Christof_McShine

A Spanish animated drama telling the story of Emilio, a retired bank manager who is developing early signs of Alzheimer. His son makes the difficult decision to put him in a care home, much to his father's disappointment. There, he slowly strikes up a friendship with his roommate Miguel who has all his marbles and spends his time making money out of his confused neighbours. The two find ways of relieving the boredom of the home but Emilio is seemingly fighting a losing battle as his memory begins to fade.

I thought this was an interesting little drama with a balanced mix of pathos and humour. For someone who works with older people, often in a care capacity, much of this rang true with me, particularly the boredom and loneliness that many experience when they move into a home. It never threatens to be anything truly groundbreaking and the animation is pretty basic but nonetheless it is a worthy film with some lovely scenes and will strike a chord with anyone who has had to deal with this terrible disease.

An Irish family welcome home Conor, the husband and father who has recently suffered a life changing stroke. In tow is an American psychologist who is studying Conor's progress as he tries to settle back into the family life. It's not long before the American becomes the father figure himself and also begins to veer towards a deeper relationship with Vanetia, the wife.

For a film that clocks in at just over 1 hour 40 minutes this still felt rather long winded in places. Some of the dramatic scenes work well and the performances are perfectly OK, Edward MacLiam as Conor in particular impressing whereas Maxine Peake as his free-spirited wife struggles badly with the Irish accent which doesn't help.

It seems however there is too much thrown into the pot and in the end it becomes unnecessarily convoluted - we have the blossoming relationship between the wife and the psychologist, the struggles of the husband and wife, the son facing up to homosexuality, the suspicious father-in-law, the sister who's taken a shine to the American and so on. All this leaves it rather disjointed and had it just centred on the 3 way adult relationship dynamic it would've made for a much stronger film.

Not all bad but something of a mixed bag.

Tom Hardy plays Ivan Locke, a successful construction manager who makes a major decision on his journey home which will impact on every aspect of his life.

This a low budget drama from writer and director Steven Knight with Hardy the sole screen presence. As he takes to the road he is seemingly a man in control of his destiny, determined to do the right thing only for everything to slowly unravel. Through conversations on the phone he tries to negotiate an emerging crisis at work with his boss and an evolving domestic situation with a concerned wife and sons desperate to have their dad home to watch the football.

With a premise of just one actor in a confined location it is testament to Hardy's acting nous that he can pull off such a taught, powerful performance solely based on reactions to the increasingly dramatic phone calls. Locke is unrelenting in his belief of doing the right thing and we see why when he has imagined conversations with his father, an apparently neglectful and emotionally absent figure in his life. These scenes in particular are beautifully shot with the use of Locke looking into the car mirrors for the man who isn't there.

It wastes very little of its short running time and overall is a captivating and rewarding film with a terrific central performance.