Noticias

“Firefly Lane” Season 2 has arrived, and with it comes another loaded lineup of signature songs for the seventies, eighties, nineties and early 2000s. Throughout the shifts between three separate timelines in Tully and Kate’s friendship, needle drops help distinguish which part of their lives we’re watching, especially when it gets confusing between the older versions of Kate Mularkey Ryan (Sarah Chalke) and Tully Hart (Katherine Heigl). Kristin Hannah’s 400+ page novel off of which the television show is based uses certain songs and lyrics to introduce the new decades, or parts of the book, like Abba’s “Dancing Queen,” Pat Benatar’s “Love Is a Battlefield” and more.

Season 2 boasts two Whitney Houston songs — “I’m Every Woman” and “How Will I Know” — Cyndi Lauper’s “True Colors,” The Knack’s “My Sharona,” Chaka Khan’s “Ain’t Nobody” and “Closer to Fine” by The Indigo Girls.

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This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this first episode of a two-part series, David and Trevor are joined by Pablo Knote to discuss two films (Black Sun and Thirst for Love) from Eclipse Series 28: The Warped World of Koreyoshi Kurahara.

About the films:

Over the course of his varied career, Koreyoshi Kurahara made meticulous noirs, jazzy juvenile-delinquency pictures, and even nature films. His free-form approach to moviemaking was perfectly suited to the radical spirit of the 1960s, when he was one of the biggest hit makers working at the razzle-dazzle, youth-oriented Nikkatsu studios. The five films collected here hail from that era of the Japanese New Wave, and encompass breathless teen escapades, cruel crime stories, a Yukio Mishima adaptation, and even a Hollywood-inspired romantic comedy.