jcgoodwin2
Dez. 2014 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.
Abzeichen7
Wie du dir Kennzeichnungen verdienen kannst, erfährst du unter Hilfeseite für Kennzeichnungen.
Rezensionen10
Bewertung von jcgoodwin2
A nurse and her husband attempt to foster a pair of abused sisters, but the new family is stalked by the biological parents.
I wanted to like 'There's No Way Out,' but the writer sacrifices logic so much that this habit becomes distracting. How does a stalker who's on foot keep up with a car? Why are there no security cameras in a hospital? Why is the door to a house left unlocked during the day? Why does this unlocked door trigger an alarm? How does a certain someone know a security code? Why are foster parents not informed of their kids' history by a social worker? How did a character who wasn't alone make an emergency call undetected?
I could go on. Instead, I want to mention that I did enjoy the performances, particularly those of Elizabeth Longshaw and Marcus Rosner, who play the foster parents, though this bond features the usual cliche in which one person sees what's really going on, while the other is too naive.
The film skips over a crucial part early on, in which an unseen shopping trip apparently bridges the gap between the foster mother and her older child. However, there are some nice scenes featuring the kids and their new parents later.
Overall, it's a decent effort that could have benefited from a bit more care.
I wanted to like 'There's No Way Out,' but the writer sacrifices logic so much that this habit becomes distracting. How does a stalker who's on foot keep up with a car? Why are there no security cameras in a hospital? Why is the door to a house left unlocked during the day? Why does this unlocked door trigger an alarm? How does a certain someone know a security code? Why are foster parents not informed of their kids' history by a social worker? How did a character who wasn't alone make an emergency call undetected?
I could go on. Instead, I want to mention that I did enjoy the performances, particularly those of Elizabeth Longshaw and Marcus Rosner, who play the foster parents, though this bond features the usual cliche in which one person sees what's really going on, while the other is too naive.
The film skips over a crucial part early on, in which an unseen shopping trip apparently bridges the gap between the foster mother and her older child. However, there are some nice scenes featuring the kids and their new parents later.
Overall, it's a decent effort that could have benefited from a bit more care.
I had to suspend far too much disbelief while watching this episode.
No officer would let a kid hold onto a gun for his own comfort after a standoff. I understand that this matter was designed to make the new character endearing, but there are ways for a writer to do that without being absurd.
Then there's the plot device. The New York agents travel to DC because one of the victims there is a federal officer ("moonlighting" at a hotel), but I couldn't fathom that there would be no local FBI agents to investigate the crime, considering where FBI headquarters is located. At least show the New York officers working with them for the sake of believability.
The performances were as good as ever, and I certainly like the newcomer Gaines, but the issues with believability were distracting.
No officer would let a kid hold onto a gun for his own comfort after a standoff. I understand that this matter was designed to make the new character endearing, but there are ways for a writer to do that without being absurd.
Then there's the plot device. The New York agents travel to DC because one of the victims there is a federal officer ("moonlighting" at a hotel), but I couldn't fathom that there would be no local FBI agents to investigate the crime, considering where FBI headquarters is located. At least show the New York officers working with them for the sake of believability.
The performances were as good as ever, and I certainly like the newcomer Gaines, but the issues with believability were distracting.