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La vida de Camarón de la Isla. Desde sus humildes orígenes hasta el estrellato internacional.

Carla gets a call from the small town where she grew up in the South of Spain. Her father, who she hasn't spoken with in many years, is very ill. She refuses to face it and decides, against everyone's opinion, to take him to Barcelona, where she is convinced they'll be able to save him. They'll travel across the country in a desperate race to steal time from sickness and death, trying to recover lost time. And it is in that flight where the will finally find each other.

A lonely guy, living an uneventful life in Paris, takes care of his mother. One day, a girl with a more exciting life moves in his apartment building.

The relationship between Sara and Andrés is a living organism.

Amanda is a melancholic prostitute, in love with a regular client, a disenchanted doctor. Since the day Amanda met this man, he has become, without knowing it, her only client. This explains why Amanda, since then, has been stealing suitcase in a bus station in order to live. One day Amanda steals a suitcase which is different than the other. Its content will change her life.

On Spain's Costa Blanca, a girl writes notes, sticks them in bottles, and tosses the bottles into the sea: "Hello, Stranger! I'm Paula and I'm 10." Fernando, a solitary man of 59, finds one of the bottles and writes to Paula. A correspondence ensues in which she tells him about her personal life (her father dead, her mother remarried, her friend gone to Algeria) ; he tells her he's not happy. Fernando's wife asks who the girl is in a photo on his desk. He makes up a story. Paula calls him ("How did you get this number?"), her mother wants to get rid of her dog, she'd like to meet Fernando. Where is this leading?

Trailers are made for movies. Here is a trailer full of action, drugs, rock'n'roll... and no movie.

Andrés es un veterano cubano que nunca dejó de ser soldado, ni de creer en la causa comunista. Su país cambia lentamente, pero él se prepará para la guerra que está seguro está por venir.

The people who take the last meters on weekdays always wear wrinkled clothes. Sitting in an almost empty carriage, they look at each other, guessing. After another day of missed opportunities, they only hope to get home.

El retrato de las 24 horas del día a día doméstico, profesional y sexual de un ama de casa madrileña del siglo XXI.

A droning world devoid of human presence, through the density of the sky.