novelon00

First of all, I'm grateful that Bardasano decided to adapt the Chilean story. I was afraid it would be taken over by Lucero Suárez, who turned the also Chilean "Perdona Nuestros Pecados" into a conservative garbage.

However, Bardasano, with all their liberties, has managed to respect Chilean history.

The adaptation by Ximena Suárez and Julián Aguilar, based on Luis Ponce's script, is fast-paced and enjoyable, entertaining to watch, and has some good moments of tension.

Nothing to say about the cast; no one is out of place.

The entire cast is evenly matched and it's nice to see so much talent on screen.

Good work, Carlos Bardasano.

I would like to highlight the good points first, since there is a great director like Sabatini and a respectable cast, Claudia Di Girolamo spectacular as always, and despite everything, it is entertaining and has interesting moments (although less than expected)

The problem is the script, it becomes very repetitive and there is no real use of Catalina's character, they waste many good resources such as the setting and the music for such a weak story.

As I said before, there are a lot of good characters like those of Di Girolamo, Cristián Carvajal Catalina Pulido, Antonio Campos, Sofía García and Javiera Hernández, however, the situations are not interesting enough and do not do justice to either the cast or the characters. History, since few enjoy evolution.

The editing also bothered me, in the final stretch very important events occurred, but it seemed that everything was moving quickly, not being able to process the story.

I honestly expected a lot more.

"Mujeres de Lujo" continues to be the best at night, "Infiltradas" although it had setbacks at the beginning, improved considerably in its second half, on the other hand "La Doña" is much inferior to the previous nocturnal ones, thanks to its waste of resources and irregular rhythm.

I did not trust the scriptwriters at all, since "Verdades Ocultas" is a project that is not to my liking, the truth is that I gave it a chance because of the great cast, however, it is a fairly rounded project, although it has in common a slow pace and overexposure dialogues like "Verdades Ocultas", the truth this time, The script is much better put together, the twists are organic and surprise for good, and the extension feels justified, another of the mistakes corrected in the previous project is in the balance of characters, in "Verdades Ocultas" there were too many, however here focusing on only two nuclei was a success.

I highlight the great work of Carolina Arregui, Julio Milostich, Loreto Valenzuela, Magdalena Müller and Carlos Diaz.

Although it is not one of my favorite thrillers, the truth is that it is a very enjoyable and rounded product, the daytime is still alive.