artículo completo en Indiewire
  • 18/8/2016
  • por Steve Greene
  • Indiewire
Everybody Wants Some Podcasting !!
Nathaniel, Nick, and Joe kick off a whole new season of the podcast by hitting the road with Michael Shannon and family in Midnight Special and going back to college with Richard Linklater's baseball boys in Everybody Wants Some!! We believe its our 8th season, so we'll just go with that.

42:30 minutes 

00:01 The Crucible Broadway & Film

02:12 The Slumdog Oscar Year

05:00 Everybody Wants Some!! delightful & sexy

15:00 Pro & Con on Midnight Special

32:00 Hello My Name is Doris,  Zootopia

40:30 Favorite Prince songs

You can listen to the podcast here at the bottom of the post or download from iTunes. Please continue the conversation in the comments. Did you "want some!!" and where do you fall in the all-over-the-place reactions to Midnight Special.
Ver el artículo completo en FilmExperience
  • 25/4/2016
  • por NATHANIEL R
  • FilmExperience
March Highlights. April Sneak Peek.
The month began with final thoughts on last year's Oscars (yes, those were the 2015 Oscars no matter what search engines, IMDb, and the web say!) and the final podcast of the season. And then we bravely tried to forge ahead unmoored to any one topic, though we immediately lost our more fairweather readers. Damn you random people who aren't reading this!  Ah, well. They'll be back next season. 

March Highlights

get caught up if you missed anything! 

Random March Highlights!

Hello My Name Is Doris and Krisha acting showcases for older women 

Gods Of Egypt and Batman v Superman bad movies: enjoyable & not

2016 Calendar a tentative list

McCambridge Centennial we had fun writing these!

Returning Series

Posterized checked in w/ Sally Field & Saoirse Ronan. How familiar are you?

Best Shot hit Atonement (2007), and Daredevil (2016)

Stage Door attended Broadway revivals The Color Purple & The King and I

Tues Top Ten celebrated...
Ver el artículo completo en FilmExperience
  • 30/3/2016
  • por NATHANIEL R
  • FilmExperience
Lake Bell Returns To Her Director's Chair To Ask What's The Point?
After securing the 2013 Sundance Film Festival’s Screenwriting award, a slot on the National Board of Review’s top ten list of indie films, and the vocal support of critical heavy hitters like A.O. Scott, Lake Bell’s pitch-perfectly precise comedy In A World… announced itself as one of the more confident debut features in recent memory, let alone from an actor-turned- director/writer. If you haven’t seen this film about voiceover artists in Los Angeles, it expertly defines the multidimensional barriers to success that women face any time they wish to advance upward – and it’s the movie where Tig Notaro met her wife.

This week Bell announced her follow-up feature What’s the Point?, continuing her series of personal, sharp social commentaries with titles that end in grammatical whodunits. According to Deadline, What’s the Point? poses the additional question of whether marriage should be a seven-year contract with negotiable renewals – which,...
Ver el artículo completo en FilmExperience
  • 24/3/2016
  • por Daniel Crooke
  • FilmExperience
What did you see this weekend?
Moviegoers are officially tired of The Divergent Series as its third installment was off 44% from the previous film. And they've still got one film to go! Studios will soon (hopefully) realize that not every book adaptation deserves multiple movies. Damn you Hunger Games & Hobbit & everything else that encouraged this awful trend of greed over storytelling purity; plodding along when you should set hearts racing is an anti-audience move. Zootopia and Deadpool continue to be huge hits. In fun news, Sally Field's vehicle Hello My Name is Doris got within a ferry ride's distance of the top ten with a million dollar weekend even though it's only on 128 screens. Well done, Sally! 

Wide Releases

01 Zootopia $38 (cum. $201.8)

02 The Divergent Series: Allegiant $29  New 

03 Miracles From Heaven $15  New 

04 10 Cloverfield Lane $12.5  (cum. $45.1)

05 Deadpool $8 (cum. $340.9) Reviewish

Limited Releases

less than 800 screens excluding previously wide

01 Hello My Name is Doris $1 (cum. $1.1) 128 screens Review 

02 Kapoor & Sons - Since 1921 $.9 New 143 screens

03 Anomalisa $.7 (cum.
Ver el artículo completo en FilmExperience
  • 20/3/2016
  • por NATHANIEL R
  • FilmExperience
Review: Hello, My Name is Doris
This review was originally published in Nathaniel's column at Towleroad

In a perfect world we would always have room for our Best Actresses as they age but in the world we actually live in only British Dames and Meryl Streep are allowed to do that. And Tilda Swinton but she lives inside her own space and time continuum. The expiration date on female movie stars — their “last f***able day” (thank you Amy Schumer) — before they disappear into thankless supporting roles used to be 40 and now it’s thankfully extended until about 50. But at some point in most star careers the lead roles all too abruptly stop.

That’s why it was a joy last summer to see Lily Tomlin ace a rare film-carrying job in Grandma and why it’s nice to have a spiritual sequel just months later in Hello My Name is Doris. The two films...
Ver el artículo completo en FilmExperience
  • 13/3/2016
  • por NATHANIEL R
  • FilmExperience
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