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leathermusic

Okt. 2005 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.

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Rezensionen15

Bewertung von leathermusic
Miami Golem

Miami Golem

3,8
7
  • 14. Juli 2007
  • Not as bad as you think. Quite enjoyed it! Classic Italian Cheese: Eighties Style.

    Miami Golem aka Miami Horror is a saucy little mish mash of adventure. It's not horror, action or sci-fi; it's really a tacky combo of Hollywood elements &cliches sort of strung together logically. Stars David Warbeck and Laura Trotter put together solid performances. And the rest of the cast is up to task as well. At the end of his career, Albert DeMartino directs what is essentially a cornball script quite well. Some great photography of Miami is exploited by the filmmakers, in order to hammer home the concept that, this is indeed Miami. Which brings us to the issue of the other word in the title; golem/horror. Now, this little fella is ridiculously silly in appearance, yes. But so was Miami in the 80's and did I mention the script? Hilarious. As for the music, other reviewers have noted the obvious borrowing of Beverly Hills Cop motifs. But this happens only during the opening credits montage. The rest of the score works very well for helping to propel the corny script. Why the composer Detto Mariano so blatantly "borrowed" Axel's Theme is anybody's guess, but again, this is only during the very beginning of the freaking movie, so its not as big a deal as other reviewers have noted. Other musical passages are very dramatic and/or intense. Miami Golem is worth a look if you enjoyed such films as Devil Fish, Pod People or Puma Man. It is a charming little action movie that has ambitions which are reached for with endearing failure. Also I think it is interesting to note that Warbeck & Trotter each appeared in perhaps the 2 most special of all the Italian Horror films released in 1981, The Beyond & Nightmare City, respectively. In my mind these films represent the pinnacle of Italian Horror during the final part of its most amazing era. Although Miami Golem does not come near the level of visceral engagement those films create, it is nonetheless solid, this may almost be top notch entertainment.
    Tigerman

    Tigerman

    4,3
    7
  • 29. Juni 2007
  • "an adventure that mixes justice with revenge for explosive results"

    The back of the box did not lie- "an adventure that mixes justice with revenge for explosive results" -BOOM! I just watched this hidden gem of a movie. Hasselhoff stars as Will Colton, an ex-marine who returns to his hometown in Texas. A gang of weapons dealing biker creeps killed Hasselhoff's family years back and he is back for revenge. He gets help from a local lady who has also been terrorized by these thugs. The gang includes the police chief, played by Bo Hopkins, which gives the movie some redneck credibility to the rural Texas setting. Actually, I would guess that this film is Italian or South African. The dubbing involved is of the 80's Italian style. Also it stars John Saxon, who is in a lot of the Italian action movies of this time. Also, it has an Italian director. One thing is for sure, it was not made in Texas. But anyways, this movie has some very good action sequences, a good cast, and an unintentionally hilarious script. Hasselhoff has some great conversations with his pet cougar that are awesomely cheesy. And John Saxon as the leader of the pack seems kind of embarrassed to be wearing such a lame looking wig, but he puts together a menacing portrayal of creepiness.

    There is a some good motorcycle violence, a cougar, a short love scene featuring Jeannie Moore, a load of European synthesizers futile mimicking honkytonk boogie music, and an Albino Motorcycle . If you happen upon this thing, give it a try. This is a lost classic.
    Der Bohrmaschinenkiller

    Der Bohrmaschinenkiller

    5,2
    9
  • 12. Juni 2006
  • Come for the grisly deaths, Stay for the deranged psychology!

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